Directed by
Brian Pulido |
Writing Credits
Brian Pulido | ... | (written by) |
Cast (in credits order)
Produced by
Christine Acridge | ... | executive producer |
Cindy Acridge | ... | executive producer |
Jess Acridge | ... | executive producer |
Kevin Berman | ... | executive producer |
Joe Calderon | ... | executive producer |
Roe Caporael | ... | executive producer |
Kevin Hicks | ... | executive producer |
Tanya Hicks | ... | executive producer |
Brett Kalina | ... | executive producer |
Chris LaMont | ... | producer |
Brian Pulido | ... | producer |
Francisca Pulido | ... | producer |
Brian Ronalds | ... | producer |
Dean Matthew Ronalds | ... | producer (as Dean Ronalds) |
Chris Rothert | ... | executive producer |
Greg Seki | ... | co-producer (as Gregory Seki) |
F. Miguel Valenti | ... | co-producer |
Music by
Jim Casella |
Cinematography by
Adam Goldfine |
Editing by
Dean Matthew Ronalds | ... | (as Dean Ronalds) |
Casting By
Nina Axelrod |
Production Design by
Francisca Pulido |
Art Direction by
George O'Barts |
Costume Design by
Brooke Wheeler |
Makeup Department
David Anaya | ... | makeup artist |
Ashlyn McIntyre | ... | key makeup artist (as Ashlyn Melancon) |
Emily Rowan | ... | makeup artist |
Dana Vargas | ... | hair department head |
Production Management
Mark Dufour | ... | unit production manager |
Francisca Pulido | ... | executive in charge of production |
Second Unit Director or Assistant Director
Jeremy Phoenix | ... | first assistant director |
Brian Sofsky | ... | second assistant director |
Art Department
Marc Lara | ... | art production assistant |
Tony Parker | ... | storyboard artist |
Sound Department
Kenneth Cross | ... | boom operator |
Stephen Harrison | ... | supervising sound editor |
Rick MacDonald | ... | sound recordist |
Special Effects by
Michael Peterson | ... | special effects makeup |
Visual Effects by
Adam Fanton | ... | visual effects |
Darren Fanton | ... | visual effects |
Cameron VanHook | ... | visual effects |
Kevin VanHook | ... | visual effects supervisor |
Camera and Electrical Department
Matthew Bowman | ... | best boy electric |
Jon Carson | ... | second assistant camera |
Janaki Cedanna | ... | first assistant camera / red camera technician |
Corey Erwin | ... | electrician |
Fred Gibson | ... | gaffer |
Mark Harrison | ... | grip |
Mike Healy | ... | grip |
Andrew Hendrix | ... | second second assistant camera / video operator |
Jennifer McCuen | ... | still photographer |
Diana Price | ... | still photographer |
Gary W. Shaw | ... | key grip |
Torrey Speer | ... | camera production assistant |
N. Scott Trimble | ... | camera operator |
Jennifer Winterbotham | ... | camera production assistant (as Jen Winterbotham) |
Costume and Wardrobe Department
Jennifer McCuen | ... | wardrobe assistant |
Editorial Department
Milton Adamou | ... | digital intermediate colorist |
Spenser Crayola | ... | colorist |
Ernest Fairchild | ... | post-production coordinator |
Katie Fellion | ... | digital intermediate supervisor |
Nick Gallegos | ... | assistant editor / on-line editor |
Oscar Velasquez | ... | post-production assistant |
Location Management
Mike Tank | ... | location manager |
Script and Continuity Department
Howard Allen | ... | script consultant |
Joe Gruberman | ... | script supervisor |
Additional Crew
Shelley Marie Brown | ... | promotions |
Casey Fingerhut | ... | production assistant |
Luke Fisher | ... | production assistant |
Carmen Howie | ... | publicist |
Heather O'Neil | ... | production coordinator |
Tony Parker | ... | storyboard illustrator |
Joe Russo | ... | assistant to director / key production assistant |
Torrey Speer | ... | production assistant |
Jennifer Winterbotham | ... | production assistant (as Jen Winterbotham) |
Thanks
Paul J. Alessi | ... | special thanks (as Paul Alessi) |
Sean Dubravac | ... | special thanks |
Matt Ilczuk | ... | special thanks |