The birth of Zero in this episode is executed fairly well actually. The OST was finally used appropriately and effectively. I'm also impressed by how many new dynamics were introduced and how many themes were explored. On a macro level the writing is remarkably tight and creative, weaving together elements that were alluded to in prior episodes (ie. The Japanese Liberation Front, the "poison gas" chamber from Shinjuku, the propaganda machine, stark segregation, Suzaku and Lelouch's past relationship, politics/bureaucracy within the Britannian military, etc.).
However, upon closer inspection one starts to notice cracks. Herein lies one of my biggest issues with the show. In order to maintain the illusion of plausibility, the show constantly introduces new elements and doesn't dwell on them for any extended period of time. The directorial style is borderline frenetic, with very few shots lasting longer than a few seconds. The ones that do last longer are merely included for the sake of staying within the production budget, usually still frames or static Knightmare models moving across stock backgrounds. Because of this we often hear character motivations spelled out letter by letter, and are told actions are taking place instead of actually being shown them. More important moments also tend to squander any emotional potency and impact because of this. Contrary to the other reviewer here, I'd argue the character motivations are explained TOO explicitly (specifically in Jeremiah and Suzaku's cases). We also see in later episodes that Lelouch began experimenting with the Geass to explore its limitations after stumbling upon the "can't use it on the same person more than once" stipulation with Kallen and his history teacher.
Now we come to Zero and Jeremiah's confrontation. The performative nature of it is certainly entertaining, and lends credibility to Diethard being so enamored with it. However, with his camera trained on Zero, I find it INCREDIBLY hard to believe not one spectator or official saw Lelouch's eye beneath his mask when he used his Geass on Jeremiah. I also found it strange that all military personnel took Zero's (a presumed Eleven terrorist) word at face value about "Orange" over Jeremiah's (a fiercely loyal, pure-blooded, high-ranking Britannian officer). Nobody questions his sudden and uncharacteristic lapse in loyalty, or the bizarre wording of his orders. I guess it emphasizes the "thorns of suspicion" thing they were going for and how easily nationalistic sentiments can be redirected, but it comes at the price of logical behavior of characters. That's something I personally can't get on board with, and it's something the show basically demands of the viewer.
Basically, this episode encapsulates the show as a whole for me. On a grand scale the writing is great. The show has a wonderfully satisfying arc to it and it explores compelling themes. However, too many elements and characters are introduced for the show's own good. The majority of them aren't developed or explored adequately. The show instead explains them away with stale dialogue and keeps the story chugging along at a breakneck pace. Logic takes a backseat so that iconic moments can be born, and in my opinion a show can't be considered great if that sacrifice must be made.
However, upon closer inspection one starts to notice cracks. Herein lies one of my biggest issues with the show. In order to maintain the illusion of plausibility, the show constantly introduces new elements and doesn't dwell on them for any extended period of time. The directorial style is borderline frenetic, with very few shots lasting longer than a few seconds. The ones that do last longer are merely included for the sake of staying within the production budget, usually still frames or static Knightmare models moving across stock backgrounds. Because of this we often hear character motivations spelled out letter by letter, and are told actions are taking place instead of actually being shown them. More important moments also tend to squander any emotional potency and impact because of this. Contrary to the other reviewer here, I'd argue the character motivations are explained TOO explicitly (specifically in Jeremiah and Suzaku's cases). We also see in later episodes that Lelouch began experimenting with the Geass to explore its limitations after stumbling upon the "can't use it on the same person more than once" stipulation with Kallen and his history teacher.
Now we come to Zero and Jeremiah's confrontation. The performative nature of it is certainly entertaining, and lends credibility to Diethard being so enamored with it. However, with his camera trained on Zero, I find it INCREDIBLY hard to believe not one spectator or official saw Lelouch's eye beneath his mask when he used his Geass on Jeremiah. I also found it strange that all military personnel took Zero's (a presumed Eleven terrorist) word at face value about "Orange" over Jeremiah's (a fiercely loyal, pure-blooded, high-ranking Britannian officer). Nobody questions his sudden and uncharacteristic lapse in loyalty, or the bizarre wording of his orders. I guess it emphasizes the "thorns of suspicion" thing they were going for and how easily nationalistic sentiments can be redirected, but it comes at the price of logical behavior of characters. That's something I personally can't get on board with, and it's something the show basically demands of the viewer.
Basically, this episode encapsulates the show as a whole for me. On a grand scale the writing is great. The show has a wonderfully satisfying arc to it and it explores compelling themes. However, too many elements and characters are introduced for the show's own good. The majority of them aren't developed or explored adequately. The show instead explains them away with stale dialogue and keeps the story chugging along at a breakneck pace. Logic takes a backseat so that iconic moments can be born, and in my opinion a show can't be considered great if that sacrifice must be made.