"Doctor Who" The Cave of Skulls (TV Episode 1963) Poster

(TV Series)

(1963)

User Reviews

Review this title
9 Reviews
Sort by:
Filter by Rating:
6/10
The very first adventure in time.
Sleepin_Dragon28 August 2015
The Doctor, Susan, and new recruits Ian and Barbara set of on the very first adventure, all of time and space, and the Doctor chooses Earth 100,000 B.C. a time where the Earth was walked by savage cavemen.

The leader of the Cave dwellers is Za, he tries in vain to make fire, but fails, female Hur tells Za that Cal threatens his leadership, and that only the one who can make fire can lead. Barbara and Ian come around, both having been unconscious to learn they have been transported to a new world. Refusing to believe they've moved they demand proof. The Doctor goes off to get samples but is taken by one of the primitives, and coerced into making fire. All the TARDIS crew are kidnapped and taken to the Cave of skulls.

It's not the most exciting of adventures in truth, but it's all about setting the scene and bringing home the realisation of what's happened to Ian and Barbara. Ian struggles more so then Barbara to accept what's happened, it's very well played.

Not one I'd watch frequently but it's interesting enough as a piece of history. 6/10
5 out of 5 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
100,000 BC Episode 2
A_Kind_Of_CineMagic26 June 2014
This review is for episodes 2, 3 and 4 of the very first Doctor Who story which gets called various titles - 100,000 BC, An Unearthly Child or The Tribe of Gum.

Following on from the unique and brilliant opening episode An Unearthly Child, which was really superb, the remainder of the '100,000 BC' story starting with The Cave of Skulls is a slight dip in quality. But it is not remotely bad as it has some scariness, some interesting elements, develops the main characters well and is of decent quality in all respects

The discovery of fire story with tribal in fighting is not really typical of the series that was to follow so in a way it is an odd choice as an introduction. (Indeed it was not originally intended as the first story). It would seem a more logical choice to either travel to another planet and meet aliens or travel to a period of history where they can interact with people more thoughtfully. This caveman era setting does not afford good guest characters or sufficiently intelligent plot to get really into it. There is some very annoying screeching and grunting at times and the cavemen are somewhat lacking in interest.

However, the great appeal of this setting is that it is scary, eerie and other worldly which would be captivating to many viewers, especially children and is representative of the feel of Doctor Who to come. An alien monster story could have been equally or even more captivating but there is something to be said for immediately demonstrating the TARDIS is a time machine not just a spaceship.

There were plenty of other space travel and alien attack stories/movies around and to show the time travel aspect which sets Doctor Who apart from standard science fiction /alien menace stories that viewers usually saw was a good move. The unique selling point was displayed immediately.

You could argue it is a pretty unhistoric scenario which is sort of breaking the "educational" aims the makers at the time claimed to want to achieve. Also, there could be modern viewers who question or raise criticisms of why Ian and Barbara did not question the fact the cavemen speak English. Some viewers may have even questioned that at the time. But this was 1960s fantasy entertainment, we can forgive such things surely? We now know the TARDIS would have been telepathically translating language for them.

Anyway, there is a lot of intelligent scripting and interest provided with the Doctor and his companions. Their characters begin to be fleshed out and their relationships begin to develop. That aspect of the story is very good. As an opening story it is wise that rather than focusing on guest characters the main cast are very much the focus and we start to get to know them all. So really the setting works for achieving a set up for the show. It also sets up a mixture of dispute and increasing co-operation between the Doctor and his new companions

Overall 100,000 BC is a good effort. It is not as engaging or thrilling in episodes 2 to 4 as its intriguingly magical, eerie debut episode but it keeps a spooky, other worldly feel and introduces the main cast well. Susan is far less interesting in episodes 2 to 4 than the fascinating girl we meet in the first episode but she is a sympathetic character and the Doctor, Ian and Barbara already are becoming thoroughly engaging and showing some depth. The final part is probably the least interesting.

