47
Metascore
10 reviews · Provided by Metacritic.com
- 70The Hollywood ReporterSheri LindenThe Hollywood ReporterSheri LindenThe spotlight illuminates a well-chosen quintet of subjects, all wholesomely passionate practitioners of a readily dissed form of entertainment and each at a different point in their career.
- 60Boxoffice MagazineMark KeizerBoxoffice MagazineMark KeizerThe resulting distillation is brisk, light and engaging with none of the cheap shots that usually accompany any discussion of ventriloquism. If anything, Goffman is too gentle, refusing to pursue his charges into their darker corners.
- The film's tendency to pull away once its character start their performances adds to the sense that director Mark Goffman knows his money shots will showcase the vents' oddities rather than their acts.
- 50Village VoiceVillage VoiceAll are compelling subjects, especially the disarmingly gifted and emotionally relatable Horn. But Goffman's either unwilling or incapable of getting them to move their lips to reveal enough of themselves, or of their artistry, to make the already overly familiar endeavor worth anyone's time.
- 50The New York TimesJeannette CatsoulisThe New York TimesJeannette CatsoulisThe writer and director, Mark Goffman, sticks to a no-frills style that makes the film feel longer than its 1 hour 24 minutes.
- 50New York PostV.A. MusettoNew York PostV.A. MusettoUnpretentious, TV-style documentary.
- 50San Francisco ChronicleAmy BiancolliSan Francisco ChronicleAmy BiancolliA minor but sometimes touching documentary.
- 40Time OutS. James SnyderTime OutS. James SnyderSome ventriloquists win the fame game, while some remain stuck in the D-list dugout. The fact that Dumbstruck doesn't even attempt to differentiate these camps makes the film feel as if it's just talking out of the side of its mouth.
- 40New York Daily NewsJoe NeumaierNew York Daily NewsJoe NeumaierAn earnest but undeniably eye-rolling documentary about the denizens of this odd pocket of show business.