The "Heroes' have a microphone in Klink's office. It is usually hidden in a picture of Hitler. In this episode the picture has been replaced by a large and colorful wall hanging and the mic is hidden in a rosette at the top. The wall hanging is not used in any other episode.
The Monuments Men (2014) movie dug deeper than the contextual understandings in Hogan's Heroes of the Nazi plundering of great art works
The stolen painting is Raphael's Madonna Del Granduca (circa. 1505)
Madonna del Granduca (The Grand Duke's Madonna)
The stolen painting is Raphael's Madonna Del Granduca (circa. 1505)
Madonna del Granduca (The Grand Duke's Madonna)
This is the ONLY episode where viewers look out Klink's office door through Hilda's office, off the porch, and get a glimpse of the corner of Barrack #2 - where Hogan, LeBeau, Carter, Kinchloe and Newkirk bunk and do the things they do so well. As LeBeau man's the ladder from behind and Carter holds the other end in Klink's office, Klink's door and the front door are open. The front door goes immediately into Hilda's modest office where her desk is left of Klink's office door. Entering his office, his desk is always to the right of the door. Viewing the introduction opening titles, Barracks #2 is right across from Klink's office building where he exits and marches to see Hogan in almost every episode made.
Klink's office building: The closet, The picture and the ladder. When Carter and LeBeau barrel into Hilda's then Klink's offices, it should be noted that there is a closet to the right of Klink's office door, to the right of a cabinet. Historically: The closet is opposite a picture that changes from a picture where mainly LeBeau peers into Klinks office through the eyes of a German officer's picture a Hitler picture where a mic is in Hitler's microphone. While Hogan manipulates peep holes one day and a microphone another, who switches pictures is a mystery. Should Klink switch pictures, Hogan and crew are discovered, show is over and canceled. Klink objects to the picture, pulls it off the wall, the results would have been the same.
In this episode, LeBeau ( Robert Clary ) is strategically kept from the guest female Lisa ( Heidy Hunt ).
Less for cinematic necessity, more for covering awkwardness in heights.
Down in the underground cave, LeBeau, Carter and Hogan are grouped in all shots while Lisa is paired with Kinchloe and Karl ( John Stephenson ) and an unnamed character. Hogan is the only character to migrate from one group to the other. As reference Kinchloe's (Ivan Dixon, 6'0'') chin is higher than Lebeau's (Robert Clary, 5'1'') head. In the grouping, Kinchloe's chin is shorter than the top of Lisa's head. (that's excluding her clip-on hair piece)
In that scene, LeBeau stands with Carter (Larry Hovis, 5'10'); Lebeau appears 'normal' height - and never appears beside Lisa.
Meaning, cinematic psychology hides Lisa is taller than LeBeau.
Outside staring up at the Allied planes dropping paratroopers, the gang is together on a slanted hill. Camera magic, LeBeau is just about Kinchloe's height which is close to 6' 0'' while Lisa (standing in front of LeBeau) is shorter. But, she appears normal height against Newkirk and others.
A later scene shows a crouching Lisa in one-inch heel ankle boots. Prior episodes affirms LeBeau wears one-inch heel shoe, therefore, eliminating all idea of her heels made her taller.
There never was a problem placing LeBeau opposite of taller women. Two episodes prior, LeBeau and the Little Old Lady (1968) had Celeste Yarnall (as the "old lady") towering over LeBeau. Here, Lisa is second shortest in the whole cast and placed awkward attention on LeBeau's height.
To affirm this more, in the last scene, Newkirk talks with LeBeau and Kinchloe who are handling paintings then migrates to Hogan, Karl and Lisa.
Down in the underground cave, LeBeau, Carter and Hogan are grouped in all shots while Lisa is paired with Kinchloe and Karl ( John Stephenson ) and an unnamed character. Hogan is the only character to migrate from one group to the other. As reference Kinchloe's (Ivan Dixon, 6'0'') chin is higher than Lebeau's (Robert Clary, 5'1'') head. In the grouping, Kinchloe's chin is shorter than the top of Lisa's head. (that's excluding her clip-on hair piece)
In that scene, LeBeau stands with Carter (Larry Hovis, 5'10'); Lebeau appears 'normal' height - and never appears beside Lisa.
Meaning, cinematic psychology hides Lisa is taller than LeBeau.
Outside staring up at the Allied planes dropping paratroopers, the gang is together on a slanted hill. Camera magic, LeBeau is just about Kinchloe's height which is close to 6' 0'' while Lisa (standing in front of LeBeau) is shorter. But, she appears normal height against Newkirk and others.
A later scene shows a crouching Lisa in one-inch heel ankle boots. Prior episodes affirms LeBeau wears one-inch heel shoe, therefore, eliminating all idea of her heels made her taller.
There never was a problem placing LeBeau opposite of taller women. Two episodes prior, LeBeau and the Little Old Lady (1968) had Celeste Yarnall (as the "old lady") towering over LeBeau. Here, Lisa is second shortest in the whole cast and placed awkward attention on LeBeau's height.
To affirm this more, in the last scene, Newkirk talks with LeBeau and Kinchloe who are handling paintings then migrates to Hogan, Karl and Lisa.