User Reviews

Ashley Judd's performance is so good, natural and real that make this awful movie almost a masterpiece by herself.

On the other hand, the story is awful, full of clichés. For example, there are not even a single good man in this movie, in order of appearance:

• A narrow-minded husband.

• A rough doctor.

• An inpatient student.

• A quitter ex-husband.

• And even a rapist!

Through out the whole story only a woman can understand a woman, and only women can be kind and supportive.

This makes the movie more like a stereotypical, sexist propaganda against man, depicting the depressive Helen more as a victim than as a sick person who refuses to fight against a mental illness.

In a world full of food additives causing depression, electroshock as the only option of treatment sounds like one more cliché.

I really liked the slow paced and dark mood, though.

An underdeveloped story in a genre that needs careful crafting to make sure the tale is one of a character afflicted with a disease and not just a treatise on the disease itself. Unfortunately, in this overlong, skimpy story we get no real idea of who Ashley Judd's character is. How does she live when she's holed up in a (Hollywood-style "gritty") warehouse? Where does she get her money from? It's terribly convenient that she has a student with the same disease who, when it's convenient for her to leave, jumps off a rooftop so that Judd can return to her husband. Too many scenes of Judd crying in a fetal position, or just acting dumb (pouring milk on the floor) doesn't make for a good examination of the way a character we really know and understand can fall prey to this malady. Slow, boring and too reliant on electroshock as the answer with no examination of other aspects of the character's background. Also totally unbelievable for anybody familiar with this disease is the idea that her new husband and daughter would have no indication that Judd's character had been depressed before with husband number 1. Moreover she'd have definitely suffered from some indicative episode of depression before succumbing full bore to another attack. Again, the movie is too schematic a dramatic presentation.

Sandra Nettlebeck both wrote and directed this somber, intense study about clinical depression. The film is long, is a one-note song, and is in need of editing and lightening - or is it? What Nettleback has created is an atmosphere that very likely simulates the way the world is viewed and coped with by those who are suffering from suicidal depression. It is a lesson as much as it is a film. Helen (Ashley Judd) is a popular professor of music theory, and accomplished pianist, and the wife of handsome and successful lawyer David (Goran Visnjic), and mother of a charming teenager Julie (Alexia Fast) all of whom we meet at a surprise birthday party for Helen. But very gradually Helen begins to change from the ebullient happy woman to a more quiet, pensive, obviously injured woman. Concentration fails, she cannot get enough sleep, her connection to the world begins to crumble and finally she breaks into the depths of depression. Despite the support of David and Julie and denying the medical assistance of psychiatrist Dr. Sherman (Alberta Watson), Helen continues to sink deeper into the profound sadness of clinical depression. One of Helen's students, Mathilda (Lauren Lee Smith) seems to be one of the few people with whom Helen can relate: we are lead to discover Mathilda suffers from a similar disorder. The truth about Helen's medical history finally surfaces: she has had suicidal ideation and clinical depression in her past When married before to Frank (David Hewlett) and soon after the birth of Julie (?postpartum depression?) Helen required psychiatric hospitalization, her marriage failed, and she ultimately met David who has been the ideal husband and father for Julie. Helen escapes her home, is hospitalized and undergoes shock therapy after a suicide attempt - her only apparent understanding contact is the nebulously drawn Mathilda. How Helen emerges from her illness and reorganizes her life is the ending of the film. The film benefits greatly from the moody musical score by Tim Despic with the aid of James Edward Barker ( and Schumann and Schubert...) and the mood is kept appropriately dark by the cinematography by Michael Bertl. The quartet of actors - Judd, Visnjic, Smith, and Fast) - are outstanding as is the well selected group of actors for supporting roles. But for this study of the depths of depression - mostly dark scenes of Helen lying in bed or weeping - is, at two hours, a bit more than an audience can handle. In order to appreciate the quality of this film the viewer must accept the fact that the main point of the film is a study of the crippling illness of depression. And that it does extremely well. Grady Harp

Having worked in the mental health field for many years I can tell you this film does an outstanding job both in script, directing and acting with portraying a woman with major depression and suicidality. The performances by Ashley Judd, Goran Visnjic and Lauren Lee Smith (also Alexia Fast) were at least Oscar noteworthy. Why has this film not gotten more attention? And I am surprised by the rather mediocre vote average on this website. Most likely because it is portraying DEPRESSION and BIPOLAR DISORDER in all their worst forms and that isn't easy to watch. It isn't easy to live with nor is it easy to watch the deterioration of people you love.

Ashley Judd does an outstanding job playing Helen, a twice married woman and mother of a teenager daughter who suffers a relapse of her Major Depressive Disorder (MDD). Goran plays her lawyer husband who has no knowledge of her previous psychiatric experiences and must watch his wife sink into the abyss.

What I didn't understand were the reactions of Helen's students at the college. They wouldn't have known what was affecting her, it could be cancer so would they have walked out? I think someone would have inquired on her medical condition. Also you cannot terminate someone with a medical problem or can you?

Mental Illness is a subject we don't discuss but with the prognosis that in 10 years it will be the number one common health problem in the world and is the leading cause of disability with Bipolar Disorder are number 6th as leading cause of disability and then you have ADHD, Autism and the Pervasisve Developmental Disorders which affect 1 in 110 children, then you see the responsibility and need for film makers to make these films.

*********SPOILER************** Also portrayed in this film is Ashley Judd's character Helen getting treatment called Electo Convulsive Shock Therapy which is a very real treatment and performed in local hospitals all over the world. What the movie doesn't show and is the really ugly side of Major Depression are those young men and women who chronically try to commit suicide in various ways. I had a patient whose wrists were so heavily scarred from slicing it made me wince to look at them and she could take a light bulb or a jar of cosmetics and break it in a second to slash.

During the movie at time 55:35, in the parking lot sucker punching scene, you can see a GIANT MAT that the guy lands on after being punched.

During the movie at time 55:35, in the parking lot sucker punching scene< you can see a GIANT MAT that the guy lands on after being punched.

During the movie at time 55:35, in the parking lot sucker punching scene< you can see a GIANT MAT that the guy lands on after being punched.

During the movie at time 55:35, in the parking lot sucker punching scene< you can see a GIANT MAT that the guy lands on after being punched.