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8/10
"We were like a mad bunch of otters . . . "
oscaralbert27 December 2015
Warning: Spoilers
" . . . and we really enjoyed it," says Chuck Jones, Looney Tunes animated shorts director (the main originator of Looney villains Pepe Le Pew and the Roadrunner). Joined by fellow directors Bob Clampett (in one of the worst toupees ever) and Friz Freleng, as well as legendary Looney voice artist Mel Blanc, Jones and company have their comments borne out by many illustrative Looney snippets during this low-key retrospective, THE BOYS FROM TERMITE TERRACE: PART ONE. "(Disney's) Mickey Mouse was a little Boy Scout," Mr. Freleng states disparagingly, implying that Mick's folks are for kids. "We never had children in mind (in churning out the Looney Tunes), Freleng continues. "We made them for ourselves." As Walt Disney chained his corporate cartoon creators to Rigid Realism, those animators with any brains in their heads fled elsewhere during the 1930s--mostly to Warner Bros. This Disney Diaspora is largely responsible for America being split into Blue and Red States today. Blue State Kids gravitated to Looney Tunes' thinking-outside-the-box-type humor, while Red State Youth clung desperately to Disney's Good Scout Gravitas as if they were Linus and the House of Mouse was their Binkie Blanket. While those tykes under the sway of Warner Bros. grew up to be the sort of fun-loving folks you'd love to have for friends and neighbors, the Mickey Mouse Clubbers became the gang of adults who bludgeon baby seals, yap on AM radio hate shows, and prattle on Fox "News."
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5/10
Amazingly poor!
planktonrules24 September 2015
Considering that this two-part show is about the history of Looney Tunes AND it features interviews with some great talent, such as Chuck Jones and Mel Blanc, it's awfully poor. You would have expected more but apparently the folks making it really did a sloppy job. Why? Well the most obvious are all the sloppy edits as clips are haphazardly tossed into the film. Additionally, the guy narrating and discussing the history of the studio was awfully dull and he spoke too fast. My advice is read a book about this instead. It's not terrible--simply because even a bad film about Looney Tunes is going to be interesting. Still, I can't help but think that there must be some documentary out there that covers the same material better.
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