Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Billy (Zachary Epcar)
An emerging experimental filmmaker uses a series of 16mm close-ups to capture the textures and objects that characterize suburban life in this short horror film inspired by the ‘90s soap opera Melrose Place. Zachary Epcar’s approach to presenting household items––plastic Fiji water bottles, Nespresso pods, Amazon packages––using a combination of sharp visuals and eerie sounds produces a nightmarish thrill-ride through the suburbs that renders commodity culture itself as a movie monster.
Where to Stream: Le Cinéma Club
Blackout (Larry Fessenden)
As with Depraved, writer-director Larry Fessenden returns to the world of classic, Universal-inspired monsters in Blackout. Whereas that title brought the mythos of Frankenstein’s monster (and its ample room for social commentary) into the present-day,...
Billy (Zachary Epcar)
An emerging experimental filmmaker uses a series of 16mm close-ups to capture the textures and objects that characterize suburban life in this short horror film inspired by the ‘90s soap opera Melrose Place. Zachary Epcar’s approach to presenting household items––plastic Fiji water bottles, Nespresso pods, Amazon packages––using a combination of sharp visuals and eerie sounds produces a nightmarish thrill-ride through the suburbs that renders commodity culture itself as a movie monster.
Where to Stream: Le Cinéma Club
Blackout (Larry Fessenden)
As with Depraved, writer-director Larry Fessenden returns to the world of classic, Universal-inspired monsters in Blackout. Whereas that title brought the mythos of Frankenstein’s monster (and its ample room for social commentary) into the present-day,...
- 4/12/2024
- by Jordan Raup
- The Film Stage
The music documentary “Indigo Girls: It’s Only Life After All,” which was critically acclaimed when it premiered at the Sundance Film Festival, will hit theaters for a one-night-only release on April 10, about a month before it becomes available for home viewing.
“It is a beautiful documentary that captures the life force of our community,” said the duo’s Emily Saliers, in a statement. “Now our community has an opportunity to see it on the big screen — we are thankful for that.”
Echoing that language, director Alexandra Bombach emphasized her belief in the power of seeing the film in cinemas with likeminded fans. “Festival audiences have embraced and celebrated this story of Amy and Emily, and now we get to bring this film to fans in theaters all over the country,” she said. “A film about community should be seen in community.”
Oscilloscope Laboratories posted a list of theaters set to show the doc,...
“It is a beautiful documentary that captures the life force of our community,” said the duo’s Emily Saliers, in a statement. “Now our community has an opportunity to see it on the big screen — we are thankful for that.”
Echoing that language, director Alexandra Bombach emphasized her belief in the power of seeing the film in cinemas with likeminded fans. “Festival audiences have embraced and celebrated this story of Amy and Emily, and now we get to bring this film to fans in theaters all over the country,” she said. “A film about community should be seen in community.”
Oscilloscope Laboratories posted a list of theaters set to show the doc,...
- 3/12/2024
- by Chris Willman
- Variety Film + TV
A24’s psychological thriller Love Lies Bleeding by director Rose Glass starring Kristen Stewart, Katy O’Brian, Jena Malone and Anna Baryshnikov, with Dave Franco and Ed Harris, opens in limited release on five screens in New York and L.A., expanding next week. A reclusive gym manager Lou (Stewart) falls hard for Jackie (O’Brian), an ambitious bodybuilder headed through town to Vegas in pursuit of her dream. But their love ignites violence, pulling them deep into the web of Lou’s criminal family. Written by Rose Glass and Weronika Tofilskav. Premiered at Sundance, see Deadline review.
(A24’s The Problemista by Julio Torres staring Torres and Tilda Swinton expands to 20 screens.)
Glitter & Doom from Music Box Films, a fantastical queer romance told through the music of the Indigo Girls, opens at the Quad in NYC and Laemmle LA. The film, which has played gala slots at over 50 LGBTQ+ festivals globally,...
(A24’s The Problemista by Julio Torres staring Torres and Tilda Swinton expands to 20 screens.)
Glitter & Doom from Music Box Films, a fantastical queer romance told through the music of the Indigo Girls, opens at the Quad in NYC and Laemmle LA. The film, which has played gala slots at over 50 LGBTQ+ festivals globally,...
