The Academy of Motion Picture Arts and Sciences (Ampas) has invited 487 artists and executives to become members, with Sandra Huller, Justin Triet, Celine Song and Da’Vine Joy Randolph among the high profile invitees.
Also invited to join are actors Da’Vine Joy Randolph and Fiona Shaw, directors Alice Diop, David Yates and S S Rajamouli, and writers Arthur Harari and Tony McNamara.
Executives invited to join that branch of the Academy include British Film Institute CEO Ben Roberts and Fifth Season co-CEOs Chris Rice and Graham Taylor.
Among those invited to join the costume designers branch are Holly Waddington and Małgorzata Karpiuk.
Also invited to join are actors Da’Vine Joy Randolph and Fiona Shaw, directors Alice Diop, David Yates and S S Rajamouli, and writers Arthur Harari and Tony McNamara.
Executives invited to join that branch of the Academy include British Film Institute CEO Ben Roberts and Fifth Season co-CEOs Chris Rice and Graham Taylor.
Among those invited to join the costume designers branch are Holly Waddington and Małgorzata Karpiuk.
- 6/25/2024
- ScreenDaily
The Academy of Motion Picture Arts and Sciences (Ampas) has invited 487 artists and executives to become members, with Sandra Huller, Justin Triet, Celine Song and Da’Vine Joy Randolph among the high profile invitees.
Also invited to join are actors Da’Vine Joy Randolph and Fiona Shaw, directors Alice Diop, David Yates and S S Rajamouli, and writers Arthur Harari and Tony McNamara.
Executives invited to join that branch of the Academy include British Film Institute CEO Ben Roberts and Fifth Season co-CEOs Chris Rice and Graham Taylor.
Among those invited to join the costume designers branch are Holly Waddington and Małgorzata Karpiuk.
Also invited to join are actors Da’Vine Joy Randolph and Fiona Shaw, directors Alice Diop, David Yates and S S Rajamouli, and writers Arthur Harari and Tony McNamara.
Executives invited to join that branch of the Academy include British Film Institute CEO Ben Roberts and Fifth Season co-CEOs Chris Rice and Graham Taylor.
Among those invited to join the costume designers branch are Holly Waddington and Małgorzata Karpiuk.
- 6/25/2024
- ScreenDaily
Every summer, The Academy of Motion Picture Arts and Sciences invites a deluge of new members to join its ranks. Since #OscarsSoWhite back in 2015, the Academy has moved away from its elitist tendencies and toward embracing younger and more diverse artists and executives from all over the world. This year’s invited class is no exception.
If the invitees all accept Academy membership, the total members will number 10,910 and voting members 9,934. And with the addition of the 2024 members, 35 percent of Academy members identify as women, 20 percent of Academy members are from underrepresented ethnic and racial communities, and 20 percent of Academy members are from countries or territories outside the U.S.
As usual, a slew of Oscar nominees and winners are gaining admittance to the club (71 Oscar nominees and 19 winners), including actors Lily Gladstone (“Killers of the Flower Moon”), Sandra Hüller, and Da’Vine Joy Randolph (“The Holdovers”), costume designer Holly Waddington...
If the invitees all accept Academy membership, the total members will number 10,910 and voting members 9,934. And with the addition of the 2024 members, 35 percent of Academy members identify as women, 20 percent of Academy members are from underrepresented ethnic and racial communities, and 20 percent of Academy members are from countries or territories outside the U.S.
As usual, a slew of Oscar nominees and winners are gaining admittance to the club (71 Oscar nominees and 19 winners), including actors Lily Gladstone (“Killers of the Flower Moon”), Sandra Hüller, and Da’Vine Joy Randolph (“The Holdovers”), costume designer Holly Waddington...
- 6/25/2024
- by Anne Thompson
- Indiewire
Jessica Alba, Lily Gladstone, Greta Lee, Catherine O’Hara, and S.S. Rajamouli, director of “Rrr,” are among the 487 artists and executives invited to join the Academy of Motion Picture Arts and Sciences. With all expected acceptances, AMPAS membership will rise to 10,910 from 10,817 last year, with 9,934 members eligible to vote in the upcoming 97th Oscars in 2025—an increase from last year’s 9,375.
