Gajokeui tansaeng (2006) Poster

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A mazing Maze
Jamester11 September 2006
Warning: Spoilers
This was a maze of a movie which I caught at the Toronto International Film Festival.

It was a common story told in an uniquely uncommon but very accessible way which made this standout and memorable with strong acting and an interesting message.

How so?

Well -- back to the maze and the unique part of the story -- this movie follows the life of a sister whose brother comes back to live with her, only some additional family links come with the move -- before the story shifts to focus on a different family member. Time passes, then it shifts yet again. And so on. You get the picture. It was such a witty title of family ties that I was trying to figure out up front what it meant. But was this so unusual?

Well, by tracing lives through family links, you see patterns, then you see patterns broken, then you try to understand what the whole family ties are and how it works. And because each link is a little different, it builds a picture on a giant canvas that takes shape.

This movie spans time, dimensions (in a sense), and makes for a somewhat enigmatic, yet highly intricate and satisfying watch. I learned a new perspective on people, it brought depth to the everyday person, and perhaps endowed me with a taste of peculiarity and loneliness. It also engaged me to the ending credits where I watched the ending scene -- something not part of the movie story, yet it showed yet another side of the characters that was highly watchable.

This was a good watch. Unique, and something that left an impression on me.
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9/10
Acting, photography, art design, story come together well in this near omnibus
refresh_daemon11 October 2008
Family Ties, whose Corean title is literally translated "Birth of a Family", is a rather curious film. It gives the appearance of being a three part omnibus film, but includes more than a few elements that bring it close to the edge of mainstream cinema and into another world entirely. I had my doubts going in but ended up being quite impressed by this seemingly "small" film about nothing more than family and relationships.

Right from the early part of the first segment, dealing with a woman whose deadbeat brother barges back into her life, bringing along a surprise or two in tow, you can tell that a lot of this film is carried by the actors. And the principal actors carry their parts spectacularly and the supporting cast doesn't slouch either. Even if this film were merely an acting showcase, it would have succeeded, but it brings more to the table with a few limited moments of artistic fancy, absolutely gorgeous photography (some of which I just want to frame) and some surprises along the way.

The second tale deals with the strained relationships around an quick-tempered young woman and the final deals with a young couple's problems. One thing I love about these stories is how each story helps you read the other stories and how the film just goes straight for an exploration of the theme of family, even in the final segment, which you don't immediately see the connection to the theme. And this subtlety that the film engages in, while it might seem clever to the particularly cinematically jaded, sponsors a surprising engagement with the film--it's not so much that there's a surprise twist, but the way that the film connects the dots between its stories is rather heartwarming and rewarding to those who engage with the separate story lines.

Honestly, I have to recommend this film. It won me over, from its sparkling production values (it definitely doesn't scream indie), to its gorgeous photography, powerful acting, subtle-yet-intelligent storytelling and willingness to play at the edges of what you'd expect. You do need to give it a chance, because the nature of the separate segments require them to be paced and while the film does work sometimes in the framework of Corean melodramas, it pulls back enough to keep it from sinking and flailing in the tradition. A solid and even wonderful film. 9/10.
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