Directed by
| Michael Samuels | ||
Writing Credits (in alphabetical order)
| Michael Samuels | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Roy Ackerman | ... | executive producer: Diverse |
| Madonna Baptiste | ... | executive producer: Diverse |
| Celia Duval | ... | line producer: UK (as Célia Duval) |
| Samantha Putter | ... | line producer: SA |
| Jolyon Symonds | ... | producer |
| Maxine Watson | ... | executive producer: BBC |
Music by
| Daniel Giorgetti | ||
Cinematography by
| Wojciech Szepel | ... | director of photography |
Editing by
| David Charap | ||
Casting By
| Doreen Jones | ... | casting director: UKRuy Filipe |
| Christa Schamberger | ... | casting director: SA |
Production Design by
| Emilia Roux | ... | (as Emelia Weavind) |
| Mark Walker | ||
Set Decoration by
| Guy Potgieter | ||
Costume Design by
| Ruy Filipe | ||
Makeup Department
| Di Allen | ... | hair stylist / makeup artist |
| Lesley Lamont-Fisher | ... | hair designer / makeup designer |
Production Management
| Gail McQuillan | ... | production manager |
| Spannies Spangenberg | ... | unit manager (as Spannies Spengenburg) |
Second Unit Director or Assistant Director
| Marc Biart | ... | second assistant director |
| David Tumahole | ... | third assistant director |
| Andre Weavind | ... | first assistant director |
Art Department
| Gary Middlewick | ... | set dresser |
| Thabiso David Mohapi | ... | standby props (as David Mohape) |
| Henrietta Moutinho | ... | props buyer |
| Kobus Swart | ... | property master |
| Beatrix Symington | ... | set dresser |
| Justice Nhlapo | ... | leadman (uncredited) |
Sound Department
| Anneline De Kock | ... | boom operator |
| James Feltham | ... | sound supervisor |
| Nigel Heath | ... | re-recording mixer |
| Amanda Heatley | ... | post-production producer |
| J.J. Le Roux | ... | sound mixer |
| Jon Newman | ... | sound effects editor |
| Alex Sawyer | ... | dialogue editor |
| Stuart Bagshaw | ... | foley editor (uncredited) |
| Michael Botha | ... | adr mixer (uncredited) |
| Alexander Fielding | ... | assistant re-recording mixer (uncredited) |
| Keith Partridge | ... | foley engineer (uncredited) |
Visual Effects by
| Earle Stuart Callender | ... | visual effects producer (uncredited) |
| Dolores McGinley | ... | visual effects artist (uncredited) |
| Chris Mortimer | ... | visual effects supervisor (uncredited) |
| Iain Read | ... | digital compositor (uncredited) |
| Yolanda Rubio | ... | visual effects artist (uncredited) |
Stunts
| Nic Grigg | ... | stunt coordinator / stunts |
Camera and Electrical Department
| Andrew Mac Callum | ... | best boy lighting (as Andrew MacCullum) |
| Patrick Duval | ... | camera operator: 'b' camera |
| Houston Hadden | ... | focus puller |
| Shane Jooste | ... | best boy grip |
| Meshack Molopa | ... | key grip (as Meshack Molope) |
| Nick Rankin | ... | lighting gaffer |
| Amy Yeats | ... | clapper loader |
| Justin Youens | ... | focus puller |
Costume and Wardrobe Department
| Zureta Schulz | ... | assistant costume designer |
| Jacques Van Rooyen | ... | wardrobe master |
Editorial Department
| Richard Cradick | ... | on-line editor |
| Jet Omoshebi | ... | colorist |
| Sinéad Cronin | ... | on-line assistant editor (uncredited) |
| Garry Maddison | ... | data scanner (uncredited) |
| Gez Morris | ... | first assistant editor (uncredited) |
Location Management
| Jaco Espach | ... | location manager |
Music Department
| Daniel Giorgetti | ... | orchestrator (uncredited) |
| Bruce White | ... | musician: viola (uncredited) |
Script and Continuity Department
| Maureen Conway | ... | script supervisor |
Transportation Department
| Matt Ward | ... | transportation coordinator |
Additional Crew
| Darren Cameron | ... | production coordinator |
| Nic Grigg | ... | safety coordinator |
| Fiona Ramsay | ... | dialogue coach |
| Olly Steele | ... | on set armourer, weapons instuctor |
