(TV Series)

(1994)

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7/10
"Lift a Ring, and It Goes Round and Round"
WeatherViolet6 October 2009
Cabot Cove Charity Carnival comes to town, featuring professional show-persons: co-owner and magician, Carl Dormer (Bradford Dillman); co-owner and assistant, Joanna Sims (Cindy Pickett); her alcoholic husband, Don Sims (Charles Siebert); knife-thrower, Nicky Newton (Jimi Defilippis); his fiancée and assistant, Carmen (Maria Canals-Barrera); and roustabout Toby Grant (Judson Mills), with Sherman Hastings, Man in Gray Suit (Richardson Morse) standing in the shadows, and scrutinizing the crowd.

Various Cabot Cove residents also volunteer to serve with various carnival activities: ticket sellers Lisa Farrel (Lisa Lawrence) and Gwen (Jennifer Manasseri), Kathy (Kathryn Masak); supermarket manager Richard Binyon (Thom Bierdz); prize booth operator, Doctor Seth Hazlitt (William Windom); and fund-raising volunteer, Jessica Fletcher (Angela Lansbury).

Resident librarian Jean O'Neill (Madlyn Rhue) reports that her house has been burglarized while she was outdoors with her dogs. Upon returning from NYC, Jessica, too, discovers some jewelry missing during the mysterious burglary ring, in which the intended spoil seems to be antiques and jewelry.

When Sheriff Mort Metzger (Ron Masak) and Deputy Andy Broom (Louis Herthum) tend to Jean's accounting for her loses, Joanna Sims enters the Sheriff's office to obtain the carnival permit. Joanna and Mort recognize each other from their college days, when she stood him up to run off with Don Sims some 22 years back, she nor Mort having contact since that night on the pier, where he remained waiting. Don then enters to whisk Joanna back to the carnival, he, neither having seen Mort in the duration.

That afternoon, Carl Dormer performs his magic act for the audience, while Jessica suspects that the carnival is keeping two sets of books, as profits for the charity seem underestimated, according to her perception of customer turnout. While she investigates the matter, there are additional break-ins around the carnival, which may or may not be related to the recent Cabot Cove burglaries.

Lisa Farrel takes a break from her ticket booth to accompany Richard Binyon to the show, while planning to meet Toby Grant back on the concourse later that evening, after her parents turn in for the night.

When Lisa arrives back at the carnival, she witnesses a stabbing and flees into the night. Carmen then witnesses a carnival ride's spinning into motion with its music volume cranked to loud a decibel level. She screams at the discovery of a body on the ride of a "Wheel of Death."

The next day, while Sheriff Metzger begins to arrest suspects, Jessica tries to figure to where the funds have been disappearing, trying to connect the swindling and the burglary ring with the murder.

As she questions witnesses, regarding a stolen antique knife as a clue, Jessica takes on a secondary mission of interceding on behalf of couples to foster young love and to reignite the flames for the middle-aged in distress. Mort maintains that Joanna did him a favor by dumping him, to pave the way for his wonderful relationship with the ever-unseen Adele.
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7/10
Wheel of death
coltras3530 May 2022
When a carnival comes to Jessica's home town of Cabot Cove, it brings with it a series of burglaries, a reminder of a forgotten love for Sheriff Metzger, and murder. An enjoyable episode with a standout performance by Bradford Dillman as a dodgy magician. Soon he's stabbed and dumped on a spinning wheel, hence the title wheel of death. Theres a nice carnival atmosphere, and a strong calm before the storm feeling.
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8/10
Great looking episode, a fine story.
Sleepin_Dragon14 August 2023
A Carnival arrived in Cabot Cove, a spare of burglaries in the local area are attributed to its members. Jessica is on hand when The Carnival's leader, Carl Dorner is killed. A face from Mort's past arrives with The Carnival.

A very good end to the tenth series, it's been such a strong run overall, and it ends very well here, this is a fine episode. A very fine storyline, with a great set of characters, some romantic interest for Metzger, and a murder scene that could have fitted well in a horror film.

We're back to Cabot Cove, the murder capital of the world, it's great to see Jessica back in her natural surroundings, surrounded by her friends.

Fletcher does her usual investigations, questioning all and sundry, it's amusing.

Lots of nice visuals, it really does feel like a travelling carnival is in town.

Bradford Dillman was great here as the charismatic Dorner, he certainly relished the part, and gave it a good deal of gusto.

8/10.
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8/10
Metzger meets up with an old flame...oh, and someone is, of course, murdered.
planktonrules3 August 2023
A carnival is in town and they are helping with some local charity. However, the man in charge (Bradford Dillman) is a carney that cannot be trusted (go figure) and he plans on cheating the charity. He also is a man with an appointment...with death! Jessica hangs with carnies and gets to the bottom of this...as well as some burglaries that might just be related.