This year’s invitees include 44% women, a 4% increase from 2023, and 41% from underrepresented ethnic and racial communities, marking a significant 7% rise. The actors, casting directors, costume designers, documentary, executives, makeup artists and hairstylists branches have invited more women than men. The actors, directors, documentary, and writers branches mainly comprised artists from underrepresented communities.
The directors branch features the most impressive array of filmmakers from both international and domestic spheres, such as Lila Avilés (“Totem”), Jayro Bustamante (“La Llorona”), Jd Dillard (“Devotion”), Alice Diop (“Saint Omer”), Boots Riley (“Sorry to Bother You...
This year’s invitees include 44% women, a 4% increase from 2023, and 41% from underrepresented ethnic and racial communities, marking a significant 7% rise. The actors, casting directors, costume designers, documentary, executives, makeup artists and hairstylists branches have invited more women than men. The actors, directors, documentary, and writers branches mainly comprised artists from underrepresented communities.
The directors branch features the most impressive array of filmmakers from both international and domestic spheres, such as Lila Avilés (“Totem”), Jayro Bustamante (“La Llorona”), Jd Dillard (“Devotion”), Alice Diop (“Saint Omer”), Boots Riley (“Sorry to Bother You...
- 6/25/2024
- by Clayton Davis
- Variety Film + TV
The Academy of Motion Picture Arts and Sciences said Tuesday that it is extending invitations to 487 to join the membership ranks of the Oscar organizer. If all accept, it will bring the Academy’s total membership to 10,910, of which 9,934 would be voting members.
This year’s list across 19 branches include 2024 Oscar winners Da’Vine Joy Randolph from The Holdovers; Poor Things costume designer Holly Waddington and production design team James Price, Shona Heath and Zsuzsa Mihalek; 20 Days in Mariupol director Mstyslav Chernov, War Is Over! producer Brad Booker; The Zone of Interest sound duo Tarn Willers and Johnnie Burn; the Godzilla Minus One VFX team Tatsuji Nojima, Kiyoko Shibuya, Masaki Takahashi and Takashi Yamazaki; American Fiction writer-director Cord Jefferson; and Anatomy of a Fall writing duo Justine Triet and Arthur Harari.
Jefferson and Triet are among eight names on the list who were invited to more than one branch (noted...
This year’s list across 19 branches include 2024 Oscar winners Da’Vine Joy Randolph from The Holdovers; Poor Things costume designer Holly Waddington and production design team James Price, Shona Heath and Zsuzsa Mihalek; 20 Days in Mariupol director Mstyslav Chernov, War Is Over! producer Brad Booker; The Zone of Interest sound duo Tarn Willers and Johnnie Burn; the Godzilla Minus One VFX team Tatsuji Nojima, Kiyoko Shibuya, Masaki Takahashi and Takashi Yamazaki; American Fiction writer-director Cord Jefferson; and Anatomy of a Fall writing duo Justine Triet and Arthur Harari.
Jefferson and Triet are among eight names on the list who were invited to more than one branch (noted...
- 6/25/2024
- by Patrick Hipes
- Deadline Film + TV
“There’s something out there waiting for us, and it ain’t no man.”
The typical slasher movie formula sees a group of people, often teens, stalked and hunted by a relentless killer with bladed weapons. Predator, released in theaters on June 12, 1987, retooled the slasher rules, swapping out vulnerable adolescents with a well-armed elite military squad prepared to take on guerilla camps in the jungle. Yet, not even they were equipped for the extraterrestrial threat that targeted them as worthy prey.
Seeing special ops so effortlessly dispatched in the grisliest ways is one effective way to increase the threat level of any horror antagonist, alien or otherwise, but director John McTiernan layers in gradual reveals about the eponymous hunter in a way that launched a franchise and clinched the creature’s movie icon status.
This movie monster has not one, but two major reveals.
The Setup
Vietnam War veteran Major...
The typical slasher movie formula sees a group of people, often teens, stalked and hunted by a relentless killer with bladed weapons. Predator, released in theaters on June 12, 1987, retooled the slasher rules, swapping out vulnerable adolescents with a well-armed elite military squad prepared to take on guerilla camps in the jungle. Yet, not even they were equipped for the extraterrestrial threat that targeted them as worthy prey.
