Studios that call the Canary Islands home are curating top talent to further diversify their audiovisual offerings, luring and retaining creatives dedicated to costume design, sound, production, animation and editing. Others are simply born in the Islands.
A further testament to the sustained development of the local sector and its increasing relevance to a broader global cinematic landscape, the Islands have seen growing audiences for their domestic films.
More on six of the players currently anchoring the regional production push:
Orlando Harris
The Santa Cruz de Tenerife-born art director and green-screen foreman has put his muster behind large studio bets such as Netflix hits “The Witcher” and “La Palma,” as well as Amazon’s “The Rings of Power.” A frequent collaborator with the isles’ Volcano Films, he notes that his work with them “has always been, without a doubt, the most rewarding professional experience.” Ahead, several international productions and a...
A further testament to the sustained development of the local sector and its increasing relevance to a broader global cinematic landscape, the Islands have seen growing audiences for their domestic films.
More on six of the players currently anchoring the regional production push:
Orlando Harris
The Santa Cruz de Tenerife-born art director and green-screen foreman has put his muster behind large studio bets such as Netflix hits “The Witcher” and “La Palma,” as well as Amazon’s “The Rings of Power.” A frequent collaborator with the isles’ Volcano Films, he notes that his work with them “has always been, without a doubt, the most rewarding professional experience.” Ahead, several international productions and a...
- 5/20/2024
- by Holly Jones
- Variety Film + TV
As you can tell from the set pics, principal photography on La Piel Que Habito (aka The Skin I Live In) has officially begun. This is Pedro Almodóvar's eighteenth film to date. The film tells the story of a disturbing revenge plan led by a plastic surgeon, and a film adaptation of the Thierry Jonquet novel “Tarantula” and stars Antonio Banderas, Elena Anaya, Roberto Álamo and Marisa Paredes. The three month shooting will take place first in Santiago de Compostela, in the north of Spain, moving thereafter to Pazo de Oca and finishing in Madrid and the whereabouts of Toledo. Almodóvar will count with a healthy budget of 10 million euros. Aside from technical aspects, new details on the plot have been revealed this weekend, El Deseo S.A, Almodóvar´s production company, released the following: “Since his wife perished burnt in a car crash, Dr Ledgard (Antonio Banderas), a well respected plastic surgeon,...
- 8/23/2010
- IONCINEMA.com
MADRID -- Jaime Rosales' Festival de Cannes entry La Soledad walked away from the Spanish Film Academy's Goya Awards ceremony with the top honors, but the night undoubtedly belonged to Juan Antonio Bayona's directorial debut, The Orphanage.
Rosales took home the Goya for director, beating Gracia Querejeta for Siete mesas de billar frances, Emilio Martinez-Lazaro for 13 roses and Iciar Bollain for Mataharis.
"We live in a frenetic society, and that is time that we are stealing from our children," Rosales said.
His film focusing on loneliness and what he called "polyvision" triumphed over Roses, Seven Billiards Tables and Orphanage for Spain's top honor of the night.
"The richness of our cinema is in its diversity, and I dedicate this award to the people that are just starting out in cinema," said Wanda Vision president Jose Maria Morales, producer of Soledad.
But Bayona's haunting tale of a woman's return to the orphanage where she lived as a child -- distributed in the U.S. by Picturehouse -- crowned its winning trot around the globe throughout 2007's festival season with seven statues, including best new director, original screenplay, production design, artistic director, makeup and hair, sound and special effects.
Querejeta's Billiards was hands-down the winner in actress performances, giving Maribel Verdu her first acting Goya after four previous unsuccessful nominations -- including for last year's for Pan's Labyrinth.
The lead actor nod went to Alberto San Juan for his part in Bajo las Estrellas, which also gave Felix Viscarret the adapted screenply award.
Rosales took home the Goya for director, beating Gracia Querejeta for Siete mesas de billar frances, Emilio Martinez-Lazaro for 13 roses and Iciar Bollain for Mataharis.
"We live in a frenetic society, and that is time that we are stealing from our children," Rosales said.
His film focusing on loneliness and what he called "polyvision" triumphed over Roses, Seven Billiards Tables and Orphanage for Spain's top honor of the night.
"The richness of our cinema is in its diversity, and I dedicate this award to the people that are just starting out in cinema," said Wanda Vision president Jose Maria Morales, producer of Soledad.
But Bayona's haunting tale of a woman's return to the orphanage where she lived as a child -- distributed in the U.S. by Picturehouse -- crowned its winning trot around the globe throughout 2007's festival season with seven statues, including best new director, original screenplay, production design, artistic director, makeup and hair, sound and special effects.
Querejeta's Billiards was hands-down the winner in actress performances, giving Maribel Verdu her first acting Goya after four previous unsuccessful nominations -- including for last year's for Pan's Labyrinth.
The lead actor nod went to Alberto San Juan for his part in Bajo las Estrellas, which also gave Felix Viscarret the adapted screenply award.
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