"Seinfeld" The Understudy (TV Episode 1995) Poster

(TV Series)

(1995)

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8/10
Solid laughs, featuring Bette Midler
FlushingCaps7 September 2014
Warning: Spoilers
Seinfeld's "The Understudy" features Bette Midler, playing herself, starring in a new musical about to open on Broadway, "Rochelle, Rochelle" which borrows the Seinfeld gang's movie some of them saw at a theater a couple of seasons back when they were all trying to meet at the movie theater.

Here we have George and Jerry playing on the same softball team, "The Improv" about to take on the cast of "Rochelle, Rochelle" on their team. Kramer has come out to watch because he adores Bette Midler, who arrives with an entourage of a half dozen. Kramer offers to get her anything she'd like, so she sends him out for a pineapple gelato, we think, because it should take him a long time to find that flavor. Indeed he misses the entire game, but finally finds that flavor and rushes back to the softball field in Central Park just in time for the dramatic conclusion.

For reasons unexplained, even though this is slow pitch softball, George is dressed like a catcher in a baseball game. He winds up getting a long hit and circles the bases just as the throw comes into home—Crash! He bowls over Midler and she is injured and unable to perform on opening night of the show because she has to stay in the hospital—with exact injuries unstated.

Now the collision causes huge problems for George, Jerry, and Jerry's new girlfriend, Gennice, because she is the understudy for Midler. Gennice has some real emotional problems, crying non-stop over such trivial things as dropping a hot dog, but when she learns her grandmother died, she doesn't bat an eye. One of the best lines here was a line that stole part of the lyrics of the theme music of The Patty Duke Show, a gem that cracked me up.

In Gennice's part of the plot, we have a takeoff on the ice skating attack on Nancy Kerrigan, with Gennice playing the innocent beneficiary, Tonya Harding, while Jerry is accused of being Jeff Gilooly, the then-husband of the figure skater who arranged for an attack on Kerrigan to help his wife reach the Winter Olympics in 1994. The pair are chased by Midler's teammates through the park, and later all three have to escape angry fans of Midler who recognize them in the hospital. There's even a scene at the end of the show where Gennice more-or-less copies what happened to Harding in her Olympic performance.

Meanwhile, Elaine is frequenting a nail salon for manicures but becomes suspicious because all the women employees are Korean and rudely speak Korean to each other right in front of her. That doesn't bother her, like it would me, but she is only concerned because she thinks they are making fun of her.

She learns that George's father speaks fluent Korean and brings him with her to learn if she is right. She was, as we see an English translation on the screen, and Frank confronts the women. In the hardest-to-believe scene, Elaine now feels embarrassed for bringing in Frank to learn if they were making fun of her. They were, but they are not embarrassed at that, nor do they feel apologetic at all for their overall rudeness for speaking in Korean right in front of her.

Elaine leaves the shop in tears because she can't get their manicures anymore. I guess it's hard to find a good manicure place in New York City. Who would have guessed? Bawling as she wanders down the street in the rain, Elaine happens to be comforted by the character of J. Peterman, publisher of a huge clothing catalog. They talk for a while and Elaine happily reports to Jerry that he has hired her to write for his catalog.

A really funny Seinfeld, with the usual odd behaviors that are far from normal. A solid 8.
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7/10
"You know what? I didn't like the show. I didn't like you. It just really stunk. The whole thing real bad. Stinkaroo. Thanks for the tickets though."
itamarscomix18 October 2011
Season 6, Episode 23, "The Understudy"

It's possible that the terrific finales to seasons 3, 4 and 5 set the bar a little too high. After all, season 6 wasn't as strong as the previous ones, but it still had some terrific episode. "The Understudy", though, is a weak season finale by any standard. Guests stars playing themselves were used before with intelligence and creativity (Keith Hernandez) but this episode feels more like a Bette Midler vehicle than anything else.

Like any Seinfeld episode, this one has its highlights; mostly they're the scenes featuring Jerry Stiller. Everything else is pretty mediocre, and serve as a poor conclusion to the season, a conclusion that might have been better off giving some closure to the Tim Whatley or David Puddy characters. The only consequential thing it does is introducing the J. Peterman character, but at this point it feels like a one time gag. We just had to wait and see if season 7 had something more up its sleeve.
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7/10
Could Have Been Better
Hitchcoc27 January 2023
This is the season finale and it's decent, but it is too rambling and seems a little underdeveloped. Bette Midler makes a guest appearance as herself, starring in a new musical. Jerry's girlfriend is her understudy. During a softball game, George flattens Bette, putting her in the hospital. The whole world thinks it was a deliberate move to get the understudy on stage. There is hatred everywhere. Meanwhile, Kramer and Bette become really close and this is the highlight of the show. At first she is afraid of him, but soon he is doing all her bidding. It all ends with the woman starting a song on the stage, but proves she is a wacko.
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Season 6: Not quite as brilliant as seasons 4 & 5 but still very enjoyable and strong stuff
bob the moo7 September 2010
This sixth season of the show marks the 100th episode milestone (which it celebrates, as was the fashion, with a clip-show) but more importantly for me it shows that it can more or less maintain the standard set in seasons 4 and 5 (both of which I really loved). I say more or less because there are episodes here that do not quite have the natural spark and wit that was so consistent and appeared so easy through the last two seasons. Season 6 opens with Jerry being Jerry, Kramer being Kramer, George working for the Yankees and Elaine unemployed and the season more or less goes from there with all the usual social misunderstandings and scenarios peppered through with imaginative excess.

