Directed by
Ajax Phillips | ||
Daniel Joseph Watkins |
Writing Credits (in alphabetical order)
Ajax Phillips | ||
Daniel Joseph Watkins |
Cast (in credits order)
Hunter S. Thompson | ... | Self | |
Rest of cast listed alphabetically: | |||
Ed Bastian | ... | Self - Interviewee | |
Bob Braudis | ... | Self - Interviewee | |
Joe DiSalvo | ... | Self - Interviewee | |
Joe Edwards | ... | Self - Interviewee | |
Travis Fulton | ... | Self - Interviewee | |
William Kennedy | ... | Self | |
Ralph Steadman | ... | Self - Interviewee | |
Alex Sweetman | ... | Self - Interviewee | |
Jann Wenner | ... | Self - Interviewee |
Produced by
Mimi Polk Gitlin | ... | producer |
Jennifer Sofio Hall | ... | executive producer |
Kent Kubena | ... | executive producer |
Terry Leonard | ... | executive producer |
Ajax Phillips | ... | producer |
Angus Wall | ... | producer |
Daniel Joseph Watkins | ... | producer |
Music by
Gustavo Santaolalla |
Cinematography by
Robert E. Fulton III | ... | (Original Cinematography 1970 Thompson for Sheriff Campaign: Directed By) |
Lucian Read | ||
Karl Wolfgang | ... | (Director of Photography) |
Editing by
Tony Prikryl | ... | (edited by) |
Patrick Welch | ... | (edited by) |
Will Znidaric | ... | supervising editor |
Production Management
Jason Tobias | ... | post-production supervisor |
Jason Tobias | ... | post-production supervisor |
Art Department
David Hiser | ... | photographs by |
Bob Krueger | ... | photographs by |
Sound Department
Travis Fulton | ... | Fulton Archival Sound |
Tom Halperin | ... | sound |
Drew Levinson | ... | sound recordist / sound |
Craig Mann | ... | re-recording mixer / sound / supervising sound editor |
Brian Miklas | ... | sound |
David Rose | ... | sound effects editor (as Dave Rose) |
Fernan Rottmann | ... | sound mixer/boom operator |
Alice Scudder | ... | Fulton Archival Sound |
Randy Wilson | ... | foley supervisor |
Camera and Electrical Department
Alex Buysse | ... | camera operator |
Tony Prikryl | ... | camera operator |
Lucian Read | ... | director of photography |
Lucian Reed | ... | camera operator |
Karl Wolfgang | ... | camera operator |
Animation Department
Nikolas Anastas | ... | graphics and animation by |
Aaron Knapp | ... | graphics and animation by |
Erica Simon | ... | graphics and animation by |
Ralph Steadman | ... | graphics and animation by |
Editorial Department
Christopher Abdon | ... | digital intermediate assist |
Paige Bergen | ... | data management |
Matt Blackshear | ... | digital intermediate editor |
David Brodie | ... | additional editor |
Alex Buysse | ... | assistant editor |
Peter Cioni | ... | digital intermediate management |
Austyn Daines | ... | additional editing by / additional editing |
Katie Fellion | ... | digital intermediate executive producer |
Pat Fitzgerald | ... | digital intermediate editor (as Patrick Fitzgerald) |
George Geanopulos | ... | assistant editor |
Abdullah Ghazal | ... | data management |
Seth Hallen | ... | digital intermediate management |
John Hamlet | ... | data management |
Philip Harrison | ... | digital intermediate management |
Lance Hayes | ... | engineering |
Hunter Hill | ... | assistant editor |
Joe Marino | ... | engineering: Light Iron |
Scott Nye | ... | data management |
Sekahng Oh | ... | assistant editors |
Daniel Pane | ... | digital intermediate management |
Jennifer Razon | ... | digital intermediate producer |
Ronald Rebensdorf | ... | engineering: Light Iron |
Shelly Rose | ... | assistant editors |
Hugo Smith | ... | digital intermediate assist: Light Iron |
Brandon Trotter | ... | digital intermediate assist |
Brett Turner | ... | digital intermediate assist: Light Iron |
Ian Vertovec | ... | digital intermediate colorist |
Zach Witherspoon | ... | engineering: Light Iron |
Brandee Wyse | ... | digital intermediate assist: Light Iron |
Cesar Zambrana | ... | engineering: Light Iron |
Music Department
Ed Gerrard | ... | Music Rights / Music Supervisor / music supervisor |
