The plot of this Chinese game-based X-File appears to be loosely similar to Showtime's Lexx #3: "Eating Pattern" (1997) where Rutger Hauer hosts a game where the stakes are body parts. It's also possible that the Lexx movie was loosely based upon this X-File, but both shows were generally being filmed at the same time, on different coasts of Canada. Eventually Brian Downey from the Light and Dark zones (and the "cluster") of the Lexx multiverse would join Chris Carter's X-Files/Millennium universes, as a member of the Millennium group. So, it's all related...
In the Lexx "Movie", they are playing for a substance called "Pattern". But the men themselves do not drink it, snakes come out of their brains via a hole in their necks, and that's what drinks the "Pattern". Pattern, you don't want to know what that is made out of... but just in case you do, head over to the light universe and watch "Eating Pattern".
Similar game here, but the stakes are instead monetary, although they are still playing basically for "body parts", after a fashion.
But whether in this X-file or in the Lexx movie, "the results are the same when you lose the game". Even though in this X-file there is the lucrative promise of a Brobdingnagian Jackpot. Which nobody seems to win, ever.
Here are some well known Chinese actors including Lucy Liu in one of her first guest roles, and James Hong is a less than grandfatherly game-patriarch here, who at one time was very lucky. BD Wong from "Jurassic Park" and "Seven years in Tibet" is an "ABC" Cop (American Born Chinese), who is not treated very well by those people he serves.
Although this apparently takes place in the Chinatown district of San Francisco, the surroundings look nothing like the area around Columbus and Broadway, for one thing we would have seen Lawrence Ferlinghetti's famous "City Lights bookstore", where all of the beat poets used to hang out, even through the 70s and 80s - because it is right in the middle of that area. Even the apartment complexes and hotels (like Carol Dodas' Condor Hotel) of that area are very distinctive and we see nothing in this episode that even loosely resembles what San Francisco's Chinatown skyline actually looks like.
As far as the people, that's a little bit more authentic because I spent considerable time in that district. It takes a long time to develop trust, which means visiting the same restaurants repeatedly, which is a good start. Once your face has been seen in the area a lot, then you are approached and spoken to. The police station that services the area is "Central" on Vallejo Street.
Even in 1996 when this episode was made, there were several distinctive bars on Columbus and Broadway where you could watch whatever beat poets were still alive that year being ejected by bouncers out of old-fashioned dual saloon doors like in the old west... at one time I was walking past one of these saloon doors with my father and girlfriend and who was ejected from the bar but Gregory Corso? Who I had met the night before at the "On Broadway" (which used to be above The Mabugay Gardens (aka "The Mab" when that was still there), he had helped Allen Ginsberg recite "The Howl"... that is another thing that was severely missing from this episode, in Chinatown, one would have met at least one beat poet. When making a show based upon famous areas of various cities, it is good to read up on the histories, learn about the landmarks and the various, diverse peoples that live there.
Other than those small gripes, a very well done cultural episode that takes a slightly different tack than most cultural episodes do... And creates a beautiful horror story, even without supernatural elements, this is one scary episode.
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