Not all the scenarios are as sharp as the show at its best here. There isn't really a total episode that doesn't work but there are certainly individual threads that come over as being too elaborate or perhaps a bit too silly to really function. The best scenarios are the simplest ones where one or two really nice touches can make all the difference – the messier it becomes the less effective it is. Messy nonsense is best left to Kramer and his stuff is generally the exception because his character can carry it but the others not so much, they tend to require a base of some form of reality from which to go from.

Season 6 contains fewer "classic" episodes than the previous fewer seasons. I think for sure "The Switch" is classic Seinfeld but the rest are not quite there, partly for the weaknesses discussed already. However this is not to say that any of them are bad or even weak, just that they are coming in to my head having to compete with the previous two seasons. The finale and the clip-show were the only two episodes that didn't really do much for me, but I did still enjoy them regardless. This is to the show's credit – if you can have a season where it is clearly not quite as good as you have done before but yet still have it be really funny and enjoyable then you're doing a lot right. And so it is with season 6; it is not quite as brilliant as I have seen the show be before, but yet it is still of a very high standard.

The cast are perhaps a bit too comfortable as well and there are signs of occasional over-playing of their characters here and there, but not too much. Seinfeld and Louis-Dreyfuss continue to be funnier and more important to the comedy than they were and both actors benefit by maintaining from previous seasons. Alexander and Richards remain my favourite characters, they have the most colour and they work with it well with the only downside/risk being that they both do occasionally overplay the quirks that they normally deliver in controlled (and funnier) ways. The additional cast are mostly good. Knight continues to be my favourite second tier character but Stiller continues to dominate like he did in season 5. Although he is used sparingly, George's boss is a hoot whenever called upon to deliver a long rambling story that goes nowhere.

I have sounded a little negative here but I think that is mainly down to how strong the previous two seasons of Seinfeld have been, Season 6 is still of a very high standard, very funny and cleverly done. Some bits are a bit weaker than I would have liked but these do not really damage any specific episode and certainly not the season. Not quite as classic as 4 and 5 then, but there is more than enough to season 6 to make it fit into the high standards of the series generally.
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10/10
Very funny
gkanary8 January 2020
Warning: Spoilers
I'm surprised at all the negative reviews of this episode. The scene with Frank Costanza and Elaine in the nail salon where Elaine brings him in as a spy, is funny enough to carry the whole episode, in my opinion.
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10/10
Macaroni Midler.
Sirus_the_Virus10 October 2009
Warning: Spoilers
The Plot:Jerry dates a very sensitive woman who is Bette Midler's understudy for Rochelle, Rochelle:The musical. Midler, George, Jerry and a bunch of people are playing Softball. While playing, George injures Bette Midler, and Kramer takes care of her. Elaine thinks that the Chinese women at the nail salon are talking smack behind her back. So she asks Frank to listen to what they are saying.

I have seen The understudy many times. Like all Seinfeld episodes, it great. I give just about all of the Seinfeld episodes a 10 because in every one I laugh my ass off. Bette Midler guest stars and is kind of a bitch. I think. The Understudy is a very funny episode.
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10/10
Rochelle
bevo-1367823 June 2020
I like the bit where he took out Bette middler at the soft ball
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8/10
Beneath the wings
safenoe5 March 2024
Warning: Spoilers
Amy Hill guest stars as Kim, and John O'Hurley guest stars as J. Peterman, who is based on the real-life John Peterman, famous for selling props from the Titanic movie. Of course, the special guest star in The Understudy is Bette "Beaches" Midler, and all credit to her for chewing the screen and being part of the Seinfeld universe. One scene has Kramer walking the streets of New York City, and it's not a backlot in Los Angeles, it's actually in New York City. Kramer becomes Bette's protector and looks after her while she's recovering in hospital following the softball kerfuffle that caused her injury.
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5/10
George Injures Bette
Samuel-Shovel19 April 2018
Warning: Spoilers
Season 6 ends with a bit of a dud with "The Understudy". Jerry's dating an understudy to Bette Midler for a new Broadway musical based off the film "Rochelle, Rochelle". In a softball game, George injures Bette in a play at the plate, placing the understudy in the starring role and angering all of NYC. Elaine thinks her Korean manicurists are insulting her in their language so she brings Korean-speaking Frank with her. Frank reunites with an old flame. Kramer dotes over an injured Bette Midler.

This episode felt like a very weak season finale. I suppose that the only reason that it was given that slot was the big cameo appearance of Midler. But Elaine's storyline's a bit boring (besides a great Frank scene and the first appearance of J. Peterman). Jerry's girlfriend's overdramatic scenes aren't really all that funny, even Kramer's scene fall a bit flat. It's not the worst episode of the season, but it comes close.
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