"Law & Order: Criminal Intent" Poison (TV Episode 2001) Poster

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8/10
The monster she raised
bkoganbing1 November 2015
Warning: Spoilers
J. Smith-Cameron really steals this Criminal Intent episode from the stars. Definitely one of the most amoral characters that the Law And Order franchise has ever dealt with.

In fact if one of a hospital staff hadn't against policy alerted the police that there was an 'angel of death' poisoner working at a hospital where a rash of deaths have occurred no one might have suspected her and Cameron could have gotten away with it.

But Cameron is not on any mission to relieve suffering. This is all quite deliberately planned to cover up one of the deaths, that being her husband so she can get his insurance money. You won't believe what she wants it for.

Running second to Cameron in the acting department is Anita Gillette as her mother. She catches on and can't believe what she's raised. In fact though it's through Gillette that Goren and Eames are able to gain enough evidence to effect an arrest.

J. Smith-Cameron, one really scary perpetrator.
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9/10
Capturng 'The Angel Of Death'
ccthemovieman-17 September 2007
Three people have died recently a local hospital. What's usual about it is that all three patients were not in serious condition. How could this happen? In the introduction, we, the viewers are presented with two suspects, because obviously something isn't kosher here. One is a nurse and the other is a visitor of a patient, who is in the bed next to the latest victim. The nurse looks a little wacky, a poor nerdy woman who has no social life; the other is woman immediately portrayed as some selfish, mean person. Is one of these two responsible for these three deaths? (Yup!)

Within 12 minutes, Det. Goren has it figured out that the suspect that looks like the sure killer, is not. His bosses aren't convinced Goren is corrupt in his assumption, so the detective has to get busy and find the real murderer and - worse- stop a potential terrorist-type situation because the killer is spiking aspirin at a nearby drugstore with cyanide (the cause of these deaths) and more people are starting to die.

This a good episode. It was enjoyable to see D'Onofrio ("Goren") figure it out and nab this disgusting woman - labeled "The Angel Of Death" early on in the show - who was, indeed, an extremely cold and selfish person..
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8/10
Familiar story yet again
wolfstorm-2100313 July 2023
Warning: Spoilers
For the second time in this show's first season, and this time much more directly, the plot has seemingly been drawn from the 1986 Stella Nickell case. Ms. Nickell killed her husband with cyanide-laced pain reliever, then placed tainted bottles in drug stores to cover up the crime, resulting in the death of Sue Snow.

In Episode 2 ("Art"), poison was mixed in a container that had previously been used to crush aquarium algaecide tablets. Along with other factors, the green flecks enabled Goren and Eames to pinpoint the killer. Stella Nickell had done the exact same thing, helping lead to her downfall. See my review for that episode (wolfstorm -21003).

I agree with the other reviewers that J. Smith-Cameron's portrayal of the sociopathic Trudy is excellent! Overall, a very entertaining episode.
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10/10
Law & Order:Criminal Intent-Poison
Scarecrow-8811 November 2010
Warning: Spoilers
"It's what dreams are made of..bad dreams."

A seriously warped woman, Trudy Pomeranski(J Smith-Cameron in a chilling performance), poisons bottles with cyanide so she can attain money from a settlement suit(it started when she murdered her own husband, poisoning others as a means to cover up her own crime!), with a panic starting to emerge. Goren and Eames are pressured by Deakens to catch the one responsible as his phone rings off the hook thanks to a concerned city worried about a poisoning terrorist epidemic. Goren believes that if he can indict Trudy's mother, she might damn herself by attempting another cyanide poisoning. What makes this particular episode so effective is how Goren will motivate Trudy to act, but what always grips me about these episodes of L&O:CI is how the detectives are able to find their suspects, the steps which lead them to the killers. Goren's talents as a profiler again are elaborated, such as how he keenly explains the methodology and pathology of Trudy's kind of psychopath. All of this for a business involving baby clothes just adds a whole other disturbing dimension to this specific episode. These "Angel of Death" stories always give me the shivers, to conduct such cold and calculating acts seemingly without any remorse or sense of moral guilt.
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9/10
Amoral turned deadly
TheLittleSongbird13 August 2019
Have a lot of love for detective/mystery shows/dramas and have done for perhaps half my life since reading my first Agatha Christie book ('And Then There Were None') and watching the Joan Hickson version of 'A Murder is Announced'. Don't consider 'Law and Order: Criminal Intent' one of the very best of them, 'Inspector Morse' is my personal favourite, but still hold it in very high regard if not as much as prime years-'Law and Order'.

"Poison" is in my view one of the better 'Law and Order: Criminal Intent' episodes at this very early, and also remarkably promising, stage. Don't consider it as good as "The Faithful" (the first "outstanding" episode) and "Jones" (manages to be even better). At the same time, it is a step up from the still very good, having really liked to loved all the episodes up to this point of the show, but slightly disappointing previous episode "The Extra Man".

Did feel that the perpetrator was revealed a little too early, but that is personal preference.

At the same time, it did mean that we were really able to enjoy Goren's methods of getting to the truth and how he works, which have always been unique and unorthodox. It did also mean that one of the show's most amoral and reprehensible characters, with a bone-chilling performance from J. Smith Cameron, was also very interesting.

The case is a gripping and suspenseful one with an unnerving ending, the investigative elements always intriguing. The production values are stylish and not overly-gloomy. The music knows when to have presence and tone things down, with the main theme catchy still. The writing is a good balance of mature and un-simplistic, always provoking thought.

Smith-Cameron steals the show here, even achieving the seemingly impossible feat of out-shining a still splendid Vincent D'Onofrio.

In conclusion, great. 9/10
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