A young couple moves in to an apartment only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
An unremarkable ghost-writer has landed a lucrative contract to redact the memoirs of Adam Lang, the former UK Prime Minister. After dominating British politics for years, Lang has retired with his wife to the USA. He lives on an island, in luxurious, isolated premises complete with a security detail and a secretarial staff. Soon, Adam Lang gets embroiled in a major scandal with international ramifications that reveals how far he was ready to go in order to nurture UK's "special relationship" with the USA. But before this controversy has started, before even he has closed the deal with the publisher, the ghost-writer gets unmistakable signs that the turgid draft he is tasked to put into shape inexplicably constitutes highly sensitive material.Written by
Eduardo Casais <firstname.lastname@example.org>
Was originally filmed as an R-rated thriller, but upon its purchase for U.S. distribution, it needed to be cut down to PG-13, to ensure a wider audience. This was done by cutting out eighteen "f" words, three "c" words, and also some graphic sexual dialogue, as well as trimming some CGI blood spray during a death scene. See more »
When the Ghost gets disconnected on his cell phone, we hear a fast busy signal. When a cell phone is disconnected it goes dead. There is never a dial tone or a fast busy on disconnect. See more »
You realize I know nothing about politics.
You voted for him, didn't you?
Adam Lang? Of course I did, everyone voted for him. He wasn't a politician, he was a craze.
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There are no opening credits. The title and cast list do not appear until after the last scene of the movie. See more »
US version was cut for language to secure a PG-13 rating (the usage of the words "fuck" and "shit" was severely toned down). See more »
Polanski is a master of subtlety, grace, and wit. His eye creates breathtaking and beautiful shots. His ear adds a malevolent and demented humor to the score of a film. There is most always something unspeakable, indescribable beneath the surface of a Polanski film. Something unnerving about the tone but never overbearing, or pounding the audience over the head with it. This is certainly true of The Ghost Writer. What I found surprising, not being familiar with the novel on which it is based, was the political statement being made. Humorously portraying certain key figures in the political environment of the last decade. In any other hands, this could never have been done so believably and deftly. All the key performances are on target. And how could they not be. For Polanski knows how to work with actors and guide them in creating such memorable characters. Ewan McGregor certainly fits his role seamlessly as does Olivia Williams. So many could learn from Polanski how a thriller needs to be constructed in order to hold an audience to the very end. The word entertainment means to 'hold in between' which is what The Ghost Writer does from beginning to its haunting and inevitable conclusion.
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