Directed by
| Tantri Wija | ||
Writing Credits (in alphabetical order)
| Jerry G. Angelo | ... | (original screenplay) |
| Tantri Wija | ... | (original screenplay) |
Cast
| Jerry G. Angelo | ... | Maximillian | |
 |
Alexander Bennet-Strong | ... | Young Max |
|
|
Stephen Jules Rubin | ... | Paul |
|
|
Lara Wulsin | ... | Thalia |
Produced by
| Jerry G. Angelo | ... | executive producer |
| Free Bear | ... | producer (as Small Bear Free) |
| Jocelyn Jansons | ... | supervising producer |
Music by
| Eliot Gray Fisher | ... | (as Eliot Fisher) |
Cinematography by
| John Lore | ||
Editing by
| Eliot Gray Fisher | ... | (as Eliot Fisher) |
| Phillip Trujillo | ||
| Tantri Wija | ||
| Brad Wolfley | ||
Casting By
| Tantri Wija | ||
Production Design by
| Tantri Wija | ||
Art Direction by
| Spencer Stair | ||
Makeup Department
| Karen McDonald | ... | makeup artist |
| Yvette Meely | ... | key makeup artist |
Production Management
| Free Bear | ... | unit production manager (as Small Bear Free) |
Second Unit Director or Assistant Director
| James Bustamante | ... | first assistant director |
| Gabriel Flores | ... | second second assistant director |
| Craig Strong | ... | second assistant director |
Art Department
| Wil Albarez | ... | additional props |
| Emily Barker | ... | art department assistant |
| Lisa Corradino | ... | property master / set dresser |
| Jonnie Lee Ghahati | ... | art department assistant |
| Arlen Johnson | ... | construction coordinator |
Sound Department
| Michael Becker | ... | boom operator |
| Bil Clement | ... | boom operator |
| Eliot Gray Fisher | ... | sound editor (as Eliot Fisher) |
| Tone Freshwater | ... | foley artist |
| David Teot | ... | sound mixer |
| Brian Wilburn | ... | boom operator |
Special Effects by
| Coad Miller | ... | special effects coordinator |
Camera and Electrical Department
| Giovanni Carranza | ... | gaffer |
| Malik Daniels | ... | first assistant camera |
| Tarraneh Eftekhari | ... | second assistant camera |
| Rorie Hanrahan | ... | still photographer |
| Leonard E. Hoffman | ... | gaffer mentor |
| Brandon Scott Jensen | ... | still photographer |
| Richard W. King | ... | grip |
| Gabriella Marks | ... | still photographer |
| Aileen Mell | ... | grip |
| Coad Miller | ... | dolly grip |
| Boril Radyokov | ... | camera operator |
| Sol Slavin | ... | key grip |
| Brian Wilburn | ... | second assistant camera |
Costume and Wardrobe Department
| Astrea Romero | ... | costume supervisor |
Editorial Department
| Mark Scharen | ... | additional editor |
| Tantri Wija | ... | head editor |
| Brad Wolfley | ... | post-production coordinator |
Location Management
| Mike Miller | ... | location manager |
Script and Continuity Department
| Brandon Scott Jensen | ... | script supervisor |
| Gloria Martinez | ... | script supervisor |
Additional Crew
| Jennifer Buntjer | ... | craft service |
| Rorie Hanrahan | ... | craft service |
| Rebecca Marchena | ... | production assistant |
| Gloria Martinez | ... | production assistant |
| AnaMaria Moreno | ... | production assistant |
Thanks
| Henry Alper | ... | in memory of |
| Joseph Robert Angelo | ... | in memory of |
| Steven Kemper | ... | very special thanks |
| Samuel Melcher | ... | in memory of |
| Corey Metcalf | ... | very special thanks |
| Tomas Moore | ... | very special thanks |
| Bryce Perrin | ... | very special thanks |
| Stephanie Salveter | ... | very special thanks |
| Diane Schneier | ... | very special thanks |
