First of things; consider this movie as a poem or a material of musical art. I don't say this is obligated and all, but, as the director of the movie also implies, is necessary if you intend to see the piece as a whole, and this is the thing about what we call it cinema.
Winterstilte contains a strong influent of symbolism and lyric interpretation. From the beginning to the end, with Deer Men and all, the piece does not lead a linear way of going on and is obviously in a worry to tell what it wants to tell in a different way than we see in everyday cinema.
And, as what the director of the movie itself has said in !f Istanbul Film Festival, before screening, don't push yourself to get what movie wants to tell you by using heavy symbolism and ruin it, because this is exactly what makes it harder for yourself.
Winterstilte contains a strong influent of symbolism and lyric interpretation. From the beginning to the end, with Deer Men and all, the piece does not lead a linear way of going on and is obviously in a worry to tell what it wants to tell in a different way than we see in everyday cinema.
And, as what the director of the movie itself has said in !f Istanbul Film Festival, before screening, don't push yourself to get what movie wants to tell you by using heavy symbolism and ruin it, because this is exactly what makes it harder for yourself.