- 3/8/2024
- by Jill Goldsmith
- Deadline Film + TV
It isn’t every day you encounter a pop-disco musical about a buoyant aspiring circus performer and a brooding aspiring rock singer with competing Mommy issues falling in love in Mexico City against the electricized rearrangements of the Indigo Girls. And that’s not exactly lamentable, because I wouldn’t categorize English-language Glitter & Doom as necessarily essential cinema … though I also couldn’t accuse it of being anything other than original either. (Well, except for the foundational premise of opposites attracting and then ultimately clashing over dueling artistic ambitions.) Director Tom Gustafson (Were the World Mine) has crafted a sweet if plodding love story but it’s hard to truly hate on this whirling candy-colored poetic fairytale — it’s just too sincere, much like the musical source material.
It is perhaps somewhat unexpected that the oeuvre of a folk duo led by two down-to-earth platonic queer women (considered to...
It is perhaps somewhat unexpected that the oeuvre of a folk duo led by two down-to-earth platonic queer women (considered to...
- 3/7/2024
- by Robyn Bahr
- The Hollywood Reporter - Movie News
Let’s start here: the production design in Tom Gustafson’s Glitter & Doom is impeccable, colorful, and memorable. Too often these days films lack an adventurous color palette. Here we have a welcome outlier. Production designer Geo Martínez breathes life into each frame. Next there’s the music. The film is a musical set to the indelible tunes of the Indigo Girls, the folk-rock duo that became a household name in the late ’80s and early ’90s with hits like “Closer to Fine” and “Galileo.” Without question are music and lyrics the most essential piece of this problematically simple narrative. These artists are long overdue for legacy-laden admiration and celebration.
Now, for some criticism. We have Glitter (Alex Diaz) who wants to be a successful circus performer. We have Doom (Alan Cammish) who wants to be a successful musician. Both are struggling as they tilt at the windmills of their dreams.
Now, for some criticism. We have Glitter (Alex Diaz) who wants to be a successful circus performer. We have Doom (Alan Cammish) who wants to be a successful musician. Both are struggling as they tilt at the windmills of their dreams.
- 3/6/2024
- by Dan Mecca
- The Film Stage
It’s been almost exactly 35 years since the Indigo Girls first broke out with their eponymous second album, yet the Power of Two continues to thrive still, especially on the screen. “Barbie” recently pointed us “in a crooked line” with Margot Robbie’s rendition of “Closer to Fine”, while last year’s Sundance doc, titled “It’s Only Life After All“, brought us up close and personal with the duo themselves.
Following those movie tributes now comes another, in the form of “Glitter & Doom,” a jukebox musical that celebrates the enduring legacy that Amy Ray and Emily Saliers have crafted through their raw, passionate, and deeply personal brand of queer folk rock. But does the movie live up to their legendary talents or is it doomed to go the way of a film like “Yesterday“?
Glitter (Alex Diaz) is an improbably named Ivy League graduate who dreams of cartwheeling his...
Following those movie tributes now comes another, in the form of “Glitter & Doom,” a jukebox musical that celebrates the enduring legacy that Amy Ray and Emily Saliers have crafted through their raw, passionate, and deeply personal brand of queer folk rock. But does the movie live up to their legendary talents or is it doomed to go the way of a film like “Yesterday“?
Glitter (Alex Diaz) is an improbably named Ivy League graduate who dreams of cartwheeling his...
- 3/5/2024
- by David Opie
- Indiewire
"He's definitely turned my summer upside-down." Music Box Films has revealed the official trailer for an indie romantic musical titled Glitter & Doom, from filmmaker Tom Gustafson. After first premiering last year, this is set to opn in limited US theaters in March next month. In a fantastical romance set to the hits of the band Indigo Girls, two young aspiring performers fall in love at first sight. They try to figure out how to make their love last as they head down different paths. Punctuated by a star-studded cast, Glitter & Doom is an electric queer musical about the power of love. After a circus performance and talented musician fall in love, they struggle to make sense of their whirlwind summer romance while staying true to themselves and pursuing their dreams. With a star-studded supporting cast, Glitter & Doom is a creatively ambitious, visually stunning queer musical about the power...
- 2/13/2024
- by Alex Billington
- firstshowing.net
The Indigo Girls are getting their own “Mamma Mia”-esque music-based film.
The iconic duo, who recently led 2023 documentary “It’s Only Life After All,” provide the soundtrack for fantastical queer romance film “Glitter and Doom.” Billed as a jukebox musical, the film features 25 reimagined Indigo Girls songs, produced and arranged by “The Voice” runner-up contestant Michelle Chamuel. Classics like “Galileo,” “Get Out the Map,” “World Falls,” and “Power of Two” are featured, as well as a new Indigo Girls track “What We Wanna Be.”
