"Murder, She Wrote" The Grand Old Lady (TV Episode 1989) Poster

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7/10
Ellery Queen's lost episode
mar1542 December 2013
Warning: Spoilers
During season 6 Lansbury wanted time to off from the weekly TV schedule. Therefore there were many episodes were she would introduce a mystery starring another detective. The first episode chosen was this episode It is a well known fact that this episode was originally a script for the Jim Hutton and David Wayne Ellery Queen series. A series produced by the creators of this one. This is a fact that makes reviewing the episode in a unbiased manner very hard for me. As a admirer of the short lived TV series I can't help but compare the characters and actors to those of the original show. There are similarities but there are also major differences.

The detective, Christie, is not exactly Ellery. Ellery is a well respected mystery writer while the Christie makes crosswords for the Newspaper and wants to be a reporter. Christie's relationship with his father is also very different from that of Ellery and Inspector Queen. While inspector Queen usually solicits help from Ellery, The Inspector here is unsupportive. He comes off as man who resents his son solving cases,worrying it that makes him look bad. Also interestingly Ellery was absent minded while Christie is not. He never loses focus or misplaces anything the way Ellery did. Perhaps the producers thought that with that between being unable to become a writer plus the problems with his father, Christie was already enough of a underdog and didn't need another Achilles heel.

The radio host is patterned after the Simon Bremmer character played in the original series by John Hillerman. Here Robert Vaughan plays the rival sleuth. While I can't fault Robert Vaughan's acting he does not convey arrogance as well as John Hillerman does. The rivalry between him and Christie is also different .Ellery and Simon always stayed on friendly terms despite competing to solve the case. The relationship here is more antagonistic. Finally he comes up with a solution that is way off base. Simon would not get the right answer but he usually was able to get at least part of the answer.

Perhaps the weakest part is the father/son relationship mentioned above. David Wayne and Jim Hutton played off of each other so well one could really believe they were father and son. Perhaps it is the way the characters are written or maybe the actors themselves. It is hard to say but it does not work nearly as well.

And like the series this takes place in 1947. The shadow of the second world war is a theme through out the story.

What about the story itself? It is actually two mysteries. One is the murder and the other involves missing counterfeit plates. However this is somewhat of a weakness. It is seems the mystery of the plates was more developed by the writer than it the actual mystery of the murder.The episode also includes another character who is a female British writer. She seems to be loosely based on upon Agatha Christie. Without giving any spoilers away,the whole angle about "her solution" to the mystery and not telling her what the real solution was just is not believable. Why couldn't he simply point her in the direction to the right solution? If the case is not classified won't she find out? The dying message clues however is good. It is not too far fetched and ingenious enough to have more than one interpretation.

In the final analysis that despite the flaws it was a good episode. And maybe with a few changes in casting they could have created a spin off series from this episode.
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6/10
June Havoc stars
coltras3528 May 2022
The death of the doyenne of mystery writers, at the ripe old age of 101, finds Jessica in a nostalgic mood, recounting a real-life mystery more than 50 years old in this old fashioned mystery set on a liner. This is a bookend episode and usually I'm not too keen on them. I rather have Jessica, but alas Angela Lansbury wanted to cut down her work load.. Nevertheless, the Grand Old lady is diverting enough, cosy and has stylish photography.
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8/10
Much better than the previous 'bookend' episode.
planktonrules4 December 2022
Considering her age, it's not at all surprising that Angela Lansbury complained to the producers that she needed a rest from time to time. So, occasionally they did so-called 'bookend' episodes...ones where Lansbury introduces and closes the show by speaking to the audience. Otherwise, she is not in the shows and they are similar to the normal episodes in style but feature other amateur detectives. The first of these, "Murder in a Minor Key" was definitely NOT a very good episode...but fortunately "The Grand Old Lady" was much better.

The story is set on an ocean liner in 1947. There is a killing and a world famous mystery writer (NOT Jessica Fletcher) decides to investigate the crime. At the same time, the son of a real detective assists her and manages to figure out the mystery.

This is an interesting period piece but what I really liked was the finale...it was most unusual and the ending was most atypical of an episode of "Murder, She Wrote". Worth seeing.
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6/10
An odd episode
martin-intercultural28 November 2016
Just as Murder She Wrote started pushing the envelope by stepping away from its somewhat tired formula of 'genius Jessica to the rescue' and embracing modern, deeply psychological story lines and situations, here comes this confounding new installment in the series. This time Jessica only gets to introduce the story and give a few concluding remarks, so to speak. Why she did not portray the story's main protagonist who is also an elderly female is puzzling to say the least.