Seeing special ops so effortlessly dispatched in the grisliest ways is one effective way to increase the threat level of any horror antagonist, alien or otherwise, but director John McTiernan layers in gradual reveals about the eponymous hunter in a way that launched a franchise and clinched the creature’s movie icon status.
This movie monster has not one, but two major reveals.
The Setup
Vietnam War veteran Major...
- 6/12/2024
- by Meagan Navarro
- bloody-disgusting.com
Sometimes, the most simple movie monsters can become the most terrifying, especially when it comes to gruesome kills and excellent practical effects. The eponymous monster in 1988’s The Blob, directed by Chuck Russell from a script he co-wrote with Frank Darabont, acts as a giant slithering stomach, dissolving its food for digestion with extreme acidity. There’s no trace of intelligence in the amoeba-like entity; it’s just an insatiable need to feed. That means that not only is the body count high for this ever-growing creature, but the deaths are deliciously mean-spirited and unforgettable thanks to gruesome special makeup effects from Tony Gardner and an incredible team of artists.
Russell and Darabont reinforce the SFX showcase with unpredictability and meticulous characterization to ensure that not only do the character deaths look painful, but they also hurt emotionally. It’s not just the creature effects that make the Blob’s...
Russell and Darabont reinforce the SFX showcase with unpredictability and meticulous characterization to ensure that not only do the character deaths look painful, but they also hurt emotionally. It’s not just the creature effects that make the Blob’s...
- 5/29/2024
- by Meagan Navarro
- bloody-disgusting.com
Brazilian auteur Carolina Markowicz will head to Bucharest to hone her third feature, “The Funeral.” In development, the film was selected for the 2024 Pop Up Residency, pairing Markowicz with multi-prized Romanian producer Ada Solomon for a three-week consultancy.
“It’s truly a privilege to be able to dialogue with an industry professional like Ada, a producer who has made some films I truly admire. Daring, original and different. I love the artists who still dare to take risks, this is so rare nowadays. I’m looking forward to hearing her take on my film, and very honored to have it selected by her,” Markowicz told Variety.
The residency is part of an exclusive development initiative from Projeto Paradiso, which additionally awarded Markowicz a Paradiso Scholarship this year to attend the Tfl ScriptLab for the budding concept. It’s the fifth consecutive year that the partner program has offered the residency to a Brazilian filmmaker.
“It’s truly a privilege to be able to dialogue with an industry professional like Ada, a producer who has made some films I truly admire. Daring, original and different. I love the artists who still dare to take risks, this is so rare nowadays. I’m looking forward to hearing her take on my film, and very honored to have it selected by her,” Markowicz told Variety.
The residency is part of an exclusive development initiative from Projeto Paradiso, which additionally awarded Markowicz a Paradiso Scholarship this year to attend the Tfl ScriptLab for the budding concept. It’s the fifth consecutive year that the partner program has offered the residency to a Brazilian filmmaker.
- 5/21/2024
- by Holly Jones
- Variety Film + TV
A key driver in Brazil’s late 1990s cinema resurgence, Globo Filmes has co-produced iconic box office blockbusters, Oscar and “A” Fest plays, arthouse breakouts. movies sparking big TV spin-offs. A brief selection of milestones in its storied history:
1990
President Fernando Collar’s government closes state owned film company Embrafilme, decimating Brazilian film production.
1993
A new Audiovisual Law offers companies income tax deductions for investment in Brazilian movies as Brazil’s Resurgence – economic and cultural recovery – lifts off.
1997
Globo Filmes is founded. Recalls Daniel Filho, its guiding spirit, in early years: “I started working in Globo TV but I always said: “I want to make cinema.’ I was on my way to close a deal with exhibitor Luis Severiano Ribeiro to launch a film production house when I got a call from Globo to launch Globo Filmes. I agreed: Globo had to do what French and British channels were doing: Participate in films.
1990
President Fernando Collar’s government closes state owned film company Embrafilme, decimating Brazilian film production.
1993
A new Audiovisual Law offers companies income tax deductions for investment in Brazilian movies as Brazil’s Resurgence – economic and cultural recovery – lifts off.