Anibal Kerpel | ... | score engineered by / score mixed by |
Juan Luqui | ... | Original Music / score engineered by / score produced by |
Jonathan McHugh | ... | music rights clearance |
Jeff Mercel | ... | Additional Music Editing / additional music editing |
Lucia Peraza | ... | score recording coordinator |
Lucía Peraza | ... | score recording coordinator |
Gustavo Santaolalla | ... | Music By / Original Music / score mixed by / score produced by |
Susan Shufro | ... | Additional Music Editing |
Chris Tergesen | ... | music editor |
Additional Crew
Sara Anderson | ... | archival restoration and digitization |
Lisa Aquilino | ... | post-production coordinator |
Christine Atkinson | ... | legal counsel |
Samuel Bayard | ... | production counsel |
Bob Braudis | ... | co-producer |
Alexander Brough | ... | creative consultant |
Alex Buysse | ... | associate producer |
Nicole Compas | ... | production counsel |
Chris DeBacker | ... | legal counsel |
Abigail Everdell | ... | production counsel |
Rory Patrick Feehan | ... | archival research |
Piper Gates | ... | Creative Assistant |
George Geanopulos | ... | associate producer |
Paula Gillen | ... | archival research |
Adele Giraud | ... | Creative Assistant |
Richard Gitlin | ... | creative consultant |
Jennifer Sofio Hall | ... | executive producer |
Lisa Hancock | ... | archival research |
Wyndham Hannaway | ... | archival restoration and digitization |
Dakota Hendy | ... | archival research |
David Hiser | ... | archival research |
Douglas Kahan | ... | archival film and sound restoration |
Kent Kubena | ... | executive producer |
Florence Fulton Miller | ... | Director of the Robert E. Fulton III Film Collection and Archive: executive producer |
Andre Nichols | ... | Creative Assistant |
Rob Pew | ... | executive producer |
Ajax Phillips | ... | archival research |
Tony Prikryl | ... | associate producer |
Brennan Rees | ... | archival producer |
Chad Russo | ... | legal counsel |
Stephen Schmille | ... | Creative Assistant |
Jay Schwartz | ... | film repair and cleaning |
Anna Lookabil Scott | ... | archival research |
Ian Soroka | ... | creative consultant |
Susan Taylor | ... | executive producer |
Angus Wall | ... | Creative Ombudsman |
Dan Watkins | ... | legal counsel |
Patrick Watkins | ... | legal counsel |
Tamara Whittle | ... | archival film and sound restoration |
Thanks
Bo Bedford | ... | archival footage and photos courtesy of |
Rebecca Bromley | ... | archival footage and photos courtesy of |
Roger Brown | ... | archival footage and photos courtesy of |
Michael Buysse | ... | special thanks |
Maureen Curtin | ... | special thanks |
Dick Durrance | ... | archival footage and photos courtesy of |
Rory Patrick Feehan | ... | special thanks |
Howard Freeman | ... | special thanks |
Charles Groesbeck | ... | archival footage and photos courtesy of |
Andrea Guadagnini-Zaharko | ... | special thanks |
Julia Hedman | ... | special thanks |
David Hiser | ... | archival footage and photos courtesy of |
Doug Kahan | ... | archival footage and photos courtesy of |
Joseph Krahn | ... | special thanks |
Bob Krueger | ... | archival footage and photos courtesy of |
Mitchell Lowenthal | ... | special thanks |
David Marsh | ... | special thanks |
Heidi Mitchell | ... | archival footage and photos courtesy of |
Kelly Murphy | ... | special thanks |
Andre Nicols | ... | special thanks |
Wendy Pearse | ... | archival footage and photos courtesy of / special thanks |
Ben Phillips | ... | special thanks |
Benjamin Pritzker | ... | special thanks |
Elliott Rootsey | ... | special thanks |
Erik Samsoe | ... | special thanks |
Stephen Schmille | ... | special thanks |
Alex Sweetman | ... | archival footage and photos courtesy of |
Anita Thompson | ... | special thanks |
Juan Thompson | ... | special thanks |
Jesse Vare | ... | special thanks |
Dan Watkins | ... | special thanks |
Pat Watkins | ... | special thanks |
Sadie Williams | ... | special thanks |