Hamlet (2005) Poster

(II) (2005)

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1/10
To be, or not to be a good film..........Not to be!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
mulhollandman28 September 2006
When you put Hamlet into the search engine on the IMDb over 50 matches turn up. Which brings me to my first question does the world really need another adaptation of Hamlet ? My second question is " Does there need to be another adaptation that has a modern setting in Derry, Northern Ireland ". My answer to both is NO. But unfortunately Director/Producer/Cinematographer/screen writer and leading actor Stephen Cavanagh says yes. The result is these 93 minutes of excruciating bad acting that is accompanied by painfully bad cinematography that was the cause of giving me a bad headache. After seeing this it is becomes blatantly clear that every one on the production side of this film Mr. Cavanagh, Keith O'Grady, Richard Hughes & Ellen Factor (yes that is all that is credited) are so much out of their depth and very inexperienced to bring such a complicated text such as Hamlet to the big screen. I can safely say that William Shakespeare must be turning in his grave.

The story remains the same the twist is that Hamlet is now an avid filmmaker from Derry. Its cinematography style is a documentary style that is shot in a similar fashion to the Blair Witch project. To shot a very similar style to the Blair Witch Project was a suicidal move on behalf of the film makers because of the transparent amateurish attitude of the film makers that the chosen style of the Blair witch should make it appealing to audiences. This backfires badly and inevitability shows that the makers never fully thought out the consequences of shooting in such an elaborate style and the requirement of having one fully committed person who would take responsibility of being cinematographer. A consistent tone with accompany imagery would have been established and it might have saved the film from the fate of my review. Instead we have three untrained individuals. Therefore we attain three very different interpretations of the text.

The acting is okay. It does not help that the accents are of a heavy northern Irish dialect, which is sometimes very hard to decipher. The only real talent to emerge from the film is Simone Kirby. She is consistent in her portrayal of Ophelia. Cavanagh as Hamlet once again is another let down to a film that was already doomed. You get the feeling every time he is on the screen that he thinks he knows better about the text than anyone else. But his performance says otherwise.

Overall it is a terrible adaptation of a Shakespearean text. It is quite obvious from the outset that there were some serious delusions of grandeur on behalf of the Director/Writer/Producer/Cinematographer and lead actor Cavanagh. If he was to drop 4 out of the 5 positions he held then maybe he might have had some objectivity and the film might have been very different. He should also acknowledge that he is no Brannagh or Olivier and he never will be. A terribly bad product that gives independent Irish films a bad name. 1 out of 10.
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8/10
A brave and slick endeavour for low budget film making
plugfive13 August 2007
Warning: Spoilers
Hamlet – produced by Derry Film Initiative – directed by Stephen Cavanagh Monday 20th February 2006

Old tale, new twist. Not entirely sure of whether this is a good thing or not, I entered the cinema uncertain of what lay ahead. For those not familiar with Hamlet, the most tragic of all Shakespeare's erm….. tragedies, a brief synopsis. Hamlet, Prince of Denmark, has just lost his father, King Hamlet and now finds his mother, Queen Gertrude, married to his Uncle Claudius, the late King's younger brother. Soldiers tell Hamlet's friend Horatio that his father's ghost has been seen on the battlements. The ghost speaks to Hamlet, saying that Claudius has murdered the King and that he must avenge his father's murder. In order to cheer him up, Gertrude and Claudius tell Hamlet of a travelling company of actors coming their way. The Prince decides to have the actors put on a play about a man who poisons a king and seduces the queen. Claudius' reaction to the play reveals the truth. Meanwhile, Ophelia, the daughter of Claudius' right hand man Polonius, tells her dad that Hamlet has turned cold on her after showering her with love poems before the Kings death. Polonius tells Ophelia that Hamlet must be going mad and that she should stay away from him. Claudius then overhears the 'would be' lovers and finds out that Hamlet knows about his assassination plot against the king. When Hamlet goes to confront his mother about her new husband and his shady dealings, he ends up accidentally killing Polonius who is hidden behind a curtain. What follows is a cacophony of insanity, suicide, murder, betrayal and revenge. Just like your regular episode of Eastenders, Shakespeare knows exactly how to mix it up. But what makes this effort different, is the fact that it was set in Northern Ireland to a modern day backdrop, using a young cast and a tight budget. Director Stephen Cavanagh also fills the role of our protagonist with ease. In truth, his performance is probably the finest thing about this film. Taking on the role of a Northern Hamlet as opposed to a Nordic Hamlet, he conveys his lines effortlessly. He manages to avoid overacting the character, as many Shakespearean actors end up doing. Simone Kirby gives a good performance as the unfortunate Ophelia also. The cinematography is superb, with many inventive shots being spliced and edited together at a frenetic pace during the film's darker moments; as if this tale of cold bloody revenge could get any darker. Complementing the flick is a haunting soundtrack alluding to the evil menace within the film's plot. If you are not a fan of The Blair Witch Project, be warned though. Hamlet, Derry style, uses hand held cameras and sometimes it feels like you are watching the movie whilst falling down a mountain. Innumerable attempts have been made to modernise The Bard, this version of Hamlet is a brave and slick endeavour for low budget film making.

Aisling O'Donnell

www.dubliniff.com/content/review/22
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