1997
Globo Filmes is founded. Recalls Daniel Filho, its guiding spirit, in early years: “I started working in Globo TV but I always said: “I want to make cinema.’ I was on my way to close a deal with exhibitor Luis Severiano Ribeiro to launch a film production house when I got a call from Globo to launch Globo Filmes. I agreed: Globo had to do what French and British channels were doing: Participate in films.
- 5/16/2024
- by John Hopewell
- Variety Film + TV
Kleber Mendonça Filho’s “Rivers of Dust,” Anna Muyleart’s “Geni and the Zeppelin” and “Pearl Motel,” fromJorge Furtado, feature among potential nine brand new projects announced at the Cannes Festival by Globo Filmes, the theatrical film co-production arm of Brazilian TV giant Globo.
With Mendonça Filho deep in pre-production on political thriller “The Secret Agent,” co-produced by France’s Mk Productions, details on “Rivers of Dust,” save that he will re-team on it with Juliano Dornelles after their 2019 Cannes Jury Prize winner “Bacurau.”
Elsewhere, the new projects speak volumes of Globo Filmes’ current content focus. There’s the broad spectrum. . Titles straddle commercial plays – gay espionage operatives comedy “Special Agents” from Pedro Antônio – “A” list festival plays such as “Rivers” and Geni” and cross-over titles such as sex-laced situation comedy “Pearl Motel.”
Above all, additions to Globo Filmes’ development slate underscore two of its biggest investment priorities.
One is diversity.
With Mendonça Filho deep in pre-production on political thriller “The Secret Agent,” co-produced by France’s Mk Productions, details on “Rivers of Dust,” save that he will re-team on it with Juliano Dornelles after their 2019 Cannes Jury Prize winner “Bacurau.”
Elsewhere, the new projects speak volumes of Globo Filmes’ current content focus. There’s the broad spectrum. . Titles straddle commercial plays – gay espionage operatives comedy “Special Agents” from Pedro Antônio – “A” list festival plays such as “Rivers” and Geni” and cross-over titles such as sex-laced situation comedy “Pearl Motel.”
Above all, additions to Globo Filmes’ development slate underscore two of its biggest investment priorities.
One is diversity.
- 5/16/2024
- by John Hopewell
- Variety Film + TV
Layla
The biggest LGBTQ+ film festival in the UK, BFI Flare, has just announced its line-up for this year. It will open with Layla, which explores the complicated romance between a very conventional white gay man and a glamorous British-Palestinian drag queen, and will be introduced by director Amrou Al-Kadhi. The closing film will be Luke Willis' documentary Lady Like, which follows RuPaul's Drag Race star Lady Camden as she adjusts to fame and copes with the legacy of a troubled childhood.
Other highlights include family drama Close To You, whose star, Elliot Page, will discuss the film and reflect on his career. There are some fantastic international films in the line-up, including Brazilian drama Toll, which explores the complex relationship between a mother and son, and Canadian-Pakistani co-production The Queen Of My Dreams, in which a mother and her estranged lesbian daughter are reconnected by bereavement and...
The biggest LGBTQ+ film festival in the UK, BFI Flare, has just announced its line-up for this year. It will open with Layla, which explores the complicated romance between a very conventional white gay man and a glamorous British-Palestinian drag queen, and will be introduced by director Amrou Al-Kadhi. The closing film will be Luke Willis' documentary Lady Like, which follows RuPaul's Drag Race star Lady Camden as she adjusts to fame and copes with the legacy of a troubled childhood.
Other highlights include family drama Close To You, whose star, Elliot Page, will discuss the film and reflect on his career. There are some fantastic international films in the line-up, including Brazilian drama Toll, which explores the complex relationship between a mother and son, and Canadian-Pakistani co-production The Queen Of My Dreams, in which a mother and her estranged lesbian daughter are reconnected by bereavement and...
- 2/13/2024
- by Jennie Kermode
- eyeforfilm.co.uk
SXSW Film & TV Festival announced multiple categories for the 2024 event, including Opening Night TV Premiere, Centerpiece Screening and more.
Netflix’s “3 Body Problem,” executive produced and written by “Game of Thrones” creators David Benioff and D. B. Weiss, along with “True Blood” writer Alexander Woo is set to debut as the Opening Night TV Premiere. The highly anticipated series, which stars Jovan Adepo, John Bradley, Rosalind Chao, Liam Cunningham, Eiza González, Marlo Kelly, Benedict Wong and Jonathan Pryce, is an adaptation of the best-selling novel.
