Directed by
John Orrichio | ||
Karl Petry |
Writing Credits (in alphabetical order)
John Orrichio |
Cast (in credits order)
Produced by
John Orrichio | ... | producer |
Music by
John Orrichio |
Cinematography by
John Ni |
Editing by
John Orrichio |
Casting By
John Orrichio |
Art Direction by
Leo Goldman |
Makeup Department
Anthony J. Nuzzo | ... | key makeup artist |
Karl Petry | ... | key makeup artist |
Catherine A. Sheedy | ... | key hair stylist |
Production Management
Marie Gallow | ... | post-production supervisor |
Peter Pacea | ... | unit production manager |
Second Unit Director or Assistant Director
Amy Hirsch | ... | second assistant director |
Thomas Levine | ... | first assistant director |
Art Department
Veronica Bloom | ... | set design |
Eleanor Bree | ... | props |
Dave Frable | ... | musical instrument props |
Lois Glick | ... | property master |
Terry Hausen | ... | leadman |
John Ni | ... | construction coordinator |
John Orrichio | ... | props |
Billy Paul | ... | assistant property master |
Louis Pennbrook | ... | assistant property master |
Karl Petry | ... | props |
Warren Thompson | ... | art department coordinator |
Paula Weintraub | ... | assistant property master |
Sound Department
Christopher Lee | ... | boom operator (as Chris Lee) |
Jerry Mount | ... | sound effects editor |
John Ni | ... | boom operator |
Sueli S. Petry | ... | boom operator |
Hilton Richmonds | ... | sound mixer |
Tony Rugnetta | ... | boom operator |
Catherine A. Sheedy | ... | boom operator |
Billy Tooma | ... | boom operator |
Special Effects by
Brian Dugan | ... | special effects |
John Ni | ... | special effects |
John Orrichio | ... | special effects |
Camera and Electrical Department
Willard Fink | ... | dolly grip |
Jane Haas | ... | still photographer |
George Hanney | ... | best boy grip |
Tim Hogelang | ... | second assistant camera |
Kevin Kein | ... | best boy electric |
John Orrichio | ... | camera operator |
Karl Petry | ... | camera operator |
Mike Ryan | ... | second assistant camera |
Dick Savino | ... | first assistant camera |
Nelson Walker | ... | key grip |
Jon Waxman | ... | additional photography |
Costume and Wardrobe Department
Victoria de Koster | ... | costumes |
Location Management
Augie Almotta | ... | assistant location manager |
Chrissy Pennwrite | ... | assistant location manager |
Harvey Pratt | ... | location manager |
Tony Wagner | ... | assistant location manager |
Music Department
Eric Fields | ... | music editor |
John Orrichio | ... | composer: additional music |
Fred Slomo | ... | music editor |
Paul Towers | ... | music consultant |
Howard Wilson | ... | music editor |
Script and Continuity Department
Lisa Castro | ... | script supervisor |
Additional Crew
Henry T. Kirk | ... | technical assistant |
Rocco Lenardo | ... | animal trainer |
Roberto Lombardi | ... | publicist |
Andrew Miller | ... | production accountant |
John Sellers | ... | security |
Thanks
Samuel L.M. Cole | ... | special thanks |
James Congregane | ... | special thanks |
William 'Tex' Culton | ... | special thanks (as Reverand William 'Tex' Culton) |
Maryanne Grzesiak | ... | special thanks |
Frank Kearney | ... | special thanks |
Alice Orrichio | ... | special thanks |
Carmine Orrichio | ... | special thanks |
Carol Wojociechowicz | ... | special thanks |
Jeanne Youngson | ... | special thanks (as Jeanne Keyes Youngson) |