Directed by
Daniel J. Pico |
Writing Credits (in alphabetical order)
Roy Maurer | ||
Daniel J. Pico |
Cast (in credits order)
Produced by
James Azrael | ... | producer |
David Bianchi | ... | producer |
Keith Compton | ... | producer |
Matthew M. Jones | ... | producer |
Gina Kovacic | ... | co-producer |
Amanda Melby | ... | line producer: second unit |
Christopher Pico | ... | executive producer |
Daniel J. Pico | ... | executive producer |
Music by
Carl Sondrol |
Cinematography by
Jason Deuchler |
Editing by
Gina Kovacic | ... | co-editor |
Daniel J. Pico |
Casting By
Adam Mack |
Production Design by
Daniel J. Pico |
Art Direction by
Adam Devaney | ... | co-art director |
Makeup Department
Richard Collins | ... | assistant makeup artist: second unit |
Michael Peterson | ... | special makeup effects artist: second unit |
Christopher Pico | ... | special makeup effects artist |
Production Management
Matthew M. Jones | ... | production manager |
Gina Kovacic | ... | assistant unit manager |
Second Unit Director or Assistant Director
David Bianchi | ... | first assistant director |
Art Department
Rus Blemker | ... | set designer |
Scott Kennedy | ... | swing |
Sound Department
Osmin Camero | ... | re-recording mixer |
Cory Coken | ... | dialog editor / foley artist |
Ty Higgins | ... | post sound advisor |
Mitchell Logan | ... | location sound / sound recordist |
Ryan Pribyl | ... | re-recording mixer / sound effects editor |
John Wong | ... | sound editor |
Special Effects by
Chad Lares | ... | weapons master |
Matthew Stratton | ... | armourer / special effects makeup |
Stunts
Rydell Danzie | ... | stunts: stunt performer |
Camera and Electrical Department
Justin Brooks | ... | grip: second unit |
Jerry Brown | ... | gaffer |
Jeng Fonseca | ... | still photographer |
Jose Fonseca | ... | key grip (as Jose Fonesca) |
Ravi Gahunia | ... | camera operator: second unit |
Robert D. Guthrie | ... | grip: second unit (as Robert Guthrie) |
Jimmy Nickell | ... | grip |
Webb Pickersgill | ... | camera operator: second unit |
Tanya Schafer | ... | still photographer |
Georgia Tavera | ... | key grip: second unit |
John Weaver | ... | first assistant camera |
Carl Wiedemann | ... | steadicam operator: Chicago |
Location Management
James Azrael | ... | location manager |
Matthew M. Jones | ... | location manager |
Christopher Pico | ... | location manager |
Daniel J. Pico | ... | location manager |
Music Department
Brian Blake | ... | composer: additional music |
Script and Continuity Department
Gina Kovacic | ... | script supervisor |
Additional Crew
Mark Alan Anderson | ... | military technical advisor |
Blake Armstrong | ... | production assistant |
Chris Carson Emmons | ... | production assistant (as Chris Emmons) |
Kelly Haimann | ... | production assistant |
Justin Harris | ... | production assistant |
Scott Kennedy | ... | runner |
Erick Koenig | ... | dog wrangler |
Gina Kovacic | ... | craft service |
Redbird Largo | ... | production assistant |
Chad Michael Lawson | ... | production assistant |
Mark Maj | ... | production assistant |
Jamie Moyers | ... | production assistant |
Cindy Wood | ... | production assistant |
Stefan Youngbrandt | ... | weapons wrangler |
Thanks
The Brach Family | ... | special thanks |
Damien Brennan | ... | special thanks |
Jennifer Champagne | ... | special thanks |
Kathleen Davison | ... | special thanks |
The Duechler Family | ... | special thanks |
The Fonseca Family | ... | special thanks |
Judy Goldstein | ... | special thanks |
Ben Katz | ... | special thanks |
Erick Koenig | ... | special thanks |
Chris LaMont | ... | special thanks |
David Lieberman | ... | special thanks |
Adam Martinez | ... | special thanks |
Marc Menet | ... | special thanks |
The Pico Family | ... | special thanks |
Ana Maria Quintana | ... | very special thanks |
The Rausch Family | ... | special thanks |
Larry Spiegel | ... | special thanks |
Pamela M. Staton | ... | special thanks |
Jeremy Youngman | ... | special thanks |