Oskar, an overlooked and bullied boy, finds love and revenge through Eli, a beautiful but peculiar girl.


Tomas Alfredson


John Ajvide Lindqvist (screenplay), John Ajvide Lindqvist (novel)
2,780 ( 26)
Nominated for 1 BAFTA Film Award. Another 75 wins & 57 nominations. See more awards »





Cast overview, first billed only:
Kåre Hedebrant ... Oskar
Lina Leandersson ... Eli
Per Ragnar ... Håkan
Henrik Dahl Henrik Dahl ... Erik
Karin Bergquist ... Yvonne
Peter Carlberg Peter Carlberg ... Lacke
Ika Nord ... Virginia
Mikael Rahm Mikael Rahm ... Jocke
Karl-Robert Lindgren Karl-Robert Lindgren ... Gösta
Anders T. Peedu Anders T. Peedu ... Morgan
Pale Olofsson Pale Olofsson ... Larry
Cayetano Ruiz Cayetano Ruiz ... Magister Avila
Patrik Rydmark ... Conny
Johan Charles ... Andreas (as Johan Sömnes)
Mikael Erhardsson Mikael Erhardsson ... Martin


Oskar, a bullied 12-year old, dreams of revenge. He falls in love with Eli, a peculiar girl. She can't stand the sun or food and to come into a room she needs to be invited. Eli gives Oskar the strength to hit back but when he realizes that Eli needs to drink other people's blood to live he's faced with a choice. How much can love forgive? Set in the Stockholm suburb of Blackeberg in 1982. Written by John Nordling, Producer

Plot Summary | Plot Synopsis


Eli is 12 years old. She's been 12 for over 200 years and, she just moved in next door.

Motion Picture Rating (MPAA)

Rated R for some bloody violence including disturbing images, brief nudity and language | See all certifications »

Parents Guide:

View content advisory »

Did You Know?


Voted movie of the year by Empire magazine (the first time a foreign language film topped their list since City of God (2002) in 2003). See more »


Vampires are not supposed to be able to enter a building without being invited in (as even the title establishes), but Eli was able to burst into the gym swimming pool room herself to rescue Oskar. See more »


[first lines]
Oskar: Squeal like a pig. So, squeal.
See more »


Referenced in Caddicarus: The Worst Game Ever Made (2014) See more »


Stro Lite Rosor
Written by Sven Helin and Karl-Ewert Christenson
Performed by Egon Kjerrman (as Ego Kjerrmans Underhallningsorkester)
See more »

User Reviews

Melancholic vamp drama that combines visceral jolts with a glacial atmosphere
27 November 2008 | by chaos-rampantSee all my reviews

Now if I can like this movie, without being a fan of either vampires or drab interpersonal dramas, those of you who are will definitely love it to pieces.

LETROI reveals most of the problems that plague modern horror by excelling in those respective departments. It should come as no surprise then the fact that it is not directed by a traditional horror name or a well known player for that matter. It doesn't aspire to be a genre picture but instead uses a genre framework to support the story. After all some of the finest horror outings in the history of the genre have come out of non-horror directors.

Poor writing, clichés, not even a fundamendal grasp of mise-en-scene, directing and visual storytelling: lots of fancy words that make all the difference between awshum and crap, these are also some of the baggage greenhorn directors have brought to horror over the years. Why horror, this most tormented of all genres? Because of its dedicated following, because of the number of fans ready to shell out their hard earned money for even the most deplorable of DTV potboilers in the perennial search for chills and thrills.

Why do I mention all these and what do they have to do with this recent Swedish gem? It's because LETROI is everything a horror movie should be, aspires to be everything a horror movie can be and has sadly been neglected the past twenty years. Nuanced, understated, refusing to sit down and explain and telegraph plot points in advance, taking itself serious before expecting the viewer do the same.

Yes, it's a vampire movie where the word 'vampire' is not uttered until 80 minutes in. With a deliberate pacing, that selfsame melancholic and glacial atmosphere many North European films share, excellent writing and a perfect grasp of visual storytelling and set-piece. A certain pool scene readily brings Argento and the 'floor scene' from Sleepless to mind. The Bergman-esquire writing, nuanced and suggestive enough, reminds us it's a Swedish movie we're watching.

I'll stop before I commit the capital sin of over-analyzing a movie and content myself with letting the visceral aspects sink in for what they are instead of interpreting them as allusions to the teenage martyrdom of high school. It's after all pretty clear about the points it makes and I suspect it'll be quite popular with sulky teenagers. Perhaps not the kind of teenager that would go and watch Twilight. Hopefully so.

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Frequently Asked Questions

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Swedish | Spanish

Release Date:

12 December 2008 (USA) See more »

Also Known As:

Let the Right One In See more »


Box Office


$4,000,000 (estimated)

Opening Weekend USA:

$49,295, 26 October 2008

Gross USA:


Cumulative Worldwide Gross:

See more on IMDbPro »

Company Credits

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Technical Specs


Sound Mix:

DTS | Dolby Digital



Aspect Ratio:

2.35 : 1
See full technical specs »

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