Directed by
| Julia Ford | ||
Writing Credits
| Daragh Carville | ... | (created by) & |
| Richard Clark | ... | (created by) |
| Sally Tatchell | ... | (written by) |
Cast (in credits order)
Produced by
| Alexander Lamb | ... | producer |
| Oliver Al Liebl | ... | commissioning editor: SAT.1 emotions (uncredited) |
| Catherine Oldfield | ... | executive producer |
| Amanda Wasey | ... | line producer |
Editing by
| Melanie Viner-Cuneo | ||
Casting By
| Alex Irwin | ||
Production Design by
| John Collins | ||
Art Direction by
| Beth Pell | ||
Set Decoration by
| Sam Slater | ||
Makeup Department
| Liz Arklie | ... | makeup artist |
| Fiona Lavin | ... | makeup department head |
| Olivia McLeod | ... | hair and makeup trainee |
Production Management
| Eleanore Carr | ... | unit manager |
| Sarah Mooney | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Tony Carter | ... | second assistant director |
| Sam Courtney | ... | assistant director |
| Rob Jones | ... | first assistant director |
Art Department
| Vanessa Bamford | ... | Art department assistant |
| Alex Beardmore | ... | art department assistant |
| Stuart Ford | ... | standby props |
| Jack Henshaw | ... | standby props |
| Lucie Taylor | ... | assistant buyer |
Sound Department
| Robert Brazier | ... | sound effects editor |
| Roger Dobson | ... | adr & dialogue editor |
| David Drake | ... | re-recording mixer |
| Thomas Holroyd | ... | adr mixer |
| Ryan McMurray | ... | sound recordist |
| Sam Stubbing | ... | sound post producer |
| Sam Walsh | ... | foley mixer |
Visual Effects by
| Declan Boyle | ... | visual effects artist |
| Marcus Millichope | ... | visual effects artist |
Camera and Electrical Department
| Jon Best | ... | gaffer |
| Ben Blackall | ... | still photographer |
| Tom Callander | ... | drone pilot |
| Phil Crothers | ... | drone camera operator |
| Chris Davis | ... | electrician |
| Vasco De Souza | ... | electrician |
| Leigh Hempsall | ... | grip assistant |
| Zoe Howard | ... | second assistant camera |
| Matt Hurst | ... | camera trainee: b camera |
| Tobin Jones | ... | camera operator: dailies |
| Steve McGrail | ... | best boy |
| Peter Nance | ... | second assistant camera |
| Jazz Rivans | ... | Trainee |
| Tom Williams | ... | b camera operator |
Costume and Wardrobe Department
| Charlotte Smith | ... | costume standby |
| Ethan Wilson | ... | principle standby |
| Katie Wilson | ... | principal costume standby |
Editorial Department
| Victoria Jazwiecka | ... | editorial trainee |
| Ben Jones | ... | technologist |
| Mellissa Lo | ... | first assistant editor |
| Chris Rodgers | ... | colorist |
| Emily Russul Saib | ... | grade assistant |
Location Management
| Josh Bones | ... | location trainee |
| Mark O'Hanlon | ... | location manager |
| Emma Taylor | ... | location scout |
| Dan Whittle | ... | location assistant |
| Lois Williams | ... | assistant location manager |
Music Department
| Rupert Coulson | ... | score engineer and mixer |
| Oliver Dipre | ... | music programmer |
Script and Continuity Department
| Sophie Bicknell | ... | development producer |
| Gillian Clarke | ... | script executive |
| Claire Hookway | ... | assistant script editor |
Transportation Department
| Victor Humphries | ... | action vehicles co-ordinator |
Additional Crew
| Chris Bevan | ... | assistant production coordinator |
| Victoria Brooks | ... | managing director: publicity |
| D Chorley | ... | caterer for production cast & crew |
| Richard Crome | ... | head of production technology |
| Malcolm Davies | ... | police advisor |
| Toby James | ... | epk producer |
| Cindy Morris | ... | animal supplier |
| Jessica Morris | ... | lead publicist |
| Hannah Noonan | ... | production secretary |
| Claire Robinson | ... | office production assistant (credit only) |
| Harriet Wadsworth | ... | production coordinator |