Strange formatting aside, judged on its own merits the story is a mixed bag. It tries too hard, and ultimately fails, to come up with an honest American take on that quintessentially British genre of the good ol' 1940s whodunit. There are too many characters, too many plot lines and too many complications, sending the director scrambling towards the end to untie them while there is still time. But the most boring and damaging of all is the character of Christy the up-and-coming sleuth, affecting a phony 'old days' demeanor that just isn't believable as either funny or bumbling.

On the plus side, some clichés are skillfully avoided. As such, we end up with more than one semi-plausible explanation of what happened, and discover that the legendary female crime writer may be more at home in the realm of fiction after all, rather than in solving real crime.
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9/10
Five Detectives on a Boat. Whose Theories Sink? And Whose Will Float?
WeatherViolet28 September 2009
This episode marks the swan song appearance of actor Dane Clark, after a five-decade career of film and television performances.

Jessica Fletcher (Angela Lansbury) appears from her Cabot Cove flower garden to introduce this episode regarding a real life murder investigation aboard a British ocean liner, the Queen Mary, outside of New York City harbor in 1947, witnessed by a novelist whose work has long inspired Jessica, Lady Abigail Austin (June Havoc).

A day's journey outside of NYC, the Queen Mary, a.k.a "The Grand Old Lady," sails upon return route to the United Kingdom, when one of its passengers is stabbed. The passenger scribbles a note to hand to a crew member, bearing a reference to a 1936 chess match. The injured passenger then stumbles into a lounge, succumbing before a roomful of witnesses, including Lady Abigail Austin and Radio Reporter Edwin Chancellor (Robert Vaughn), who unsuccessfully has been coaxing her to adapt one of her books for his program.

When the ship is returned to NYC Harbor for investigation, Daily Examiner Editor Harry Krumholtz (Floyd Levine) debates with Invesitgative Reporter Christy McGinn (Gary Kroeger), who has already solved two noteworthy cases. When Copy Boy (Gregg Binkley) informs them about the murder, Editor Harry Krumholtz assigns Christy to the case, in light of the fact that Christy's father, Lieutenant Martin McGinn (John Karlen) is heading the investigation aboard ship.

U.S. Treasury Agent Lennihan (James Stephens) also boards ship to investigate reports that the victim was smuggling counterfeit plates to mint five-dollar bills in a scheme to destroy the money market.

While Lieutenant McGinn conducts the murder investigation, Agent Lennihan conducts his missing plate investigation, and Lady Abigail Austin, Edwin Chancellor and Christy McGinn all get into the act of investigating, with Abigail's encouraging Christy to join forces to figure the culprits together.

The ship's crew, Captain Oliver (Paxton Whitehead), Purser Mr. Bellows (Aubrey Morris), 2nd Officer (Michael Douglas Scott), Ship's Doctor (Derek Partridge), Ship's Nurse (Joi Staton) and Ship's Bus Boy (Terry Sheppard) cooperates with the abundant supply of investigators, for they must remain in dock until the cases are solved. One of them, however, leaks information about the note regarding the European chess match.

Several passengers are naturally interrogated, especially some of whom who have booked last-minute sailings: U.S. Army Major Daniel McGuire (Gordon Thomson), U.S. Army Nurse Eleanor Cantrell (Joan McMurtrey), American Nicholas Crane (Donald Craig), European Paul Viscard (Mark Lindsay Chapman), his father, Henri Viscard (Dane Clark), Fashion Designer Arthur Bishop (Henry Polic II), and Peter Daniken (Wolf Muser), who claims to be a Danish wine merchant.

During the investigation, someone jumps ship, while a second individual leaps into the harbor to attempt to rescue the one who doesn't make it.

Lady Abigail Austin, Edwin Chancellor and Christy McGinn arrive at differing conclusion about the murder, the suicide and the rescue attempt, and the bearing of the information upon the victim's note to the forged plates.

Lisa Ryan has a non-speaking role as Mrs. McGuire near the ending, before Jessica summarizes the story in this "Bookend Episode," which features guest detectives with J.B. Fletcher on the outside, looking in. Jessica reports that Lady Abigail Austin would continue to write another dozen novels, before retiring to tend to her flower garden.

