Directed by
| Stuart Paul | ... | (as Q. Mark) |
Writing Credits (in alphabetical order)
| Simon Paul | ||
| Stuart Paul | ... | (as Q. Mark) |
Cast (in credits order)
Produced by
| Eric M. Breiman | ... | producer |
| Mark Huljich | ... | executive producer |
| Paul Huljich | ... | executive producer |
| Rosanne Milliken | ... | line producer |
| Tom Oates | ... | executive producer |
| Hank Paul | ... | executive producer |
| Steven Paul | ... | producer |
Music by
| Michel Legrand | ||
Cinematography by
| Howard Atherton | ||
| Douglas Milsome | ||
Editing by
| Ed Marx | ||
Casting By
| Dorothy Koster Paul | ||
Production Design by
| Mark Longo | ||
| Niko Vilaivongs | ||
Art Direction by
| Laird Pulver | ||
Costume Design by
| Warden Neil | ||
Makeup Department
| Charmaine Clark | ... | assistant hair stylist |
| Honey Dawn Faircrest | ... | key hair stylist |
| Ryan Nicholson | ... | special makeup effects artist |
| Bebra Regnier | ... | key makeup artist |
Production Management
| Tara L. Craig | ... | unit production manager: Los Angeles crew |
| Michele MacInnes | ... | production manager |
| Michael R. Sloan | ... | post-production manager / post-production supervisor (as Michael Sloan) |
Second Unit Director or Assistant Director
| Justin W. Hill | ... | first assistant director |
| Annette Hobday | ... | second assistant director |
| Rob Larson | ... | second assistant director |
| Michael R. Long | ... | second unit director |
| Robert Randall | ... | first assistant director (as Rob Randall) |
| Gisela Schulte | ... | second second assistant director |
Art Department
| Ken Frost | ... | construction coordinator: Canada |
| Mark Longo | ... | set designer / storyboard artist |
| Margaux MacKenzie | ... | set decorator: Canada |
| Robert A. Maisto | ... | construction coordinator: Los Angeles |
| Jeff Powers | ... | graphic designer |
Sound Department
| Willy Allen | ... | adr supervisor |
| Patrick Giraudi | ... | re-recording mixer / supervising sound editor |
| Trent Stewart | ... | sound mixer |
| Jason Wood | ... | boom operator |
Special Effects by
| Gilbert A. Mosko | ... | special effects makeup (as Gil Mosko) |
| Ryan Nicholson | ... | special effects makeup |
| Christ Stanley | ... | special effects makeup |
Visual Effects by
| Jacques Stroweis | ... | visual effects producer / visual effects supervisor |
Stunts
| Shane T. Anderson | ... | stunt rigger (as Shane Anderson) |
| Michael R. Long | ... | stunt coordinator |
| Rudolf Weber | ... | stunt rigger |
Camera and Electrical Department
| Bryan DeLorenzo | ... | film loader |
| Rob Evans | ... | lighting technician |
| Ryan Gillard | ... | first assistant camera: "a" camera |
| Daryl Hartwell | ... | dolly operator |
| Prem Marimuthu | ... | gaffer |
| Isaac Paul | ... | still photographer |
| Pieter Stathis | ... | Steadicam operator / camera operator |
| Daniel Volonino | ... | second assistant camera: inserts/second unit |
| Wedigo von Schultzendorff | ... | additional cinematographer |
| Aiken Weiss | ... | a camera/stedicam operator |
Casting Department
| Elizabeth Amies | ... | extras casting assistant |
| Allison Peri Gorelik | ... | casting assistant / extras casting |
| Sean Milliken | ... | casting: Canada |
Editorial Department
| Bill Brier | ... | editor: VEF |
| Adam Doench | ... | assistant editor |
Location Management
| Cheryl Uphill | ... | location manager |
Script and Continuity Department
| Lucy MacLeod | ... | script supervisor |
Transportation Department
| Paulie DiCocco III | ... | transportation coordinator: Los Angeles |
| Ryan Gravel | ... | unit driver |
Additional Crew
| Michael Carriere | ... | accountant (as Michael Carrière) |
| Allison Peri Gorelik | ... | assistant to director |
| Margie Levers | ... | accountant |
| Tyler Ray Sauve | ... | production assistant |
| Emily Thorne | ... | production coordinator: Los Angeles |
| Elfriede Todorovich | ... | production coordinator |
| Steven Townsend | ... | production assistant |
| Levi Woods | ... | production assistant |