For the Centerpiece Screening, SXSW will debut the feature film adaptation of the 1980s series “The Fall Guy,” directed by “Atomic Blonde” helmer David Leitch, and starring Ryan Gosling and Emily Blunt. Gosling portrays a battle-scarred stuntman sent back to work on his a film his ex-wife (Blunt) is directing, when the leading star goes missing. “The Fall Guy” is described as a “big-screen...
Netflix’s “3 Body Problem,” executive produced and written by “Game of Thrones” creators David Benioff and D. B. Weiss, along with “True Blood” writer Alexander Woo is set to debut as the Opening Night TV Premiere. The highly anticipated series, which stars Jovan Adepo, John Bradley, Rosalind Chao, Liam Cunningham, Eiza González, Marlo Kelly, Benedict Wong and Jonathan Pryce, is an adaptation of the best-selling novel.
For the Centerpiece Screening, SXSW will debut the feature film adaptation of the 1980s series “The Fall Guy,” directed by “Atomic Blonde” helmer David Leitch, and starring Ryan Gosling and Emily Blunt. Gosling portrays a battle-scarred stuntman sent back to work on his a film his ex-wife (Blunt) is directing, when the leading star goes missing. “The Fall Guy” is described as a “big-screen...
- 1/10/2024
- by Emily Longeretta
- Variety Film + TV
Richard Linklater’s action comedy “Hit Man” is set to open the Marrakech International Film Festival, which has announced its lineup of more than 70 films mixing known titles and fresh fare.
The fest is forging ahead with its 20th edition, which will run Nov. 24- Dec.2 in the ancient Moroccan city despite the Israel-Hamas conflict that has caused cancellations of several other fests in the region, as well as the earthquake that hit the country in September.
“Hit Man,” for which organizers declined to specify whether talent will attend, will screen as part of Marrakech’s red carpet gala screenings. Italian director Matteo Garrone is expected to make the trek for the gala of his Venice prizewinning immigration drama “Io Capitano” and Michel Franco will be coming to present another Venice prizewinner, “Memory,” starring Jessica Chastain, who is presiding over the fest’s main jury.
Also expected on hand for...
The fest is forging ahead with its 20th edition, which will run Nov. 24- Dec.2 in the ancient Moroccan city despite the Israel-Hamas conflict that has caused cancellations of several other fests in the region, as well as the earthquake that hit the country in September.
“Hit Man,” for which organizers declined to specify whether talent will attend, will screen as part of Marrakech’s red carpet gala screenings. Italian director Matteo Garrone is expected to make the trek for the gala of his Venice prizewinning immigration drama “Io Capitano” and Michel Franco will be coming to present another Venice prizewinner, “Memory,” starring Jessica Chastain, who is presiding over the fest’s main jury.
Also expected on hand for...
- 11/2/2023
- by Nick Vivarelli
- Variety Film + TV
“A Batalha da Rua Maria Antonia,” directed by Vera Egito, nabbed the main Redentor prize for fiction film at the 2023 Rio de Janeiro International Film Fest which wrapped this year’s edition last weekend, consolidating its position as South America’s largest fest and world’s main showcase of Brazilian productions.
The fest held the world premieres of 40 Brazilian features and four TV series. Its competition, reflecting the country’s production strength, included 54 local features, selected from 318 submissions.
With a series of 21 long takes shot in 16 mm black and white film, “A Batalha da Rua Maria Antonia” (“The Battle”) depicts the true-life 1968 police massacre of Sao Paulo State University Philosophy School’s students who rose up in opposition to the military dictatorship then in place in Brazil.
Carolina Markowicz’s “Toll” scooped both best actress, for Maeve Jinkings, shared with Grace Passo of “O Dia que te conheci,” and actor...
The fest held the world premieres of 40 Brazilian features and four TV series. Its competition, reflecting the country’s production strength, included 54 local features, selected from 318 submissions.
With a series of 21 long takes shot in 16 mm black and white film, “A Batalha da Rua Maria Antonia” (“The Battle”) depicts the true-life 1968 police massacre of Sao Paulo State University Philosophy School’s students who rose up in opposition to the military dictatorship then in place in Brazil.