My Ratings: Episode 1 - 10/10, Episode 2 - 7, Episode 3 - 6.5, Episode 4 - 6.5

Overall 7.5/10.
1 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
Doctor Foreman? No, that's not his name
arconner16 January 2024
Warning: Spoilers
One thing I did like about the reboot series so far is when Christopher Eccleston picked up, they went to the future. The end of the world, to be exact. And while I know classic Doctor Who's episodes are different than that of the newer stuff (each episode here is part of a series, a series being a story instead of each episode being a standalone story...)

So episode 2 here picks up in the time of caveman. The exciting part about the episode is Ian and Barbara have time travelled and who is the Doctor Foreman not Doctor Forman guy?

Counting the 20 minutes here on its own... it's not a great story. Looking at the reviews of this first series in season one versus the upcoming Dalek storyline in season one, I can see a lot of people agree.

In my review of episode one I did mention it was a different time, there were different interests but time (haha) didn't age this series in the show well.

Credit where it's due, Ian and Barbara's characters are slightly more likable now that they're grasping what is going on. The Doctor does show guilt when they're taken to the Cave of Skulls for getting them into this mess, so respect there. Still think Susan is whiny but we'll see where that goes.

They made the cavemen stupid, haha cavemen fighting over women, resources, and who gets to be king or whatnot. So I guess that's on par?

I know this episode was setting up the upcoming episodes in this particular series but it did feel like a drag at times. I'll give it a 6/10 for character development and good acting.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
First adventure for the TARDIS team
teobodea22 August 2021
Following the excellent first episode, where Ian and Barbara find themselves on board the TARDIS, the Doctor lands in 100,000 BC for the first historical story of the show.

I have always found the historical episodes to be weaker than the futuristic one, and the pacing in this episode is somewhat slower, as a big emphasis is placed on making fire and caveman arguing with each other.

The episode is rather simple, but that is somewhat to be expected. Ian and Barbara are delightful as always, while Susan is ... mostly very screamy.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
'Time doesn't go round and round in circles. You can't get on and off whenever you like in the past or future.'
scorfield-517118 April 2021
Warning: Spoilers
Transported back to the dawn of time, with the cloaking 'chameleon mechanism malfunctioning, much to the delight of the BBC's accountants, the Doctor and his unwilling companions are watched closely by a prehistoric witness to their arrival. With the 'yearometer' not giving accurate readings, whilst collecting samples to determine the exact date of their new environment, the Doctor is attacked and hauled away.

This second episode is the first in which the Doctor's identity is discussed beyond the knowledge that he is Susan's grandfather. When Mr Chesterton refers to him directly therefore as Doctor Foster, Hartnell's character responds 'Doctor Who?'. Later when his teaching colleague, Miss Wright, repeats the mistake, it is the confused Chesterton who now states 'Doctor Who?' and that his identity is a mystery. For avid fans, this would be the one and only episode where The Doctor is seen smoking a pipe, an aide to his need to strike a match and thus fall foul of his prehistoric assailant.

William Hartnell was not first choice to play The Doctor, with, amongst others, Welsh actor, and future director of a couple of episodes of the franchise, Hugh David, being an early front-runner for the role. Yet, founding producer of the show, and the only female producer at the BBC at that time, Verity Lambert, wished for an older actor to incarnate the time-traveller. It would be Hartnell's performance as the old club scout in 'This Sporting Life' which would draw Lambert's attention to offer him the part. As for Hartnell, he relished an opportunity to break with being typecast as military characters and a chance to play a role which would appeal to his own grandchildren.

At the point of our time travellers' arrival, there is a power struggle to lead a Palaeolithic tribe between the 'firemaker's son, Za, and the Doctor's assailant and tribe outsider, Kal. The former is desperately attempting to replicate his father's treasured, but not-passed-down, life-saving skill, which it is revealed led to his own killing at the hands of the tribe. Worse, as Za's intended female, Hur, reveals, the elders of the tribe now question his leadership, stating, whilst he futilely rubs bones together over branches and dead ashes: 'The old men see no further than tomorrow's meat'.

At this juncture, it should be noted that the bones in question were obtained from an abattoir by long-term production designer and history buff, Barry Newbery, and accordingly gave off a terribly unpleasant smell under the hot studio lights. On another point, so central is the lost skill to the plot of this episode that they should have stuck with the alternative title of 'The Firemaker'.