The official synopsis for the film reads: “‘Glitter and Doom’ follows the love at first sight journey of a circus dreamer (Alex Diaz) and struggling musician (Alan Cammish). An undeniable spark sets an epic summer romance on its course until the realities of pursuing their dreams threaten to tear them apart.”
Ming Na-Wen, Missi Pyle, Lea DeLaria, Tig Notaro, Kate Pierson, Peppermint, Beth Malone, and the Indigo Girls themselves,...
The iconic duo, who recently led 2023 documentary “It’s Only Life After All,” provide the soundtrack for fantastical queer romance film “Glitter and Doom.” Billed as a jukebox musical, the film features 25 reimagined Indigo Girls songs, produced and arranged by “The Voice” runner-up contestant Michelle Chamuel. Classics like “Galileo,” “Get Out the Map,” “World Falls,” and “Power of Two” are featured, as well as a new Indigo Girls track “What We Wanna Be.”
The official synopsis for the film reads: “‘Glitter and Doom’ follows the love at first sight journey of a circus dreamer (Alex Diaz) and struggling musician (Alan Cammish). An undeniable spark sets an epic summer romance on its course until the realities of pursuing their dreams threaten to tear them apart.”
Ming Na-Wen, Missi Pyle, Lea DeLaria, Tig Notaro, Kate Pierson, Peppermint, Beth Malone, and the Indigo Girls themselves,...
- 2/13/2024
- by Samantha Bergeson
- Indiewire
Music Box Films has acquired Tom Gustafson and Cory Krueckeberg’s “Glitter & Doom.” The film is billed as a “fantastical queer romance” and the musical comes with songs from the Grammy Award-winning Indigo Girls. “Glitter & Doom” premiered as the closing night film at InsideOut Toronto. It went on to play gala slots at more than 50 LGBTQ+ festivals around the world. Music Box is planning a March 8, 2024, theatrical release in NYC and L.A. That will be followed by a nationwide theatrical rollout and a VOD release.
The film comes at a time when Indigo Girls have been enjoying a popular resurgence. Their anthem “Closer to Fine” was featured at a key moment in last summer’s “Barbie” and a new documentary about their lives and careers, “Indigo Girls: It’s Only Life After All,” premiered at Sundance and will be released theatrically by Oscilloscope Laboratories.
“Glitter & Doom...
The film comes at a time when Indigo Girls have been enjoying a popular resurgence. Their anthem “Closer to Fine” was featured at a key moment in last summer’s “Barbie” and a new documentary about their lives and careers, “Indigo Girls: It’s Only Life After All,” premiered at Sundance and will be released theatrically by Oscilloscope Laboratories.
“Glitter & Doom...
- 12/20/2023
- by Brent Lang
- Variety Film + TV
Not every TV and film production will stop amid dual strikes by SAG-AFTRA and the Writers Guild of America. A host of projects stopped work after writers went on strike against media companies for better pay, streaming data transparency and protections against artificial intelligence (among other issues), and many more have paused since actors walked out on July 14.
There are exceptions, however. SAG-AFTRA’s strike rules allow for work on productions covered under different agreements, and the union can grant waivers or sign interim agreements with independent productions. Below is a list of TV shows and films that fall under those designations; this story will be updated as more productions earn waivers.
Interim Agreements
SAG-AFTRA has reached interim agreements with numerous independent productions, including movies from A24 (Death of a Unicorn, starring Paul Rudd and Jenna Ortega, and Mother Mary with Anne Hathaway and Michaela Coel) — which is not part...
There are exceptions, however. SAG-AFTRA’s strike rules allow for work on productions covered under different agreements, and the union can grant waivers or sign interim agreements with independent productions. Below is a list of TV shows and films that fall under those designations; this story will be updated as more productions earn waivers.
Interim Agreements
SAG-AFTRA has reached interim agreements with numerous independent productions, including movies from A24 (Death of a Unicorn, starring Paul Rudd and Jenna Ortega, and Mother Mary with Anne Hathaway and Michaela Coel) — which is not part...
- 7/19/2023
- by Rick Porter
- The Hollywood Reporter - Movie News
“Glitter and Doom” stars Alex Diaz and Alan Cammish gush over what it was like to work with the Indigo Girls on the bright, queer and joyful film featuring many incredible musical numbers.
