A vacationing woman meets her ideal man, leading to a swift marriage. Back at home, however, their idyllic life is upset when they discover their neighbors could be assassins who have been contracted to kill the couple..
A bounty hunter learns that his next target is his ex-wife, a reporter working on a murder cover-up. Soon after their reunion, the always-at-odds duo find themselves on a run-for-their-lives adventure.
Spencer Aimes is just your average, undercover, government-hired super-assassin accustomed to a life of exotic European locales, flashy sports cars and even flashier women. But when he meets Jen Kornfeldt, a beautiful, fun-loving computer tech recovering from a bad break-up, he finds true love...and happily trades international intrigue for domestic bliss. Three years later, Spencer and Jen are still enjoying a picture-perfect marriage - that is, until the morning after Spencer's 30th birthday. That's when Spencer and Jen learn he's the target of a multi-million dollar hit. Even worse, the hired killers have been stalking the happy couple for years, and could be anyone: friends, neighbors, the grocery store clerk, even that crabby old guy shuffling across the street. Now Spencer and Jen are on the run for their lives. As their suburban paradise turns into a paranoid game of dodge-the-bullet, they must find out who wants Spencer dead and why, all the while trying to save their marriage...Written by
Director Robert Luketic replaced Mark Helfrich. The latter was originally attached to direct, it being reported in a show-business trade-paper 'Variety article published on 6th September 2007. See more »
When Spencer and Henry are chasing each other around the construction site the orange mesh fence caught on the bumper of Henry's car moves from covering the bumper and the lower part of the hood to up on the back part of the hood near the windshield and then back down to cover the bumper again several times. See more »
[In reference to her dad, under the table]
You see that guy over by the menus? Freakishly tall, excellent mustache?
That's a gorgeous mustache.
Well he, um... he's a Russian diplomat. Also kind of a pervert. I sat next to him on the plane, he got a little grabby.
Really? Wait, women don't like 'grabby'? I'm gonna have to change my whole M.O.
See more »
Better the first time I saw it when it was called True Lies
Jen (Katherine Heigl) is on vacation with her parents Mr. and Mrs. Kornfeldt (Tom Selleck and Catherine O'Hara, respectively). She's a nervous wreck and newly single. All of her worries go out the door when she is swept off her feet by the suave Spencer (Ashton Kutcher). Little does she know that her new boy toy is a CIA operative who's leaving the job to be with her. Flash forward 3 years and someone wants Spencer out of the picture. With a $20 million dollar price on his head, it seems that everyone they know is after Spencer and the only person he can trust is his reluctant wife.
So what is this? Killers is a "romantic comedy" (how often is this genre romantic and/or comedic) with hints of an action film. Don't get it confused with an action film that happens to be funny. Foremost effort is to please the female demographic with all the cheap shrieks and arguments stirred up by an irrational female lead. Kutcher, as the male lead, is also here to appeal toward women. Spencer doesn't have a solid support staff or even a definable mission other than to get girls into the seats.
The performances are par for the course and visuals are remarkably strong for this breed of film. Hand-to-hand combat is actually more entertaining here, than that found in Quantum of Solace. The downfall is that Killers isn't funny, at all. It doesn't aim for the gross-out (very often), but the effort is generally underwhelming. Jen's mother seems to serve as the primary comic relief element, this is just speculation because her role as an alcoholic isn't vital to any aspect of the movie.
Killers was better the first time I saw it when it was called True Lies. The older title successfully combines all the elements of a top-tier espionage classic and then it brings in a likable, dynamic housewife to keep the female crowd in the film. Tom Arnold was a rock solid sidekick for Arnold Schwarzenegger, Ashton has no one. Harry Tasker has a reason for people to try and kill him and his family, Spencer not so much. In True Lies, a subplot develops where Harry has reason to spy on Helen to see if she's cheating on him. In Killers, the idea is simply suggested without logic. Does it make sense for everyone in Spencer's daily life to be gunning for him? I think not. What a waste of resources to have people pretend to be a former agent's friend for a number of years.
Killers completely shames the tradition of the espionage subgenre. Training missions have a more elaborate scheme, and they usually go to the trouble of making sense out of the background story. By the end of it, you realize that all the twists you expected to be revealed are not only presented but also nonsensical. The more you think about it, the bigger the waste of time it becomes. Still, it's easy to recognize that Killers is more rom com than spy thriller, and with that in mind, it's almost a treat since the gunfire and explosions will entertain a male date better than the dialogue found in the standard chick flick.
9 of 21 people found this review helpful.
Was this review helpful to you?
| Report this