(1932)

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4/10
a bit weak
planktonrules14 July 2012
This is an unusual inclusion in a collection of almost exclusively Black performers from the Harlem Renaissance era. I say unusual because Vincent Lopez was Hispanic. However, the tunes they play are those of Black artists--so perhaps that is why it's included--though the singers seemed very white-bread and lacked soul--as if this was a sanitized version of the music intended for a much wider audience of the day (sort of like when Pat Boone sang Little Richard's "Tuti Fruiti" and outsold the original because White kids bought Boone's albums). Fortunately, the music itself seemed to retain its integrity a bit more--though the songs were oddly sped up quite a bit. Not bad overall, but one of the weakest inclusions on the DVD "Hollywood Rhythm: Volume One".
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6/10
I Hate To See The Evening Sun Go Down
boblipton28 April 2023
Vincent Lopez and his orchestra play a very nice version of W. C. Handy's St. Louis Blues, with a nice orchestration and several good solos. The trombone solo is very good, and I must admit that I've never heard a better jazz piccolo, mostly because this is the only time I've heard a jazz piccolo.

At least it's not the shock when I encountered a jazz bagpiper, which was, to choose the kindest word I can think of in the context, startling.

The whole thing is shot in low lighting with shadowy figures painted on the wall. My only cavil is that everyone was smiling broadly. I know it's a happy thing to be in the movies, guys, but don't look so glad when you'll singing about your misery.
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6/10
A different look at the St. Louis blues.
mark.waltz2 December 2016
Warning: Spoilers
Really nothing more than a 9 minute music video, this takes a look at the forgotten Vincent Lopez band, where a male quartet sings several songs of the blues while the band plays in a unique style which I'll take over today's non-style. The best of course is the "St. Louis Blues" which is a haunting tune regardless of who is playing it. Unlike other musical shorts where usually the band plays and sings a few songs, nothing else really happens. I would have loved off stage happenings documenting the real meaning of the blues rather than seeing just the band for the entire time. But for the unique style and variety of unusual instruments that are utilized, I'll give this one a passing grade, though it's far from the honor roll.
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7/10
Those Blues was one period musical short of the jazz age I enjoyed that had no contrived situations
tavm21 October 2008
This musical short that I discovered on the Kino DVD-Hollywood Rhythm Vol. 1: The Best of Jazz and Blues-has bandleader Vincent Lopez just basically performing the W. C. Handy composition, "St. Louis Blues", which is on another short of the same name on this DVD that stars Bessie Smith. Unlike many of the other shorts there, there is no contrived plot. It's just Lopez with his orchestra and chorus performing with the music's end the short's as well. And despite many cuts and the fact this is in black-and-white, you may feel you're in the audience enjoying a live show. So on that note, Those Blues is worth a look for music fans of the '30s decade.
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Nice Music
Michael_Elliott1 May 2011
Those Blues (1932)

** 1/2 (out of 4)

Those familiar with Turner Classic Movies will probably know the name Vincent Lopez as his name shows up in a handful of shorts that appear on the station in between movies. These later shorts from Warner are certainly better known than this one here, which catches Vincent Lopez and His Orchestra years before the bigger studio would put him on film. At just five-minutes there's not any room for a plot so instead we're treated to the band doing St. Louis Blues. That's pretty much it but I thought the band did a pretty good job on the song but it's a shame the director wasn't a little more interested in the visuals as the film was shot extremely flat and without much energy. This short can be found on Kino's Hollywood Rhythm Vol. 1, which also features another short called ST. LOUIS BLUES that has Bessie Smith playing the song. It's certainly much better but this one here is recommended for those familiar with Lopez and his later work.
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