Star Trek: The Next Generation (TV Series)
Time's Arrow, Part II (1992)
Full Cast & Crew
Directed by
| Les Landau | ||
Writing Credits
| Gene Roddenberry | ... | (created by) |
| Jeri Taylor | ... | (teleplay by) |
| Joe Menosky | ... | (story by) |
| Brannon Braga | ... | (story editor) |
| René Echevarria | ... | (story editor) |
| Naren Shankar | ... | (staff writer) |
Cast (in credits order) complete, awaiting verification
Produced by
| Frank Abatemarco | ... | supervising producer |
| Rick Berman | ... | executive producer |
| Merri D. Howard | ... | line producer |
| Peter Lauritson | ... | producer |
| David Livingston | ... | supervising producer |
| Ronald D. Moore | ... | co-producer |
| Wendy Neuss | ... | co-producer |
| Michael Piller | ... | executive producer (showrunner) |
| Jeri Taylor | ... | co-executive producer |
Music by
| Dennis McCarthy | ||
Cinematography by
| Marvin V. Rush | ... | director of photography (as Marvin Rush) |
Editing by
| John Farrell | ... | (as J.P. Farrell) |
Casting By
| Junie Lowry-Johnson | ||
| Ron Surma | ||
Production Design by
| Richard D. James | ||
Set Decoration by
| Jim Mees | ||
Costume Design by
| Robert Blackman | ||
| William Ware Theiss | ... | (original costumes) |
Makeup Department
| Michael Mills | ... | prosthetic makeup artist |
| Candace Neal | ... | hair stylist |
| Gerald Quist | ... | makeup artist |
| June Westmore | ... | makeup artist (as June Abston Haymore) |
| Michael Westmore | ... | makeup designer / makeup supervisor |
| Joy Zapata | ... | hair designer |
Production Management
| Wendy Knoller | ... | post-production supervisor (as Wendy Rosenfeld) |
| Brad Yacobian | ... | unit production manager |
Second Unit Director or Assistant Director
| Jerry Fleck | ... | first assistant director |
| Arlene Fukai | ... | second assistant director |
| Hilarie Jutras | ... | dga trainee |
Art Department
| Jason German | ... | props |
| Alan Kobayashi | ... | graphic designer |
| Joe Longo | ... | property master |
| Jim Magdaleno | ... | scenic artist |
| Michael Okuda | ... | scenic art supervisor |
| Al Smutko | ... | construction coordinator |
| Gary Speckman | ... | set designer |
| Rick Sternbach | ... | senior illustrator |
| Herman F. Zimmerman | ... | original set designer (as Herman Zimmerman) |
| Ed Miarecki | ... | props (uncredited) |
| Michael W. Moore | ... | props (uncredited) |
Sound Department
| Alan Bernard | ... | sound mixer |
| Greg Faust | ... | re-recording mixer |
| Alfred T. Ferrante | ... | adr mixer |
| Jeff Gersh | ... | sound editor |
| Miguel Rivera | ... | sound editor |
| Masanobu 'Tomi' Tomita | ... | sound editor (as Masanobu Tomita) |
| Jerry Trent | ... | foley artist |
| Guy Tsujimoto | ... | sound editor |
| Bill Wistrom | ... | supervising sound editor |
| James Wolvington | ... | sound effects supervisor |
| Dan Yale | ... | sound editor |
Special Effects by
| Dick Brownfield | ... | special effects |
| Peter Greenwood | ... | monster suit (uncredited) |
Visual Effects by
| Philip Barberio | ... | visual effects coordinator |
| Dan Curry | ... | visual effects |
| Max Gabl | ... | lead matte artist (remastered version) |
| Adam Howard | ... | visual effects compositor |
| Ronald B. Moore | ... | visual effects supervisor (as Ron Moore) |
| Edward L. Williams | ... | visual effects associate |
| Gregory Jein | ... | model maker (uncredited) |
Stunts
| Dennis Madalone | ... | stunt coordinator |
| Tom Morga | ... | stunt double: Samuel Clemens |
| Tracee Cocco | ... | stunts (uncredited) |
Camera and Electrical Department
| Joe Chess | ... | camera operator |
| William L. Peets | ... | chief lighting technician (as William Peets) |
| Robert Sordal | ... | first company grip (as Bob Sordal) |
| Frank Detone Jr. | ... | grip (uncredited) |
Casting Department
| Helen Mossler | ... | casting executive |
Costume and Wardrobe Department
| Marilyn Basaker | ... | first hand |
| Amanda Chamberlin | ... | key costumer |
| Carol Kunz | ... | wardrobe supervisor |
| Philip Maldonado | ... | key costumer |
| Renee Nault | ... | cutter fitter |
| Kimberley J. Thompson | ... | key costumer (as Kimberley Thompson) |
Editorial Department
| John Farrell | ... | supervising editor (as John P. Farrell) |
| Larry Field | ... | final colorist |
| Dawn Hernandez | ... | post-production coordinator |
Music Department
| Alexander Courage | ... | composer: main title theme |
| Jerry Goldsmith | ... | composer: main title theme |
| Gerry Sackman | ... | music editor |
| Alan Vavrin | ... | musician - percussion |
Script and Continuity Department
| Cosmo Genovese | ... | script supervisor |
| Joyce Heftel | ... | script supervisor: pretiming |
Additional Crew
| Lolita Fatjo | ... | pre-production associate |
| Kim Fitzgerald | ... | production associate |
| Mark Miller | ... | technical director: Unitel |
| Michael Okuda | ... | technical consultant |
| Diane Overdiek | ... | production coordinator |
| David Rossi | ... | production associate (as Dave Rossi) |
| Naren Shankar | ... | science consultant |
| Rick Sternbach | ... | technical consultant |
| Dennis Tracy | ... | stand-in: Patrick Stewart (uncredited) |