Carolina Markowicz’s “Toll” scooped both best actress, for Maeve Jinkings, shared with Grace Passo of “O Dia que te conheci,” and actor...
- 10/22/2023
- by Marcelo Cajueiro
- Variety Film + TV
Carolina Markowicz’s Toll earns four awards.
Vera Egito’s The Battle (A Batalha Da Rua Maria Antonia) won best fiction feature in the Première Brasil section at the 25th Rio International Film Festival closing ceremony.
As with most years, the ceremony showcased some of the strongest voices in Brazilian cinema. Unlike previous editions, however, the top winner received its world premiere at the festival and had not already enjoyed successful runs in international festivals like Cannes, Venice or Toronto.
The film’s title refers to Rua Maria Antônia, a street in the centre of Brazilian city São Paulo which...
Vera Egito’s The Battle (A Batalha Da Rua Maria Antonia) won best fiction feature in the Première Brasil section at the 25th Rio International Film Festival closing ceremony.
As with most years, the ceremony showcased some of the strongest voices in Brazilian cinema. Unlike previous editions, however, the top winner received its world premiere at the festival and had not already enjoyed successful runs in international festivals like Cannes, Venice or Toronto.
The film’s title refers to Rua Maria Antônia, a street in the centre of Brazilian city São Paulo which...
- 10/15/2023
- by Elaine Guerini
- ScreenDaily
Carolina Markowicz’s Toll earns four awards.
Vera Egito’s A Batalha da Rua Antônia (translated as The Battle Of Rua Antonia) won best fiction feature in the Première Brasil section at the 25th Rio International Film Festival closing ceremony on Sunday night.
As with most years, the ceremony showcased some of the strongest voices in Brazilian cinema. Unlike previous editions, however, the top winner received its world premiere at the festival and had not already enjoyed successful runs in international festivals like Cannes, Venice or Toronto.
The film’s title refers to Rua Maria Antônia, a street in the...
Vera Egito’s A Batalha da Rua Antônia (translated as The Battle Of Rua Antonia) won best fiction feature in the Première Brasil section at the 25th Rio International Film Festival closing ceremony on Sunday night.
As with most years, the ceremony showcased some of the strongest voices in Brazilian cinema. Unlike previous editions, however, the top winner received its world premiere at the festival and had not already enjoyed successful runs in international festivals like Cannes, Venice or Toronto.
The film’s title refers to Rua Maria Antônia, a street in the...
- 10/15/2023
- by Elaine Guerini
- ScreenDaily
Brazil has selected Kleber Mendonça Filho’s documentary Pictures of Ghosts as its entry for Best International Feature Film at the 96th Academy Awards.
Mixing archive and contemporary footage, the deeply personal work revisits the director’s hometown of Recife through the cinemas he once frequented.
The film world premiered as a Special Screening at Cannes in May and had its North American premiere September 9 in Toronto, before heading to New York.
Grasshopper Films acquired U.S. rights this summer. Paris-based Urban sales handles international sales.
The Brazilian Cinema Academy selected the film on Tuesday from a shortlist which also included Guto Parente’s A Strange Path, Sergio de Carvalho’s Alien Nights, Eduardo Albergaria’s Nosso Sonho, Carolina Markowicz’s Toll and Claudio Borrelli’s Vultures.
The selection was made by a 23-member committee, chaired by distributor and exhibitor Ilda Santiago.
Mendonça Filho thanked the academy for selecting the film in a media post,...
Mixing archive and contemporary footage, the deeply personal work revisits the director’s hometown of Recife through the cinemas he once frequented.
The film world premiered as a Special Screening at Cannes in May and had its North American premiere September 9 in Toronto, before heading to New York.
Grasshopper Films acquired U.S. rights this summer. Paris-based Urban sales handles international sales.
The Brazilian Cinema Academy selected the film on Tuesday from a shortlist which also included Guto Parente’s A Strange Path, Sergio de Carvalho’s Alien Nights, Eduardo Albergaria’s Nosso Sonho, Carolina Markowicz’s Toll and Claudio Borrelli’s Vultures.
The selection was made by a 23-member committee, chaired by distributor and exhibitor Ilda Santiago.