The cast of mostly unknowns playing the cave people provide convincing performances, thanks to the work of the young and reluctant director, Waris Hussein. This is particularly the case of Jeremy Young, playing Kal, who having witnessed The Doctor strike a match, believes this strangely dressed creature has been sent to him by their indeterminate deity, 'the Orb', so that he may emerge victorious as the new leader. Quizzed in the BBC Canteen as to which actor would befit his rival Za, Young, husband to Kate O'Mara, suggested his friend, Derek Newark.

In interview upon celebrating the fiftieth anniversary of this first quartet of episodes, the 'Unearthly Child' herself, Carole Ann Ford, revealed her frustration at not being given the license to play Susan as an otherworldly being. Accordingly, it was Sidney Newman himself who coaxed her to play the part much more as someone who the teenage audience could relate to. Thus she remains garbed as a Sixties youth with a haircut specifically designed by Vidal Sassoon. According to the director, he offered Ford the part having seen her performance in a BBC play, though the actress herself recalls that Hussein spotted her in an episode of the aptly named TV series 'Suspense'.

Having been openly distressed at her grandfather's disappearance, heightened when she realises his notebook with all the Tardis codes and notes on all their travels has been left behind, Susan is aided by her tutors to track him down, arriving in the nick of time to save him from being killed by Kal for not having reproduced the making of fire.

As an interesting aside, having kidnapped Mr Chesterton and Miss Wright to prevent their knowledge of Gallifreyan technology changing the course of history, The Doctor was so prepared to save his life by striking a match to make fire, had he not dropped them when attacked.

Our time-travellers are soon overpowered, and Za orders them taken to the 'Cave of Skulls'. The shop dummy with the pulverised head in the junkyard in the pilot episode now appears to have sinister bearing on our protagonists' fate as every skull in their new place of confinement has been caved-in.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
The Cave of Skulls
guswhovian28 April 2020
The Doctor has kidnapped Ian and Barbara. The TARDIS takes them to 100,000 B.C., where they are soon captured by a group of cavemen.

"The Cave of Skulls" marks a significant downturn in quality from "An Unearthly Child". The majority of the episode is taken up by the cavemen. The actors playing them are old pros like Derek Newark, Jeremy Young, Alethea Charlton and Howard Lang, but they all deliver hammy performances.

Eileen Way is good as the old woman keen to kill the Doctor and company, and Norman Kay's incidental music is quite good. 3/5
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
A Fun First Outing for the Doctor and Companions
brian_m_hass19 April 2015
Warning: Spoilers
"The Cave of Skulls" was the second episode of the four-part story, "An Unearthly Child"/"100,000 BC." The episode featured the arrival of the Doctor and his companions at their first destination in the "Doctor Who" series... prehistoric Earth. The story was about the politics and power struggles of cave men.

At the time of this episode's production, the story was reported to have been perceived as being something of a disappointment. However, the script for this story was the only one that was ready for production.

In many ways, stone-age Earth was a good first destination for the Doctor and his companions. The episode was able to focus more attention on the two school teachers as they struggled to accept the reality of what was happening to them. Any other story, such as an historical re-enactment, would have drawn more attention away from these characters, giving them less opportunity to develop. The cave man characters were well defined; and, the prehistoric drama was enjoyable to watch. On the whole, the story was an enjoyable first adventure for the Doctor and his companions.
2 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
4/10
Rather Boring
douglasholler14 November 2021
Who's idea was to start off the series with an episode on cave men politics? This could have been better without the redundancy of the Kal vs Za and Za trying to make fire. Using too much screen time to show an idea that isnt interesting.
2 out of 6 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
Boring cavemen
bigfootmurf-723048 November 2020
Cavemen trying to make fire and competing over who should be leader are not very interesting. The whole thing of getting captured and escaping became rather a tiresome feature of Who over the years. The problem for dramatists was to separate them from the Tardis and put them in danger. Similar to Star Trek writers problem which was to make transportation impossible, otherwise Kirk could just beam out of trouble.
0 out of 3 found this helpful. Was this review helpful? Sign in to vote.
Permalink

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed