Kara copes with returning to Earth, with Zor-El posing as her uncle.Kara copes with returning to Earth, with Zor-El posing as her uncle.Kara copes with returning to Earth, with Zor-El posing as her uncle.
Azie Tesfai
- Kelly Olsen
- (credit only)
Peta Sergeant
- Nxylgsptinz
- (credit only)
Mark Sussman
- Kelex
- (voice)
- …
Jon Cryer
- Lex Luthor
- (archive footage)
Storyline
Did you know
- TriviaThe reunion scene was reshot after filming the episode to bring more emotion, as reported by the writer of the episode on Twitter
- GoofsAs Supergirl flies off to find the missing Kelex/Oscar, she says "J'Onn and I will find Oscar...." but J'Onn turns back to the computer station and crosses his arms to watch Brainiac and Zor-El work, and reminds Kara that there is kryptonite in the trash gyre, as if he has no intention of joining her in the search.
- Quotes
Brainiac-5: [to Supergirl] The feelings I had, thinking we might not never see you again... I'm glad I don't have to feel that anymore.
- ConnectionsReferences Sesame Street (1969)
Featured review
"Sometimes, even though you're Kryptonian... It's okay to be you."
Supergirl is back and its performance is splendid in every way!
Armen has, as a director, always bringed an distinctive touch and to say the least, singular implementation in his works. "Welcome Back, Kara" is not a exception. Even the first scene you notice Armen's style and overall charm. It's a very clever camera work accomplishment, with Jesse doing his act perfectly as well may i add. The double shots was carried out brilliant, to say the least. And how both the actors and characters performed within their individual location and set design was executed sensationally. It transmitted a diverting mood. Loved how somewhat similar this episode was towards "Ace Reporter ", which Armen of course also directed.
For the cinematography, it was significant in many ways. And then you had the great editing to combine it with. First of all, the cinematography was beautiful and how well it incorporated both shadows and lights. The characters involment was done thoughtfully. Altough the aspect and viewpoint was something standard, they carried on and did the best they could with these particular perspectives. The hair and makeup was elegant, though the costume design did lack my interest. The soundtrack was good and emitted the rightful emotions they aimed for.
Another thing was how well and compelling they did Kara's psyche. It's really one of the most fascinating features of Kara Zor-El, her persona and identity. This episode emits lots of emotion, sentiments to be more exactly and how you can read that between the lines. Interaction is another thing that this episode deals with, and with Kara's psyche be somewhat fragile, it's considerable amount of material that you could use and utilize. Good acting overall, though sometimes i wouldn't mind some improvement. But when it was good it was sumptuous. Every characters motivation is intriguing and it all was set-up excellently. Altogether, they blended humour and sorrow wonderfully, without it being forced in any way. Then on top of that you had everyone's psyche, especially Melissa's and Jason Behr's characters. Wonderfully identity and, in general, existence approach. Thought that Julie Gonzalo's scene as Acrata was done impressively. Loved the set design and the shadows between the glass which had water pouring behind it. It was really striking and eye-catching. Also one of the best part from this episode was just Melissa as Kara. Thought that she performed that role flawlessly if i'm being honest. Gave of an innocent and a delicate side of her that we had never quite seen before, especially on CatCo. The chemistry between Melissa and Jason Behr is quite exceptional. I really am fascinate between theirs authentic attachment. They don't need any words to communicate, their expression is enough. And they exchange their expression exquisitely. Another quite differentiating bond is between Melissa and Staz. They have an innocent and charm that is not like any others. You have the chemistry between Mel and Chyler, the pureness is supreme with them. Then with Mel and Chris you had an dominant passion and compassion like any other. But with Staz it's quite unique for being as sinless and innocent as it is. Charm to say the least.
In conclusion this was a delightful episode and had alluring visuals. And a crucial development for both Melissa and Jason's characters. Although the set-up for potential extension and evolvement was significant. A 9.95/10 does "Welcome Back, Kara" gets!
Armen has, as a director, always bringed an distinctive touch and to say the least, singular implementation in his works. "Welcome Back, Kara" is not a exception. Even the first scene you notice Armen's style and overall charm. It's a very clever camera work accomplishment, with Jesse doing his act perfectly as well may i add. The double shots was carried out brilliant, to say the least. And how both the actors and characters performed within their individual location and set design was executed sensationally. It transmitted a diverting mood. Loved how somewhat similar this episode was towards "Ace Reporter ", which Armen of course also directed.
For the cinematography, it was significant in many ways. And then you had the great editing to combine it with. First of all, the cinematography was beautiful and how well it incorporated both shadows and lights. The characters involment was done thoughtfully. Altough the aspect and viewpoint was something standard, they carried on and did the best they could with these particular perspectives. The hair and makeup was elegant, though the costume design did lack my interest. The soundtrack was good and emitted the rightful emotions they aimed for.
Another thing was how well and compelling they did Kara's psyche. It's really one of the most fascinating features of Kara Zor-El, her persona and identity. This episode emits lots of emotion, sentiments to be more exactly and how you can read that between the lines. Interaction is another thing that this episode deals with, and with Kara's psyche be somewhat fragile, it's considerable amount of material that you could use and utilize. Good acting overall, though sometimes i wouldn't mind some improvement. But when it was good it was sumptuous. Every characters motivation is intriguing and it all was set-up excellently. Altogether, they blended humour and sorrow wonderfully, without it being forced in any way. Then on top of that you had everyone's psyche, especially Melissa's and Jason Behr's characters. Wonderfully identity and, in general, existence approach. Thought that Julie Gonzalo's scene as Acrata was done impressively. Loved the set design and the shadows between the glass which had water pouring behind it. It was really striking and eye-catching. Also one of the best part from this episode was just Melissa as Kara. Thought that she performed that role flawlessly if i'm being honest. Gave of an innocent and a delicate side of her that we had never quite seen before, especially on CatCo. The chemistry between Melissa and Jason Behr is quite exceptional. I really am fascinate between theirs authentic attachment. They don't need any words to communicate, their expression is enough. And they exchange their expression exquisitely. Another quite differentiating bond is between Melissa and Staz. They have an innocent and charm that is not like any others. You have the chemistry between Mel and Chyler, the pureness is supreme with them. Then with Mel and Chris you had an dominant passion and compassion like any other. But with Staz it's quite unique for being as sinless and innocent as it is. Charm to say the least.
In conclusion this was a delightful episode and had alluring visuals. And a crucial development for both Melissa and Jason's characters. Although the set-up for potential extension and evolvement was significant. A 9.95/10 does "Welcome Back, Kara" gets!
helpful•713
- RobinKarlsson22
- Aug 25, 2021
Details
Contribute to this page
Suggest an edit or add missing content