Directed by
Kari Skogland |
Writing Credits (in alphabetical order)
Hart Hanson | ... | (developer) |
David Shore | ... | (writer) |
Cast (in credits order)
Sonja Smits | ... | Sally Ross | |
David Cubitt | ... | Jack Larkin | |
Bruce Gray | ... | Adam Cunningham | |
Patrick McKenna | ... | Marty Stephens | |
Kim Huffman | ... | Ann Krywarik | |
Janet Bailey | ... | Susannah Marks (as Janet C.A. Bailey) | |
Rick Roberts | ... | Donald D'Arby | |
David Hewlett | ... | Grant Jansky | |
Ron Gabriel | ... | Benny Siedleman | |
Philip Akin | ... | Carl Davison | |
Peter MacNeill | ... | Frank Larkin | |
David Gardner | ... | Cedric Ross | |
James Mainprize | ... | Arthur Kemper | |
David Hughes | |||
Kay Hawtrey | ... | Mildred Davis | |
Paul Miller | ... | Ian Dantzer | |
Jonathan Potts | |||
Jonathan Wilson | ... | Peter Fish | |
Chris Leavins | ... | Chris Todson | |
Richard Liss | ... | Jim Swan |
Produced by
Jack Blum | ... | co-producer |
Sharon Corder | ... | co-producer |
Alyson Feltes | ... | executive producer |
Mary Kahn | ... | supervising producer |
Seaton McLean | ... | executive producer |
David Shore | ... | supervising producer |
Music by
Louis Natale | ... | (as Lou Natale) |
Cinematography by
Michael McMurray | ... | director of photography |
Editing by
Lisa Grootenboer | ... | (as Lisa Regnier) |
Casting By
Deirdre Bowen |
Production Design by
Stephen Roloff |
Art Direction by
Anthony Greco |
Set Decoration by
Marlene Puritt |
Costume Design by
Barbara Waltman |
Makeup Department
Colin Irving | ... | hair stylist |
Irma Parkkonen | ... | makeup artist |
Production Management
Jane Crust | ... | post supervisor |
Sherri Saito | ... | production manager |
Second Unit Director or Assistant Director
Luc Chalifour | ... | second assistant director |
Alan Goluboff | ... | first assistant director |
Art Department
E. Jane Huggard | ... | key scenic artist |
Adam Kolodziej | ... | set designer |
Andriy Pereklita | ... | property master |
John Todd | ... | assistant head carpenter (uncredited) |
Sound Department
Jason Gough | ... | boom operator |
Alastair Gray | ... | dialogue & adr editor |
John Smith | ... | sound editor |
John J. Thomson | ... | sound recordist |
Stunts
Billy Oliver | ... | stunts |
Camera and Electrical Department
François Balcaen | ... | best boy grip |
Alex Dawes | ... | gaffer |
Gordon Langevin | ... | camera operator |
Andrew Potter | ... | first assistant camera |
Tim Sauder | ... | key grip |
Owen Smith | ... | dolly grip |
Costume and Wardrobe Department
Patricia Boulden | ... | wardrobe coordinator |
Editorial Department
Chris Blacklock | ... | telecine colorist |
Shannon Farrell | ... | post-production coordinator |
Jim Munro | ... | editor: main title |
Location Management
Gordon Yang | ... | location manager |
Script and Continuity Department
Mary Canty | ... | continuity |
Nancy Markle | ... | script supervisor |
Transportation Department
Frank Mizzi | ... | transportation coordinator |
Additional Crew
Brent Andrews | ... | technical consultant |
Eric Birnberg | ... | business and legal affairs |
Allen Booth | ... | story editor |
Anne Marie Cormier | ... | production accountant |
Ruth Dyer | ... | unit publicity manager |
Anna Falsetta | ... | production controller |
Linda Hamilton | ... | assistant to producers |
Robert Sandler | ... | story editor |
Elaine Scott | ... | business affairs |
Mark Shekter | ... | executive story editor |
Tim Southam | ... | story editor |
Ingrid Veninger | ... | assistant to producers |
Paul Winestock | ... | re-caps editor |
Pamela Yardeni | ... | technical consultant |
Caroline Murphy | ... | vice president of finance (uncredited) |