The script for "The Grand Old Lady" has been adapted from an un-produced episode of "Ellery Queen" (1975), with revisions to customize it to "MSW," making this one of the earliest writings for this series.
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5/10
Awash with detectives
bkoganbing18 January 2018
Watching this Murder She Wrote story I have a feeling this might have been the pilot for a series where June Havoc would have played an Agatha Christie like sleuth. The only appearance of Angela Lansbury is in the beginning as she sets the stage for the story she narrates.

Which takes place on board an ocean liner in 1947 sailing to America with an assortment of passengers one of whom was a Nazi war criminal traveling incognito. When he dies no one really cares, but it's a murder and has to be solved.

Besides Havoc the ship is awash with detectives. There's Robert Vaughn whose arrogant manner offends all and there's a father and son team from New York City John Karlen and Gerald Kroeger based quite obviously on Ellery Queen.

I think there was a bit too much plot to digest here, still it was an interesting bit of stargazing.
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5/10
It looks great, but lacks substance.
Sleepin_Dragon20 March 2021
Murder aboard The Queen Mary, a forty year old mystery narrated by Jessica, in which the central figure is a writer.

I understand that Angela Lansbury wanted a bit of a break, and you can understand why, the years prior to this must have been brutal for her, my question, is why didn't they simply shorten the series, and focus on quality episodes.

This is an average story at best, trouble is Lansbury is the key figure, and her absence means that despite doing many things well, this episode is a little bit lifeless.

On the positive side, it looks wonderful, you cannot argue with the production values, costumes and sets, way better than many period dramas that followed years later.

The story is the real issue, it's crammed in, when perhaps it needed more time to develop, and definitely needed a better explanation.

I don't know what it is, but it's not Murder she wrote, 5/10.
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4/10
Jessica Fletcher is sorely missed
safenoe28 May 2020
Warning: Spoilers
Yes, Jessica Fletcher gave the introduction and conclusion, but really the episode on a ship lacked the rudder to be a decent Murder, She Wrote episode. Okay, SNL alum Gary Kroeger played a leading role, but perhaps if fellow SNL alum Eddie Murphy was enticed to come on board, the ship could have been saved. We need more of Jessica Fletcher please.
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5/10
Less than grand
TheLittleSongbird25 September 2017
Have always been quite fond of 'Murder She Wrote'. It is a fun and relaxing watch that makes you think as you try to unwind in the evening. If one wants more complex, twisty mysteries with lots of tension and suspense 'Murder She Wrote' may not be for you, but if you want something light-hearted and entertaining but still provide good mysteries 'Murder She Wrote' fits the bill just fine.

There is no personal bias against the book-ends, where Jessica appears only to introduce the episode and then leave a few concluding remarks. There are a few good ones, while others suffer from her absence and not having a compelling enough character to fill her shoes. This is true for "The Grand Old Lady", which tries hard and had an intriguing premise but it should have been much more interesting than it actually was.

June Havoc tries but overdoes it as a character that not only doesn't convince as a seemingly Agatha Christie-modelled sleuth but is not a compelling enough, both bland and somewhat annoying, lead character to find clues and solve the mystery. Do agree that "The Grand Old Lady" has too many characters and story lines, some more interesting than others and some not adding much to the story at all.

It also suffers from the same potential problem of anything to have more than one case, in this case two. That of one being significantly more interesting and better developed than the other, when the episode would have fared better just having one case. The whole stuff with the counterfeit is intriguing and it was a pity that the amount of effort put into that didn't come over in the dreary, underdeveloped and sometimes confused murder mystery that begged for a clearer explanation. The script doesn't always flow and the pace tends to be dreary.

On the other hand, the supporting do a good job, particularly Robert Vaughn, Mark Lindsay Chapman and Gordon Thomson. The cruise ship setting is suitably grand and the fashions are to die for. Some of the clues are clever and the counterfeit mystery is done well.

Photography as ever is slick and stylish. The music has energy and has presence but also not making the mistake of over-scoring, while it is hard to forget or resist the theme tune. The writing does have moments where it has a light touch and provokes thought.

In summary, watchable episode but less than grand. 5/10 Bethany Cox
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1/10
worst episode ever
robertjameshunteriii11 February 2021
Does not work when jessica is not part of the story line, these non fletcher episodes do not work at all.
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