User Reviews

I don't know if the movie has different versions, but the one I've seen deserves more credit than a 2.5.

OK, it's not a good movie, the acting is really mediocre, the subjective camera is awful and the whole photograph of the film is poor. But the plot is OK (kinda), it's all twisted up (as it's supposed to) and the only "too much" thing is the frozen parents at the table, since it is a "based on true events" and recurs us to some cases, even to recent ones such as Josef Fritzl's, on keeping his daughter locked in the basement and having sex with her. On this plot, the serial killer kidnaps the victims, keep and rape them in a basement-like room at the bottom of a tall building with no doors or windows for a month, then kill, cook and eat them, also feeding the next victims with the meat.

There is this really innocent lady who gets kidnapped on Halloween night by a really suspect tow driver. Then an FBI agent is sent to look for her (let me add here, the FBI agent's boss is completely retarded. he asks her if she can pull the trigger right after she killed two criminals and then send her to "another sh't assignment that could get ugly") and ends up in the same place as the girl. One more note here: the serial killer's dog is the size of a regular dog, but he can attack and disarm an FBI agent and is referred by the Sheriff as "that is a damn horse".

In the end, the town's Sheriff is the one to understand what's happening in the junkyard and goes back there just in time to shoot the dog before he attacks (again) the agent and the girl, who were able to escape the killer by shooting the gas tank of a car and exploding it and a lot others, also burning up the killer. There's still an extra scene after the credits, where a lady's car breaks down, and the serial killer tow driver (who got burned and fell down just moments ago) appears to help her. To end even worse, the ending dialogue is "my fiancé is waiting on me to eat, do you know how long this is gonna take?" "just about a month".

So the film is really arguable on every single aspect, but it's a B movie with (I guess) no intention of being a Major. It's a not-so-much low budget, so the bad acting and photography is understandable. the script is OK. it's not a good movie at all, but I've seen a lot worse.

This film isn't the greatest on the planet but it's not as bad as its IMDb rating indicates. I rated it 5, and that's fair.

Basically it's about a 30-something serial killer JYD who eats his victims. Lord knows why he's never been caught because if the police were doing their job right they would have caught him ages ago.

And it looks like he's murdered quite a few in the past. His next would-be victim is a dark hair teenager driving on her way to a Halloween party. Her car breaks down and JYD stops to help her tow to a garage. Instead, he kidnaps her and keeps her holed up, beating and raping her daily. Basically she's waiting for him to kill her.

A female cop is on the girl's trail and...well, I won't spoil the rest of the film. Suffice to say there's some genuine scares. However there are a few stoopid things that happen. Especially a fight scene toward the end. I'm sorry I laughed at that! Brad Dourif plays a slow Sheriff. He's not in it much. I guess he shot these scenes in his lunchtime.

All in all, it's a flawed movie but still worth viewing.

I'll admit that, thanks to Tivo, I skimmed over big chunks of this film. There may have been subtle nuances of plot, theme, and characterization that I missed...but I doubt it.

When I first saw Ms. Fox in INDEPENDENCE DAY I thought she was poised to be a star, and she did solid work in KILL BILL and SET IT OFF. Now she's pushing fifty, though, and women other than Meryl Streep just aren't allowed to do that.

Leading men well into their sixties and even seventies routinely make big budget films with leading ladies younger than their grandchildren.

There's an old joke that there are three stages to an actress's career:

-- Hot mama.

-- District Attorney.

-- DRIVING MISS DAISY.

Sadly, that's more truth than poetry.

So Ms. Fox is doing crap like this and, worse yet, infomercials.

This isn't really a bad movie. The other actors are competent, and it's good to see Brad Dourif play a sympathetic character.

But the writing and direction bungle too many opportunities.

MAJOR SPOILERS AHEAD

A lot of the film's climax hinges on the (totally false) presumption that one shot from a sympathetic character's gun can blow up a vehicle and send flames billowing into the night sky.

But the crisis is resolved with no resolution. There's no satisfaction after all that's gone before in seeing vice avenged and virtue rewarded.

Worse yet, there's a scene after the credits that completely reverses every plot development we've seen, and that probably 95% of the people watching the film will never see.

Kim Bass is nowhere near untalented: witness his Emmy nomination for his writing on the innovative In Living Color. But this is a zero budget film. People will watch the closing credits of IRON MAN because they have a lot invested in the story and know that there will be additional footage that will set up the next film.

Admittedly, it was good to see Ms. Fox playing a lead role. I only wish it had been in a project worthy of her talent.