Have always been quite fond of 'Murder She Wrote'. It is a fun and relaxing watch that makes you think as you try to unwind in the evening. If one wants more complex, twisty mysteries with lots of tension and suspense 'Murder She Wrote' may not be for you, but if you want something light-hearted and entertaining but still provide good mysteries 'Murder She Wrote' fits the bill just fine.
"Moving Violation" may not be one of the best episodes of Season 7 or of 'Murder She Wrote' in general. It is still a solid episode regardless and for anybody wanting to see more character development to Sheriff Mort Metzger it is a treat. "Moving Violation" does a great job making Mort more interesting, he was already a good, well-settled character but it was this episode where he started to be developed properly, and one does root for him in his increasingly dire situation (even though his innocence is never in doubt to the viewer). Ron Masak is a very easy presence and makes the most of what he's given, which is meaty stuff and it's good.
Angela Lansbury is equally terrific and there is a game supporting cast with standouts being Harry Guardino (returning as Drake and not trying too hard this time), Jack Colvin and Susan Clark. Robert Ginty, Phillip Baker Hall and Richard Paul are very dependable also, though one does miss fan favourite Seth (Cabot Cove isn't the same without him).
Wasn't so keen, to put it lightly, on David Lansbury, his character was meant to be nasty but the character is not very interesting and Lansbury plays the obnoxious brattiness to extremes, that one is surprised that the list of suspects isn't longer and actually roots for the killer somewhat.
The episode's mystery takes a little while to get going but it's not too complicated or overly simple. The ending and murderer identity is a surprise and easy to swallow, the motive was somewhat anaemic however. A better job though is done with the political pressure aspect, which is done with nice believably written and played tension.
Production values as always are slick and stylish with some nostalgia induced. The music has energy and has presence but also not making the mistake of over-scoring, while it is hard to forget or resist the theme tune. The writing is thoughtful and amiable.
Overall, solid and well done if not a favourite. 8/10 Bethany Cox