"Gunsmoke" My Sister's Keeper (TV Episode 1963) Poster

(TV Series)

(1963)

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6/10
A man goes to work for two sisters- will not end well for the man
kfo949420 December 2012
Pete Sievers had his wife die some four months ago and having a hard time going on with his life. He has turned to drinking to relieve himself of the pain and has become the laughing stock of Dodge. After his farm burns and he has used up all his money he finds that Chester will try to help. It will not be long until Pete takes a job as a farm hand with the spinster Nell Schuler and her 20'ish year old sister Leah.

But when Pete gets out to the Schuler farm he runs into two sisters that are totally different and each has a liking to Pete Sievers. Nell is an older sister that made a promise to her dead father to protect her young sister Leah from all outside activities until she is old enough. Nell is taking this literally as she refuses to let Leah go to town or see any men. Pete will learn too late that Nell is not the overbearing sister but may actually be mentally sick.

Even though Nancy Wickwire was great playing the domineering Nell, the actress that played Leah was poor. Jennifer Billingsley, that played Leah, is either not taking the show seriously or she needs a class of 'acting 101'. From her first scary appearance of the show to her last camera angle, it just did not go well for her or the viewer. I liked the concept of the story but it loss much value dragging the early part of the show way too long. An average show at best.
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5/10
A Hite and Harris misfire, almost saved by Fred Steiner
lrrap9 December 2020
Warning: Spoilers
Writer Hite and Director Harris often turned out top-notch shows for Gunsmoke, but here Hite goes too far in her intense probing of the inner workings of the feminine psyche (yes, I'm being a tad excessive myself).

There's just too much of the dysfunctional, sexually repressed (BOTH sisters) angst in this show, too much wallowing in the unpleasant, uncomfortably neurotic relationship of the 2 sisters, in which poor, grieving James Broderick becomes entangled. At least he ends up where he really wanted to be: reunited with his late, loving wife. Too bad.

Coming on the heels of "Easy Come", this make two shows in-a-row that spend the bulk of their running time focused on the unhealthy aspects of the lead characters. We all know, of course, that good drama is based on the forces of good and evil in conflict, but the balance seems off in these two shows.

James Broderick gives a wonderfully varied, sensitive and restrained performance. The two female leads are not quite in his league, especially Jennifer Billingsley, who was a featured dancer in Broadway's great musical "Carnival" two years earlier (1961), but whose physical attributes qualified her for a shot at Hollywood stardom. She's OK...but the blazing, pristine blonde wig was really distracting--especially for a workin' farm wench.

The saving grace of this episode--and I mean this sincerely--- is the terrific musical score by the great Fred Steiner, which elevates the drama WAY beyond anything it deserved. The opening chant-like dirge, the fresh, tuneful "farm" underscore, etc...excellent stuff that smooths over much of the excessive, grim psycho-goop that afflicts this show. LR.
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4/10
An Ugly Story
wdavidreynolds6 November 2020
James Broderick is Pete Sievers, a man who is grieving the death of his wife. He finds solace in drinking. One night while he is drunk, he accidentally burns his house to the ground. He makes his way back to Dodge City where he attempts to get more whiskey. He has no money, and when the bartender throws him out of the saloon, Chester comes to his rescue.

All of these events are enough to make Sievers realize he needs to change his trajectory in life. Mr. Botkin hires him to work at the Dodge City Bank, but Sievers isn't especially happy doing clerical work.

Along comes Nell Shuler. Nell lives with her younger sister, Leah, on a farm outside Dodge. They have lived there all their lives, and find themselves alone after their parents die. At first, we see Nell as a "prim-and-proper" woman who is an overbearing guardian to Leah. Leah, on the other hand, has what Nell calls "the wanderlust." She is lonely, unhappy, sexually frustrated, and trapped on the farm by her older sister. It becomes increasingly apparent as the story goes on that there are some extremely deep-rooted issues at play with Nell beyond what we see initially.

Nell realizes she and Leah cannot properly care for the farm. She approaches Pete Sievers and offers him a job tending to the farm, which Sievers gladly accepts. This establishes the primary plot of this story, as both women want to impose their respective wills on Sievers, but he is only interested in the work. He has no interest in romance from either of the Shuler sisters.

Kathleen Hite had a penchant for creating seemingly hopeless characters that become mired in tragedy and cannot escape. Pete Sievers is such a character. To a lesser degree, so are Nell and Leah.

There is a scene early in the episode where Kitty and Doc are sitting in the saloon more or less gossiping about Pete Sievers while the despondent widower drinks at the bar. Kitty then meets Nell behind the Long Branch (because a proper woman would not want to be seen inside a saloon, or meeting with a saloon owner), and spends a few minutes essentially ridiculing Nell. It is easy to forgive Kitty, because Nell matches Kitty's sarcasm with holier-than-thou condescension, but this entire section of the episode is rather unpleasant.

All of this to say, this is an ugly story in many respects. It plods along much of the time, and it wallows in misery.

The veteran actor (and father of Matthew Broderick) James Broderick is good enough at playing the miserable Pete Sievers character. Nancy Wickwire is positively creepy as Nell Shuler. Jennifer Billingsley, who appeared on the soap opera General Hospital around the same time this episode was made, is the younger Shuler sister. Incidentally, Billingsley, who appeared in numerous television shows and drive-in type movies in the 1960s and '70s would eventually star with Burt Reynolds in the film White Lightning.
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1/10
Waste of Time
janet-conant1 July 2022
Warning: Spoilers
I agree with all the posters who were baffled by the whole script. At first I thought it was going to be an Alfred Hitchcock love triangle then it seemed to turn into The Beguiled but Nell was no Geraldine Page and Pete no Eastwood. Did Nell bring Pete to the ranch to entice him or to dangle in front of Leah. How did she have so much control over her sexually frustrated sister? Why didn't Leah just leave and find a good acting teacher? Leah had so many dresses with pretty patterns I could only imagine her in a polka dot bikini on the beach. Why did she stay there as she never once showed any real interest in anything but looking hot. Pete's wife had been very young so why not hit on Leah she wanted it. He almost didn't seem human and at the end I hoped all three would be revealed as aliens like Twilight Zone. No just a waste of an hour.

I think the script could have had a complete rewrite so viewers could care. Why not have both women fight over Pete and have a cat fight. Nell was psychotic especially when she shoots Pete but she must have known he wasn't interested in any woman. The story just made no sense and when she gets her bag packed to go with Matt it was like "Is that it." Leah sums up the whole episode when she sits down at the table head in her hand.

"Ho hum"
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3/10
Absurd
maskers-8712630 October 2018
Here we go again with perfectly coiffered and dressed old west .'women. There wasa story hereu but lost in the handling of the women.
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