The second season of Matt Damon and Ben Affleck's movie making reality series goes a different route when it's two professionals realizing their vision on screen instead of just one: writer and director.
Eric Schultz, the most popular student at Lake O'Dell High School, is coerced by his guidance counselor, Sylvia Martin, into fulfilling a list of her high school fantasies in order for him to graduate.
FINDING OSCAR is a feature length documentary about the search for justice in the devastating case of the Dos Erres massacre in Guatemala. That search leads to the trail of two little boys ... See full summary »
Heroes Kim and Ron face the problems of starting high school as freshmen when their team gets an addition. Every hero needs a villain and one's just been sprung from prison. Will Kim save the world again or will high school bog her down?
Adam B. Stein
Ciara Riley Wilson
An unseen force is manipulating society's most innocent-our children-to act in favor of its cause. As the kids unwittingly help this unknown enemy, the clock counts down in this suspenseful race to save humanity.
I vehemently abhor reality TV, but was lured into "On the Lot" with the promise of seeing filmmakers at work. What I was treated to, however, was a slow-motion trainwreck that seemed to get worse with each passing episode... so of course, I found myself captivated by it! In the first episode, there was clearly potential in the show as filmmakers paired up and were forced to work together on a short film. However, I don't think the short they were working on was ever aired...
The following week, "On the Lot" became a horrendous knock-off of "American Idol," and seemed to be retooled on an episode-to-episode basis. The new format was that filmmakers would make a short film each week (it was later leaked that the shorts were made before the show debuted), and get voted off by viewers. Although it seemed like the focus was supposed to be on the films they made, the show followed the standard reality TV format of making the contestants out to be heroes (visionary Adam Stein, family man Will Bigham, underdog Jason Epperson) and villains (tempermental Marty Martin) -- anyone who didn't get lumped into such a category stood no chance. Initial host Chelsea Handler was instantly replaced with charmless, clueless eye candy Adriana Costa, who emceed the show with all of the wit and charisma of an uncooked potato. Judge Carrie Fisher was there simply to be crazy, judge Gary Marshall came off like a sexist buffoon, and each week a different Hollywood director would sit in as guest judge -- most were obviously VERY embarrassed to be there. When ratings plummeted, the show was knocked down from two episodes a week to one, meaning viewers had to wait a full week to see who was voted off (though it was clear almost from the start who the three finalists would be).
What's sad is there was obviously talent involved, and the shorts themselves were generally entertaining (I'd love to see all the shorts collected and released on DVD). The problem was that everything about the show EXCEPT the shorts was ill-conceived. And the biggest travesty is that most of the directors haven't done anything notable since the show left the air -- finalist Adam Stein, in particular, routinely turned out creative and entertaining films, yet he has no further IMDb credits.
All in all, the show's most notable for being an unsightly pimple on the face of not only Hollywood, but also reality TV, which is a shame, 'cause it could've been so much more.
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