Legacy
- Episode aired May 9, 2007
- TV-14
- 42m
IMDb RATING
8.1/10
2.2K
YOUR RATING
A detective presents himself at the BAU, asking for help because the homeless in his area have begun to disappear.A detective presents himself at the BAU, asking for help because the homeless in his area have begun to disappear.A detective presents himself at the BAU, asking for help because the homeless in his area have begun to disappear.
Kristoffer Ryan Winters
- Cal McGee
- (as Kristoffer Winters)
Jon Barton
- SWAT Leader
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaMorgan asks what the Yorkshire Ripper said about his victims. The Yorkshire Ripper, Peter Sutcliffe, murdered 13 women between 1975 and 1980, and attacked 7 others who managed to survive. During the trial Sutcliffe admitted his crimes, but claimed to have been following orders from God to kill prostitutes. The jury found him guilty.
- GoofsWhen Maggie comes to the first intersection in the long hallway, she looks down both side passages before choosing left. As she begins to move, a hand is visible on the lower left side of the screen.
- Quotes
Emily Prentiss: How'd you guys do?
Aaron 'Hotch' Hotchner: Well, Reid got propositioned by every prostitute we talked to, but we didn't find anybody who thinks they'd seen the unsub.
- ConnectionsFeatures A Night in the Show (1915)
- SoundtracksLeft for Dead
by Citizen Cope
Featured review
'Criminal Minds' and the homeless
When on form, and even better at its best, 'Criminal Minds' is one of my most watched and most re-watched shows and is a personal favourite. It is nowhere near as good now, but there are still good to great episodes made every now and then when the show doesn't forget what it's about, but Seasons 1-5 was its prime period.
Season 2 was a mostly solid season for 'Criminal Minds'. Boasting great episodes such as "The Fisher King Part II", "Sex, Birth, Death", "North Mammon", "The Boogeyman", the "No Way Out" episodes, "Revelations" and "Profiler, Profiled", with almost all the episodes missing that very high standard still being strong. The only real odd-one out, meaning barely average, was "Honor Among Thieves", while "Aftermath" was also a lesser episode it was still decent whereas "Honor Among Thieves" even strained average level.
Very like "Distress", also from Season 2, whether "Legacy" is a 'Criminal Minds' episode that one can watch over and over, with a subject matter and the way it's done hard to watch, is up for debate. In no way is this a fault, because it was an intriguing (and for 'Criminal Minds' pretty different) concept (if one that initially doesn't leave one bursting to see it) executed very well. Anyone who initially had a negative view on the homeless and the other kinds of victims are likely to no longer feel that way watching this episode, one feels very sorry for the victims here. It also left me feeling somewhat thankful for not being part of any of the groups targeted.
There may be 'Criminal Minds' episodes with more character development than here, for example the unsub is somewhat underdeveloped here. This said, it's hardly devoid of it, who can't help love the chemistry between Gideon and Hotch or the subtlety of the relationship between Prentiss and Morgan. Not to mention the Charlie Chaplin scenes (a delight for film aficionados) and Reid with the prostitutes. The chemistry between the team and how they work so cohesively is nothing short of magical and integral to the show's appeal.
On a visual level, "Legacy" is without complaint. It's very well shot and lit and is overall stylish, gritty, classy and atmospheric. The music is moody in the haunting and melancholic sense and fits well, never once being distracting. The direction keeps the momentum going but lets the case breathe, and all of the pacing is spot-on.
The script is thought-provoking, tautly paced and structured and nicely balanced. The story is absorbing and clever in construction, also being by far one of the early seasons' darkest, most suspenseful (the episode being rich in it, especially in the fate of the latest victim), saddest and gruesome (but not gratuitously so) cases. The acting is very good, who can't help love Mandy Patinkin and Matthew Gray Gubler.
In conclusion, a great episode and another winner from a mostly strong season. 9/10 Bethany Cox
Season 2 was a mostly solid season for 'Criminal Minds'. Boasting great episodes such as "The Fisher King Part II", "Sex, Birth, Death", "North Mammon", "The Boogeyman", the "No Way Out" episodes, "Revelations" and "Profiler, Profiled", with almost all the episodes missing that very high standard still being strong. The only real odd-one out, meaning barely average, was "Honor Among Thieves", while "Aftermath" was also a lesser episode it was still decent whereas "Honor Among Thieves" even strained average level.
Very like "Distress", also from Season 2, whether "Legacy" is a 'Criminal Minds' episode that one can watch over and over, with a subject matter and the way it's done hard to watch, is up for debate. In no way is this a fault, because it was an intriguing (and for 'Criminal Minds' pretty different) concept (if one that initially doesn't leave one bursting to see it) executed very well. Anyone who initially had a negative view on the homeless and the other kinds of victims are likely to no longer feel that way watching this episode, one feels very sorry for the victims here. It also left me feeling somewhat thankful for not being part of any of the groups targeted.
There may be 'Criminal Minds' episodes with more character development than here, for example the unsub is somewhat underdeveloped here. This said, it's hardly devoid of it, who can't help love the chemistry between Gideon and Hotch or the subtlety of the relationship between Prentiss and Morgan. Not to mention the Charlie Chaplin scenes (a delight for film aficionados) and Reid with the prostitutes. The chemistry between the team and how they work so cohesively is nothing short of magical and integral to the show's appeal.
On a visual level, "Legacy" is without complaint. It's very well shot and lit and is overall stylish, gritty, classy and atmospheric. The music is moody in the haunting and melancholic sense and fits well, never once being distracting. The direction keeps the momentum going but lets the case breathe, and all of the pacing is spot-on.
The script is thought-provoking, tautly paced and structured and nicely balanced. The story is absorbing and clever in construction, also being by far one of the early seasons' darkest, most suspenseful (the episode being rich in it, especially in the fate of the latest victim), saddest and gruesome (but not gratuitously so) cases. The acting is very good, who can't help love Mandy Patinkin and Matthew Gray Gubler.
In conclusion, a great episode and another winner from a mostly strong season. 9/10 Bethany Cox
helpful•123
- TheLittleSongbird
- May 7, 2017
Details
- Runtime42 minutes
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
- 16:9 HD
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