Personality Crisis: One Night Only (2022) Poster

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8/10
David Johansen is the epitome of New York cool
Curt-Rowlett15 April 2023
OK, I really enjoyed this film. It was definitely different than what I had expected it to be; rather than just being a straightforward, linear biography, the format here has David Johansen performing on his birthday before a crowd of friends in a small, swanky New York lounge with a great backup band, all while recounting stories from his varied musical career in between numbers.

I've been a fan of The New York Dolls since the 70s. I admit that I did not follow David Johansen's solo career, as I was way too deeply immersed in punk rock at the time to appreciate him as Buster Poindexter and his hit song, "Hot, Hot, Hot." But one thing for sure, David has always been the epitome of New York cool.

This movie may not be for everyone, but then again, the New York Dolls were never for the general public, either.
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7/10
David Johansen in fine form, and then some
paul-allaer21 July 2023
As "Personality Crisis: One Night Only" (2022 release; 127 min) opens, ex-New York Dolls lead singer David Johansen is getting ready to hit the stage at the Cafe Carlyle in NYC, in January of 2020 (yup, only weeks before COVID hit New York, and hard). After the first song, we then go back in time to some clips featuring the New York Dolls back in the day. At this point we are 10 minutes into the movie.

Couple of comments: this is the latest documentary from frequent collaborators Martin Scorsese and David Tedeschi. Here they get unfettered access to Johansen's one night only performance at the Carlyle. This is NOT a bio-doc but instead a performance film which goes back and forth between the live performance footage of 2020, and the archival footage of the 70s and 80s (mostly). Watch Johansen tell the tale of getting arrested in Memphis in 1973, "for dressing like Lisa Minelli". It's priceless, frankly.

"Personality Crisis: One Night Only" was shown on multiple film festivals last year, and finally started streaming on Showtime in April. I just now caught up with it. Better late than never, I suppose. If you are in the mood for a great performance documentary featuring one of rock's truly originals, I'd readily suggest you check it out and draw your own conclusion.
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Could have been much more, but enjoyable nontheless
jellyneckr30 May 2023
Warning: Spoilers
A documentary about David Johansen co-directed and produced by Martin Scorsese should have easily been one of the coolest, most interesting films of the year. Johansen is probably best known for his cover of the super catchy song "Hot Hot Hot" under his alias Buster Poindexter, but he's had a much larger career both as a musician and as a fun character actor appearing in such cult favorites as Scrooged, Tales from the Darkside: The Movie, and "The Adventures of Pete & Pete." Johansen himself as always been an interesting and funny personality, something made clear early on in the documentary when a clip of him telling a particularly odd story about vomit on "Late Night with Conan O'Brien" is featured. Unfortunately, that clip is the most amusing and captivating moment featured in the whole film and Scorsese himself is never able to capture the energy, charisma, and storytelling capabilities of Johansen in any of footage shot for the film itself. Maybe it's because Johansen is much older now or maybe it's because Johansen admits to being a reluctant documentary subject, but whatever the reason, the movie never picks up steam in a way that makes the whole picture work as a whole. There are still great individual moments, though, like Johansen admitting that "Hot Hot Hot" is the bane of his existence or him telling the story of an audition for a Milos Forman movie that went sideways. Sadly, Johansen doesn't seem to want to get into any true detail about his life or his Buster Poindexter persona. Most disappointingly, with the exception of the aforementioned Milos Forman story, his film career isn't touched on at all. In a film that runs over two hours, there seems to be very little about the man and his work other than he loves music and has been producing it a long time. This easily could have been cut down to 85 minutes or so and nothing would have been lost other than some good music. Still, for those who are curious about Johansen and Scorsese completists, this may be worth a look. It's by no means terrible, but it could have been much more. 6/10.
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1/10
Curiosity Piece
elevensbest11 May 2023
This film only confirmed feelings about Johansen I've had for decades. He's a cultural phenomenon and vocalist-not a singer-couldn't carry a tune in a Dolls handbag. Don't get me wrong. I like Dylan. I like Beefheart. I like plenty of vocalists. Might even prefer them to singers. But Johansen was smart to go Poindexter and get into films where his over the top persona could play to his strengths as a vaudevillian.

The movie itself should've given more (any?) screen time to Iggy, surviving regulars at Max's KC, John Cale, the Dolls-influenced such as Debbie Harry (shown in the Carlyle crowd), John Lydon, Mike Ness, Billie Joe Armstrong anyone but the insufferable Morrissey (ancient footage, at that).

Having Johansen's daughter handle the offscreen interviews is a tad soft. Scorcese seemingly phoned this one in or Covid put it on a ventilator.

Unless your a fan of Johansen's "singing." Lot's soft easy listening performances from a guy lionized as a punk rock pioneer.

Check out the doc/bio of Arthur Kane for some engrossing viewing.
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5/10
New York Dull
JohnSeal8 January 2024
Warning: Spoilers
Even Martin Scorsese can't make a silk purse out of the sow's ear that is the massively overrated David Johansen, who never was a great singer and now is much worse. Built around an embarrassingly bad performance from the Big Apple's Cafe Carlyle, the film is nonetheless worth seeing for footage of the New York Dolls performing on Don Kirshner's Rock Concert and The Old Grey Whistle Test. It's unfortunate Johansen is the last Doll standing - both Johnny Thunders and Sylvain Sylvain's post-Dolls recorded legacies are far superior - but sometimes life isn't fair. If you're a Johansen fan, you'll probably love this film; others will find their patience tried.
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