Roman mythology and modern life are mixed in this picture's melodrama which, although ridiculous to people of understanding, will appeal as a very pretty conceit to many spectators. To begin with, a figure of Cupid dissolves into Frank Newberg which is a bit amusing. Then we find others of the Roman theogony becoming real folks of the Selig stock and playing the melodrama which is not in any mythology. The camera work in making the dissolving scenes is awkward in the extreme. Yet, as an offering for most places, we dare call it very fair, on account of the newness of it more than anything else. - The Moving Picture World, April 11, 1914
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