‘The Good Boss’ leads Icíar Bollaín’s ‘Maixabel’ and Pedro Almodóvar’s ‘Parallel Mothers’.
The Good Boss, directed by Fernando León de Aranoa and starring Javier Bardem, led the Goya nominations from the Spanish Film Academy with 20 nods, an all-time record.
The satire, also Spain’s entry for the Oscars, is ahead of Icíar Bollaín’s Maixabel and Pedro Almodóvar’s Parallel Mothers, on 14 and eight nominations respectively.
The Good Boss is the fifth highest-grossing film in Spain this year with €2.6m. Written and directed by León de Aranoa, it follows the petty boss of an industrial scales factory, played...
The Good Boss, directed by Fernando León de Aranoa and starring Javier Bardem, led the Goya nominations from the Spanish Film Academy with 20 nods, an all-time record.
The satire, also Spain’s entry for the Oscars, is ahead of Icíar Bollaín’s Maixabel and Pedro Almodóvar’s Parallel Mothers, on 14 and eight nominations respectively.
The Good Boss is the fifth highest-grossing film in Spain this year with €2.6m. Written and directed by León de Aranoa, it follows the petty boss of an industrial scales factory, played...
- 11/29/2021
- by Elisabet Cabeza
- ScreenDaily
Already selected as this year’s Spanish Best International Feature Film submission for the Oscars, Fernando León de Aranoa’s dark workplace comedy “The Good Boss,” starring Javier Bardem, has set a new record for most Spanish Academy Goya Award nominations with 20, ahead of Icíar Bollaín’s standout Basque drama “Maixabel” with 14 and Pedro Almodóvar’s “Parallel Mothers,” which secured eight.
The 20 nominations include: Best picture, director, original screenplay, original music, lead actor, three nominations for supporting actor, supporting actress, two nominations for best new male actor and one for best new female actor, production design, cinematography, editing, art direction, costume design, makeup, sound design and special effects. It’s a total which breaks an almost 30-year-old record held by Imanol Uribe’s “Numbered Days,” which received 19 nominations in 1994.
León’s latest, produced by The Mediapro Studio and Reposado PC, is a return to a fruitful partnership between the director and his leading man.
The 20 nominations include: Best picture, director, original screenplay, original music, lead actor, three nominations for supporting actor, supporting actress, two nominations for best new male actor and one for best new female actor, production design, cinematography, editing, art direction, costume design, makeup, sound design and special effects. It’s a total which breaks an almost 30-year-old record held by Imanol Uribe’s “Numbered Days,” which received 19 nominations in 1994.
León’s latest, produced by The Mediapro Studio and Reposado PC, is a return to a fruitful partnership between the director and his leading man.
- 11/29/2021
- by Jamie Lang
- Variety Film + TV
“My Emptiness and I,”“The Barbaric,” and “Saudade Became Home Inside” has all won big at a key industry section at Spain’s Malaga Festival, its Work in Progress, which first shone a light on such titles as “The Platform,” Netflix’s most-watched movie in the U.S. for some days last year.
This year, at the 4th Malaga Work in Progress Awards, which ran May 20 – June 11, all three titles scooped a trio of prizes.
The third feature of Adrián Silvestre, whose “The Objects of Love” took a Fipresci award at 2016’s Seville Festival, “My Emptiness and I” won Arachne, Abycine Lanza, and Rec prizes. The story of Raphi, an androgynous diagnosed with gender dysphoria who begins a gender transition, the film is produced by Javier Pérez Santana, one of the producers behind Agustí Villaronga’s “The Belly of the Sea,” the Malaga Fest main competition winner this year.
Seen...
This year, at the 4th Malaga Work in Progress Awards, which ran May 20 – June 11, all three titles scooped a trio of prizes.
The third feature of Adrián Silvestre, whose “The Objects of Love” took a Fipresci award at 2016’s Seville Festival, “My Emptiness and I” won Arachne, Abycine Lanza, and Rec prizes. The story of Raphi, an androgynous diagnosed with gender dysphoria who begins a gender transition, the film is produced by Javier Pérez Santana, one of the producers behind Agustí Villaronga’s “The Belly of the Sea,” the Malaga Fest main competition winner this year.
Seen...
- 6/24/2021
- by Emilio Mayorga
- Variety Film + TV
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