- A villain frames the hero for killing the heroine's old father.
- In the first scene we find the impossibly beautiful heroine making love to the mooney-eyed hero, together with her foolish looking old father. Then there enters the fierce and terrible villain, who, of course, wants the girl for himself. The next development, of course, the murder of the girl's father, and equally, of course, he succeeds by all the time honored methods in throwing the blame upon the hero. The hero is arrested, but manages to escape from the clutches of the police. The villain, who, unhappy man, is haunted by his real wife and her child in a way that is enough to make anybody desperate, succeeds in tracking the hero down, and by hiding behind a carpet, which the heroine is beating, he overhears their plans, and is plotting to again give him into the custody of the police, when the old father, who has never been killed, but only injured, suddenly returns to the scene, to the great dismay of the villain, who had imagined him to be safely dead. He thereupon flies, with his wife and child still in pursuit, and the drama ends in the good old-fashioned way, with the hero and heroine in each other's aims, receiving her father's blessing.—Cinema News and Property Gazette (January 1, 1913)
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