Directed by
| Bernard L. Kowalski | ||
Writing Credits
| Donald P. Bellisario | ... | (created by) |
| Rick Kelbaugh | ... | (executive story editor) |
| Katharyn Powers | ... | (written by) |
| Del Reisman | ... | (executive story consultant) |
Cast (in credits order)
Produced by
| Everett Chambers | ... | supervising producer |
| Carol Gillson | ... | co-producer |
| Robert Janes | ... | producer |
| Bernadette Joyce | ... | associate producer |
| Bernard L. Kowalski | ... | executive producer |
| Richard Learman | ... | associate producer |
| Stephen A. Miller | ... | co-producer |
| Leon Ortiz-Gil | ... | associate producer |
| Mike Snyder | ... | associate producer (as Michael Snyder) |
Music by
| Bernardo Segall | ||
Cinematography by
| Seymour Hoffberg | ... | director of photography (as Sy Hoffberg) |
Editing by
| Mario Di Gregorio | ... | (as N. Mario DiGregorio) |
Casting By
| Joe Reich | ||
Production Design by
| John Leimanis | ||
Art Direction by
| Hugo Santiago | ||
Set Decoration by
| W. Joe Kroesser | ... | (as W. Joseph Kroesser) |
Production Management
| Bud Grace | ... | unit production manager |
| Richard Learman | ... | unit production manager |
Second Unit Director or Assistant Director
| Bob Bender | ... | first assistant director |
| Scott Cameron | ... | second assistant director |
| Robert D. Nellans | ... | second assistant director |
| Ron Stein | ... | second unit director |
Art Department
| Lee Lazarow | ... | set dresser (uncredited) |
Sound Department
| Michael H. Ford | ... | sound editor (as Michael Ford) |
| John K. Kean | ... | sound |
| Paul E. Miller | ... | utility sound |
Special Effects by
| Frank L. Pope | ... | special effects foreman: pyrotechnics / special effects: pyrotechnics |
| Johnny Borgese | ... | special effects coordinator (uncredited) |
| Ted Koerner | ... | special effects (uncredited) |
| Clarence Fay Konkel | ... | special effects technician (uncredited) |
| Whitey Krumm | ... | special effects coordinator (uncredited) |
Visual Effects by
| Charles Gibson | ... | visual effects |
| Jim Michaels | ... | visual effects producer (uncredited) |
| Neil Richmond | ... | visual effects (uncredited) |
| Mimi Soudan | ... | visual effects |
Stunts
| Ron Stein | ... | stunt coordinator |
Camera and Electrical Department
| Steve Irwin | ... | video playback supervisor |
| Stan McClain | ... | aerial and 2nd unit camera operator |
| Wayne Baker | ... | aerial assistant camera (uncredited) |
| George W. Borthwick | ... | grip (uncredited) |
Costume and Wardrobe Department
| Jerry Bono | ... | key costumer |
| John Casey | ... | costume supervisor |
| Diana Reynolds | ... | costume supervisor |
Editorial Department
| Bradley Carow | ... | music assistant editor (uncredited) |
Location Management
| Jeffrey T. Spellman | ... | location manager |
Music Department
| Gene L. Gillette | ... | music editor |
| Sylvester Levay | ... | composer: theme music |
| Jim Cox | ... | musician: keyboards (uncredited) |
| Sandy De Crescent | ... | orchestra contractor (uncredited) |
| James Thatcher | ... | musician: French horn (uncredited) |
Additional Crew
| Rick Kelbaugh | ... | executive story editor |
| Peter McKernan | ... | aerial coordinator (as Peter McKernan Jr.) |
| Del Reisman | ... | executive story consultant |
| Devon Clark | ... | production coordinator (uncredited) |
| Larry Kirsch | ... | stunt helicopter pilot (uncredited) |
