When Beaumont turns to look out the rear window of his limo to see if they're being followed, the scenery through the window is of a rural countryside, yet in the immediately-following "villain's view from the rear window" shot, the scenery includes a huge fancy multi-arched building.
When the merc holding the painting is exiting the car at the docks, the sheet covering the painting is poorly tied in the front, and so a small portion of the painting is showing through the gap between the saggy edges of the sheet. But when the mercs then enter the villain's boat lounge, the sheet is tied tightly and neatly around the painting, with the two edges of the sheet meeting all along their length, completely covering the painting.
Pierre calls a speaking clock in Paris, France and the recorded voice speaks in English with a French accent.
Lindsay Wagner's French accent is completely wrong, and not only in the pronunciation but in the affected inflections and the rhythm.
Actually, she was doing a typical Swedish accent. Strangely enough, when Jaime says "merci, monsieur", her pronunciation is then pretty good.
Actually, she was doing a typical Swedish accent. Strangely enough, when Jaime says "merci, monsieur", her pronunciation is then pretty good.
Although the finale is supposed to be set in Cannes, France, the Helmsman statue at the Marina del Rey, Los Angeles can be seen in the background.
When Beaumont says, "We must all be careful how we treat him," and the car turns a corner, a North American-style "no bikes allowed" sign can be seen. However, Beaumont and company are in France, where the "no bikes allowed" sign design has a bicycle with a very thick red circle around it, but does not have a red diagonal line going through the bike.
When the villains are fumbling with the lock to Pierre's studio, the lock's key-slot barrel turns a little and stays turned, even though no key was inserted. This shows it is a fake lock with no pins in its tumbler.
Crew member and equipment reflected in car window after Beaumont orders his chauffeur to drive off.
Oscar Goldman refers to the villain as 'Michael Beaumont', but later on Pierre calls him 'Michel' instead.
When Beaumont is locked below in yacht, Jamie breaks glass and reaches inside to unlock pothole. Beaumont could easily unlock pothole and climb out on his own.