Mendonça Filho thanked the academy for selecting the film in a media post,...
- 9/12/2023
- by Melanie Goodfellow
- Deadline Film + TV
At the 2023 TIFF Tribute Awards hosted at the Fairmont Royal York Hotel in Toronto presenters Barry Jenkins and Chaz Ebert went off-script to emphasize how much it meant to hand the Ebert Director Award to Spike Lee.
The Oscar-winning “Moonlight” director went first, sharing how he was one of two Black men in his film program at a predominantly white college. While his peer would say he wanted to be the next Spike Lee, he said, “‘I want to be the first Barry Jenkins,’ and I would qualify that by saying I think that’s the way Spike would want it.” In town serving as one of the judges for the festival’s Platform programming block, Jenkins continued, “So Spike I just wanted to say you’ve carried so much weight for so many of us for so damn long that I’m on this jury and I’m tired as hell.
The Oscar-winning “Moonlight” director went first, sharing how he was one of two Black men in his film program at a predominantly white college. While his peer would say he wanted to be the next Spike Lee, he said, “‘I want to be the first Barry Jenkins,’ and I would qualify that by saying I think that’s the way Spike would want it.” In town serving as one of the judges for the festival’s Platform programming block, Jenkins continued, “So Spike I just wanted to say you’ve carried so much weight for so many of us for so damn long that I’m on this jury and I’m tired as hell.
- 9/11/2023
- by Marcus Jones
- Indiewire
by Cláudio Alves
A mother’s love should be unconditional, but so often it isn’t. A mother knows best, except when she doesn’t. With some parents, preconceived notions of who their child should be crash against who their child actually is. Illusions and delusions take their toll and what one person calls love may feel like hatred to the person who endures it. It's easy to follow anger’s siren song, and rage against unfit mothers and ungrateful children, depending on where you fall. Broaching these fraught relationships is risky business for any artist, even those agile in avoiding cliché and melodrama.
Watching Toll, Carolina Markowicz’s follow-up to the acclaimed Charcoal, one can’t help but give thanks that this particular artist took the risk…...
A mother’s love should be unconditional, but so often it isn’t. A mother knows best, except when she doesn’t. With some parents, preconceived notions of who their child should be crash against who their child actually is. Illusions and delusions take their toll and what one person calls love may feel like hatred to the person who endures it. It's easy to follow anger’s siren song, and rage against unfit mothers and ungrateful children, depending on where you fall. Broaching these fraught relationships is risky business for any artist, even those agile in avoiding cliché and melodrama.
Watching Toll, Carolina Markowicz’s follow-up to the acclaimed Charcoal, one can’t help but give thanks that this particular artist took the risk…...
- 9/9/2023
- by Cláudio Alves
- FilmExperience
Carolina Markowicz returns to the circuit to release her second feature “Toll” (“Pedágio”), cementing another world premiere at the Toronto Film Festival, this time in its Centrepiece strand, billed as championing “compelling stories, global perspectives,” before heading to San Sebastian for closing night honors in its Horizontes Latinos competition later this month.
Paris-based Luxbox handles international sales and has provided Variety with an exclusive first look at the riveting trailer.
After high praise for her feature-film debut “Charcoal,” Markowicz, among Brazil’s top-tier cineastes, returns with another compelling societal study, this time with an eye on a complicated mother-son relationship that leads to a keen understanding of just what people are capable of under the influence of their fragile, yet righteous, morality.
Produced by Karen Castanho, Bianca Villar and Fernando Fraiha, founding partners at Brazil’s Bionica Filmes (“Welcome Violeta”), Luís Urbano and Sandro Aguilar from O Som e a Fúria,...
Paris-based Luxbox handles international sales and has provided Variety with an exclusive first look at the riveting trailer.
After high praise for her feature-film debut “Charcoal,” Markowicz, among Brazil’s top-tier cineastes, returns with another compelling societal study, this time with an eye on a complicated mother-son relationship that leads to a keen understanding of just what people are capable of under the influence of their fragile, yet righteous, morality.
Produced by Karen Castanho, Bianca Villar and Fernando Fraiha, founding partners at Brazil’s Bionica Filmes (“Welcome Violeta”), Luís Urbano and Sandro Aguilar from O Som e a Fúria,...
