"The Raft", admittedly, is a nostalgic favorite in that it was the very first episode I ever watched as a child. It was a recording (off of TBS) on a VHS tape borrowed from my uncle. So it made an impact even if it might not be considered one of the best episodes of the first season. As a child, I admit that I responded to the pairing of Will and Dr. Smith, but as an adult I felt right the opposite when reevaluating the series.
In "The Raft" there is enough emphasis on the *entire family* instead of just Will, Dr. Smith, and Robot that personally satisfied me now. John and Don are at work trying to come up with propulsion experiments using plasma as their replacement for fuel used up by Will during his tests to set off a small rocket carrying a message of help for the Robinsons to whoever might encounter it in space. Meanwhile Will inspires John and Don to modify a tank on the Jupiter into a small space vessel, with Don volunteering to pilot it, in the hopes of finding help out in space. Smith sees it as his chance to escape from off the "obnoxious" planet, and a key word ("Cast off") told to Robot sets off the makeshift ship with Will accidentally trapped inside with him, the two seemingly lifting off into space! Lucky for them and the Robinson family the ship doesn't have the power to escape the orbit of the planet, landing back on the surface. Of course Smith thinks they have made it back to Earth despite Will's correct assessment that there wasn't enough time. Back on the planet, a two-headed furry creature leads them into a grassy-walled trap, with the two hoping for an escape plan, but the only exit is a double-walled "door" guarded by their captor. While the ship was left with a beacon beep continuously looping to signal the Jupiter 2 to its location, John and Don have trouble finding it due to so much terrain to cover. But Will realizes Smith has a walkie-talkie to hopefully contact his dad.
I thoroughly enjoyed the nice sentiment treated to Don by the Robinsons, and to my everlasting dismay will never understand why those who wrote for the show the rest of the way abandoned his romance with Judy. It wasn't a chemistry problem, but, all the same, those responsible for the creative side of the show simply decided to not pursue the obvious. Just the same Maureen has a sweet moment with Don, telling him how they feel about him, and there is a warm chat between Maureen and John outside looking into the sky; both provide fine character moments. I also liked how John involves Maureen in his propulsion science and progress. I wished she were more involved in his work on the ship, but this episode is particularly special in following all the cast during the attempts to find a resolution behind a potential liftoff from the planet. The failures plaguing them and Dr. Smith's snide comments against them certainly provide some heated moments Smith's "audio book" covering the "exploits of galactic castaways", from his perspective obviously, just chides the likes of Don who find his pompous critique of their inability to solve liftoff issues less-than-constructive. From Will's attempts to send off a "message in a bottle" to the experimental propulsion tests, the efforts to get off the planet are nicely story-driven without too much juvenile excess disrupting the serious direction. After this, the show began to submit itself to a less than serious sci-fi approach, giving way to camp and buffoonery.
In "The Raft" there is enough emphasis on the *entire family* instead of just Will, Dr. Smith, and Robot that personally satisfied me now. John and Don are at work trying to come up with propulsion experiments using plasma as their replacement for fuel used up by Will during his tests to set off a small rocket carrying a message of help for the Robinsons to whoever might encounter it in space. Meanwhile Will inspires John and Don to modify a tank on the Jupiter into a small space vessel, with Don volunteering to pilot it, in the hopes of finding help out in space. Smith sees it as his chance to escape from off the "obnoxious" planet, and a key word ("Cast off") told to Robot sets off the makeshift ship with Will accidentally trapped inside with him, the two seemingly lifting off into space! Lucky for them and the Robinson family the ship doesn't have the power to escape the orbit of the planet, landing back on the surface. Of course Smith thinks they have made it back to Earth despite Will's correct assessment that there wasn't enough time. Back on the planet, a two-headed furry creature leads them into a grassy-walled trap, with the two hoping for an escape plan, but the only exit is a double-walled "door" guarded by their captor. While the ship was left with a beacon beep continuously looping to signal the Jupiter 2 to its location, John and Don have trouble finding it due to so much terrain to cover. But Will realizes Smith has a walkie-talkie to hopefully contact his dad.
I thoroughly enjoyed the nice sentiment treated to Don by the Robinsons, and to my everlasting dismay will never understand why those who wrote for the show the rest of the way abandoned his romance with Judy. It wasn't a chemistry problem, but, all the same, those responsible for the creative side of the show simply decided to not pursue the obvious. Just the same Maureen has a sweet moment with Don, telling him how they feel about him, and there is a warm chat between Maureen and John outside looking into the sky; both provide fine character moments. I also liked how John involves Maureen in his propulsion science and progress. I wished she were more involved in his work on the ship, but this episode is particularly special in following all the cast during the attempts to find a resolution behind a potential liftoff from the planet. The failures plaguing them and Dr. Smith's snide comments against them certainly provide some heated moments Smith's "audio book" covering the "exploits of galactic castaways", from his perspective obviously, just chides the likes of Don who find his pompous critique of their inability to solve liftoff issues less-than-constructive. From Will's attempts to send off a "message in a bottle" to the experimental propulsion tests, the efforts to get off the planet are nicely story-driven without too much juvenile excess disrupting the serious direction. After this, the show began to submit itself to a less than serious sci-fi approach, giving way to camp and buffoonery.