"Route 66" Child of a Night (TV Episode 1964) Poster

(TV Series)

(1964)

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7/10
1/3/64 "Child of a Night" (spoilers)
schappe116 February 2016
Warning: Spoilers
This one seems to be a sort of sequel to my all-time favorite episode of this or any other series, "The Mud Nest" form season 2. The boys are in Savannah, Georgia, where they witness the crash of a small plane. They pull the dying pilot, (Herschel Bernardi) out and he gives them $38,000 in cash, saying to give it to a child he fathered by a waitress in Savannah a generation before. Once again, Linc is the idealistic one that wants to go through with it. Tod is more practical, thinking they should report the money and go through the Bureau of Missing Persons, (as he and Buz did in The Mud Nest). Instead they get a local lawyer who helps them much in the way Edward Asner's BMP operative did in the prior episode.

They find a troubled youth played by Daniel J. Travanti, (two decades before "Hill Street Blues"). They also find the waitress, (Sylvia Sydney, (who had also been in the poignant first season episode "Like a Motherless Child"), which could have been the title of this one), who is in the country home. They bring them together in a scene that has some superficial resemblance to the climactic scene of "The Mud Nest". Instead of being poetic and touching, this scene is bitter and angry. He's not the child and lashes out at Sydney, expressing his hatred of his own mother who abandoned him and her because she abandoned her child. The one is over much more quickly than in "The Mud Nest". The boys eventually find their query, a young businesswoman who thinks she is the natural child of the family that raised her. That family doesn't want to hurt her by telling her what actually happened. It's a strong episode but not the equal of "The Mud Nest". Nothing is.
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7/10
1/3/64: Child of a Night
schappe125 March 2019
Warning: Spoilers
This one seems to be a sort of sequel to my all-time favorite episode of this or any other series, "The Mud Nest" form season 2. The boys are in Savannah, Georgia, where they witness the crash of a small plane. They pull the dying pilot, (Herschel Bernardi) out and he gives them $38,000 in cash, saying to give it to a child he fathered by a waitress in Savannah a generation before. Once again, Linc is the idealistic one that wants to go through with it. Tod is more practical, thinking they should report the money and go through the Bureau of Missing Persons, (as he and Buz did in The Mud Nest). Instead they get a local lawyer who helps them much in the way Edward Asner's BMP operative did in the prior episode.

They find a troubled youth played by Daniel J. Travanti, (two decades before "Hill Street Blues"). They also find the waitress, (Sylvia Sydney, (who had also been in the poignant first season episode "Like a Motherless Child"), which could have been the title of this one), who is in the country home. They bring them together in a scene that has some superficial resemblance to the climactic scene of "The Mud Nest". Instead of being poetic and touching, this scene is bitter and angry. He's not the child and lashes out at Sydney, expressing his hatred of his own mother who abandoned him and her because she abandoned her child. The one is over much more quickly than in "The Mud Nest". The boys eventually find their query, a young businesswoman who thinks she is the natural child of the family that raised her. That family doesn't want to hurt her by telling her what actually happened. It's a strong episode but not the equal of "The Mud Nest". Nothing is.
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10/10
One of the True Greats, buried midway through Season 4
lrrap6 April 2020
The introduction is visually amazing for a weekly-grind TV show (was it shot in a studio---with rain, lightning, crashing plane, explosion, fire...etc??), and after the violence, intensity and trauma of this opening scene, I said to myself "the rest of this show better be pretty damn' good to justify all of this;" --and IT IS..

The full 50-minute running time is required by the plot, which continually UNFOLDS layer-by-layer.....with Linc determined to stay in Savannah to carry out a humane mission, but Tod in his inexplicable "tough-guy" stance-- which becomes more annoying with each episode--willing to turn a deaf ear to the dying wishes of a most unusual "benefactor", a doomed man attempting to make amends for his reckless actions back in 1939. I was glad when Linc SHUT DOWN Tod's objections early on, essentially shaming him into joining Linc on his mission.

The subsequent events are far too involved to detail here; suffice to say that the script is wonderfully constructed and balanced, never seeming rushed, yet always leading ahead to the next phase of the plot, as Linc and Tod gradually assemble the facts from the past to solve the puzzle. I was hanging on every word (some of which, due to their Brando-esque "natural" delivery, are hard to catch).

Stand-out performances all around, excellent direction, and a fascinating, multi-leveled examination of the plight of abandoned children and their parents--both "birth" AND adoptive. Intense and moving soliloquy from the embittered (young) Daniel Travanti, a welcome appearance by actor Percy Rodriguez, a classy, restrained, soul-searching performance by Sylvia Sydney, and another excellent, "nuts-and-bolts", totally honest portrayal by Chester Morris--all highlight this moving and painful emotional odyssey.

Tod does a MAJOR about-face from his earlier attitude, as he and Linc decide to pay an under-cover visit to the long-lost orphan (now a successful young woman) for whom they've been searching. Their encounter convinces them--AND surrogate father Chester Morris-- that the need to acknowledge and accept the TRUTH about this 23-year emotional saga outweighs the pain it will cause....especially in light of the sacrifice of the girl's real father, who gave his life trying to make amends for his "sin" of long ago.

Some may disagree, but "Child of a Night" is, IMHO, equal in its emotional impact to the similarly-themed "Mud Nest" of season 2--maybe even more so--and joins that great episode on my most highly-recommended list of what Route 66 accomplished at its very best. LR
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