- 9/6/2023
- by Holly Jones
- Variety Film + TV
Fest runs September 7-17.
TIFF has announced additional TIFF Tribute Award recipients, with Brazilian filmmaker Carolina Markowicz, Polish cinematographer Lukasz Zal, and Hong Kong superstar Andy Lau joining the roster.
Markowicz will receive the TIFF Emerging Talent Award presented by MGM Studios. The award is in the spirit of Torontonian Mary Pickford, the groundbreaking actor, producer, and co-founder of United Artists.
Markowicz will present the world premiere of her second feature Toll on September 9. The film centres on a Brazilian mother who falls in with a gang of thieves in an attempt to keep her family afloat. Her first film...
TIFF has announced additional TIFF Tribute Award recipients, with Brazilian filmmaker Carolina Markowicz, Polish cinematographer Lukasz Zal, and Hong Kong superstar Andy Lau joining the roster.
Markowicz will receive the TIFF Emerging Talent Award presented by MGM Studios. The award is in the spirit of Torontonian Mary Pickford, the groundbreaking actor, producer, and co-founder of United Artists.
Markowicz will present the world premiere of her second feature Toll on September 9. The film centres on a Brazilian mother who falls in with a gang of thieves in an attempt to keep her family afloat. Her first film...
- 8/22/2023
- by Jeremy Kay
- ScreenDaily
Hong Kong superstar Andy Lau, Brazilian director Carolina Markowicz and Oscar-nominated cinematographer Lukasz Zal will be honored at the Toronto Film Festival, including as part of the fifth annual TIFF Tribute Awards on Sept. 10, organizers said on Tuesday.
On Sept. 15, Lau, who sits atop China’s A-list as both an actor and a pop performer, will receive a special tribute award ahead of the world premiere of Ning Hao’s The Movie Emperor, where he plays a movie star seeking relevance via a film festival–baiting art-house role.
And during the TIFF Tribute Awards, Markowicz will be honored with the TIFF Emerging Talent Award, while Poland’s Zal will be feted with a TIFF Artisan Award. Markowicz is headed to Toronto for the world premiere of her second feature, Toll, on Sept. 9.
Zal is best known for his cinematography in Pawel Pawlikowski’s Cold War and Ida and returns to...
On Sept. 15, Lau, who sits atop China’s A-list as both an actor and a pop performer, will receive a special tribute award ahead of the world premiere of Ning Hao’s The Movie Emperor, where he plays a movie star seeking relevance via a film festival–baiting art-house role.
And during the TIFF Tribute Awards, Markowicz will be honored with the TIFF Emerging Talent Award, while Poland’s Zal will be feted with a TIFF Artisan Award. Markowicz is headed to Toronto for the world premiere of her second feature, Toll, on Sept. 9.
Zal is best known for his cinematography in Pawel Pawlikowski’s Cold War and Ida and returns to...
- 8/22/2023
- by Etan Vlessing
- The Hollywood Reporter - Movie News
On Tuesday, TIFF announced additional honorees who will be receiving a TIFF Tribute Award at this year’s Festival. Recipients include award-winning Brazilian filmmaker Carolina Markowicz who will be honoured with the TIFF Emerging Talent Award presented by MGM. This award is in the spirit of Torontonian Mary Pickford, the groundbreaking actor, producer, and co-founder of United Artists, whose impact continues today. Two-time Academy Award–nominated Polish cinematographer Łukasz Żal will receive the TIFF Variety Artisan Award, which recognizes a distinguished creative who has excelled at their craft and made an outstanding contribution to cinema and entertainment. Both Markowicz and Żal will be honoured on Sept. 10 at the fifth annual TIFF Tribute Awards gala fundraiser at Fairmont Royal York Hotel, presented by Bulgari.
On Sept. 15, TIFF will be honouring Andy Lau, the multi-hyphenate Hong Kong artist with a Special Tribute Award at the World Premiere Gala presentation of Ning Hao’s “The Movie Emperor,...
On Sept. 15, TIFF will be honouring Andy Lau, the multi-hyphenate Hong Kong artist with a Special Tribute Award at the World Premiere Gala presentation of Ning Hao’s “The Movie Emperor,...
- 8/22/2023
- by William Earl
- Variety Film + TV
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