This is a good episode with no serious flaws or problems. My only complaint is a very familiar one...once the killer is caught they don't ask for a lawyer and quickly make a full confession. Unrealistic, of course, but still very entertaining. Well worth seeing.
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6/10
The sheriff's old flame
bkoganbing25 May 2018
A small carnival is in Cabot Cove and the idea is to split the proceeds with some of the town's charities. Yet early on a vigilant Jessica Fletcher spots some skimming going on. But before any of the carnival owners can be held accountable, one of them Bradford Dillman who has a magic act is murdered.

The partner is Charles Siebert and his wife Cindy Pickett is sheriff Mort Metzger's old girl friend. This gives Ron Masak a bit of a personal involvement that he has to overcome.

Leave it to Angela Lansbury to solve the murder which has nothing to do with the crookedness of the carnival.
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7/10
Burglaries and murder at the carnival
TheLittleSongbird22 November 2017
Have always been quite fond of 'Murder She Wrote'. It is a fun and relaxing watch that makes you think as you try to unwind in the evening. If one wants more complex, twisty mysteries with lots of tension and suspense 'Murder She Wrote' may not be for you, but if you want something light-hearted and entertaining but still provide good mysteries 'Murder She Wrote' fits the bill just fine.

The season finale to Season 10 "Wheel of Death" is decent, but not a great episode so to speak and neither among the season's best ("The Dying Game", "Love and Hate in Cabot Cove") or worst ("Time to Die", "Proof in the Pudding"). If asked to rank Seaosn 10, "Wheel of Death" would be somewhere in the middle. The mystery itself is not bad, it's entertaining and doesn't take too long to get there (though a couple of the subplots are a touch on the soap-operatic side).

Angela Lansbury is terrific, as are William Windom as my consistent favourite recurring supporting character and Ron Masak effectively bringing out charm and tension with Lansbury. Bradford Dillman is the standout of the guest cast, "Wheel of Death" being a strong example of the professionals and older members of the cast setting a standard of doing things properly.

Production values as always are slick, stylish and suitably cosy. The music has energy and has presence but also not making the mistake of over-scoring, while it is hard to forget or resist the theme tune. The writing is thought-provoking and does a good job with the lightness and cosiness of the show even with crimes that are anything but.

Conversely, the younger cast members are not up to snuff, inexperience showing. Standing out in the not so good acting is that for the killer in the denouement, very awkward and it does bring what is actually a fairly interesting if unsurprising denouement down to not-sure-what-to-make-of-it quality.

'Murder She Wrote' thus far has not done a very good job making Andy particularly interesting, he's still Mort's bland and underwritten deputy and not much else despite Louis Herthum's best efforts. Do remember a couple of later episodes trying to do more with him, also remember them not being very good.

Overall, decent but there's better episodes. 7/10 Bethany Cox
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6/10
Carousel
safenoe19 March 2021
Murder and mayhem at another carnival, and Jessica seeks to navigate her way in this 10th season episode. All credit to the unit directors for the way they deftfully directed all those extras without taking anything away from Angela Lansbury and Co.

For some reason, I think Cindy Pickett resembles Elizabeth Montgomery from Bewitched.
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4/10
Love is all around (opinion on season 10)
feindlicheubernahme28 October 2023
Warning: Spoilers
I always had a problem with MSW episodes devoting too much time to romantic subplots at the expense of the murder storylines. Season 10 has been the worst so far in this respect. Before, the were particularly obsessed with portraying old men who were irresistible to beautiful, much younger women and had wives who loved them so much that they were happy to accept being cheated on - a form of writers' wish fulfilment, I feel. It was how they imagined themselves in their fantasies. But it did women a great disservice.

Since season 9, an obvious effort has been made to attract younger viewers by bringing in younger characters with their own romantic subplots. The problem is that rather than alternating between the "older" and "younger" subplots in different episodes, or at least cutting them down so they both fit, in season 10 the writers want to have all of both every time.

The result is that this season has been more soap opera than murder mystery. Each episode, we need to start off by wading through two separate sets of love triangles, affairs, unrequited love etc., which pushes the murder back to the 25-minute mark or later, with only about 18 minutes of the episode left. We'll need at least about 8 minutes later on for the entrapment and overlong confession, where Jessica and then the culprit describe what happened, with excessive flashbacks.

This leaves only 10 minutes for the investigation. But during these 10 minutes, we're still also following the romantic shenanigans. The investigation is thus reduced to Jessica making a few observations and then somehow realising who the murderer is, often without too much logic. And then, at the very end, more time has been set aside to show us that two of the young characters are now a couple.

In a murder mystery series, even a cosy and fluffy one like MSW, I still expect the murder and detective elements to take precedence, not be relegated to a second-half afterthought, with who's sleeping with whom being more important.

Of course, I like to see decent set-ups to the murders. But when I end up feeling like I'm watching a soap opera with a murder thrown in, then I'm not very forgiving. If I wanted to watch Dallas, Sunset Beach, or Beverley Hills, 90210, then I would watch those (being honest, I have watched two of those.) But in MSW I've been promised a murder mystery; so, writers, I beg of you, please provide a murder mystery, not some monstrous soap opera/YA drama/chick flick hybrid.

4 sad, sorry stars for a sad, sorry season.
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