Diaz says the folk rock duo’s music especially enticed him to the film, which “follows a musician and a carefree kid as they fall in love at first sight,” as per IMDb.
“It looked like a lot of fun,” the Filipino-Canadian actor told Et Canada’s Dallas Dixon. “I just thought what a crazy opportunity this would be.”
Cammish added that having the Indigo Girls — comprised of Amy Ray and Emily Saliers — in the musical film “was next level.”
Read More: The Indigo Girls Bring A Queer Perspective With Their New Song ‘Country Radio’
“I mean, I remember I was singing ‘Closer to Fine’ for the first time on set and suddenly at the back of the room,...
Diaz says the folk rock duo’s music especially enticed him to the film, which “follows a musician and a carefree kid as they fall in love at first sight,” as per IMDb.
“It looked like a lot of fun,” the Filipino-Canadian actor told Et Canada’s Dallas Dixon. “I just thought what a crazy opportunity this would be.”
Cammish added that having the Indigo Girls — comprised of Amy Ray and Emily Saliers — in the musical film “was next level.”
Read More: The Indigo Girls Bring A Queer Perspective With Their New Song ‘Country Radio’
“I mean, I remember I was singing ‘Closer to Fine’ for the first time on set and suddenly at the back of the room,...
- 6/7/2023
- by Melissa Romualdi
- ET Canada
The winners of the 2023 Inside Out 2Slgbtq+ Film Festival Awards were announced this weekend in Toronto where $32,000 in prizes were handed out to various 2Slgbtq+ filmmakers. Top honours went to Juan Sebastián Torales’ Almamula (Best First Feature), Lulu Wei’s Supporting Our Selves (Best Canadian Feature), Beth Warrian’s Adore (Best Canadian Short), and Karimah Zakia Issa with Scaring Women At Night (Emerging Canadian Artist).
The Audience Award winners are Ally Pankiw’s I Used To Be Funny for Best Narrative Feature, Loveleen Kaur’s Leilani’s Fortune for Best Documentary Feature, and Zeppelin Zeerip’s Apayauq for Best Short Film.
The festival is also proud to announce director Judith Schuyler’s upcoming project There Is Light won the annual “Pitch, Please!” contest. The “Pitch, Please!” competition took place in person on June 3, 2023, with competitors from across the globe presenting a short, two-minute pitch to a jury and audience. Prizes...
The Audience Award winners are Ally Pankiw’s I Used To Be Funny for Best Narrative Feature, Loveleen Kaur’s Leilani’s Fortune for Best Documentary Feature, and Zeppelin Zeerip’s Apayauq for Best Short Film.
The festival is also proud to announce director Judith Schuyler’s upcoming project There Is Light won the annual “Pitch, Please!” contest. The “Pitch, Please!” competition took place in person on June 3, 2023, with competitors from across the globe presenting a short, two-minute pitch to a jury and audience. Prizes...
- 6/7/2023
- by Valerie Complex
- Deadline Film + TV
Frameline announced the full program for the 47th annual San Francisco International LGBTQ+ Film Festival.
Running June 14-24, with a streaming encore to follow from June 24-July 2, Frameline47 returns with nearly 90 film screenings, including 12 world, 16 North American, and 9 U.S. premieres. In celebration of the Festival’s 47th iteration, Frameline will host 47 screenings at the Castro Theatre, which equates to an average of four screenings per day throughout the 11-day event.
This announcement comes on the heels of Frameline’s recent unveiling of three marquee presentations: the Opening Night film, Andrew Durham’s FairyLand, which will feature an in-person appearance from producer Sofia Coppola; the Oakland Centerpiece, Hannah Pearl Utt’s Cora Bora, featuring Hacks star Megan Stalter; and the Pride Kickoff film, Jordan Danger’s God Save the Queens, featuring drag icon Alaska, who will perform during the afterparty at Oasis.
The 47th iteration is set to be Northern...
Running June 14-24, with a streaming encore to follow from June 24-July 2, Frameline47 returns with nearly 90 film screenings, including 12 world, 16 North American, and 9 U.S. premieres. In celebration of the Festival’s 47th iteration, Frameline will host 47 screenings at the Castro Theatre, which equates to an average of four screenings per day throughout the 11-day event.
This announcement comes on the heels of Frameline’s recent unveiling of three marquee presentations: the Opening Night film, Andrew Durham’s FairyLand, which will feature an in-person appearance from producer Sofia Coppola; the Oakland Centerpiece, Hannah Pearl Utt’s Cora Bora, featuring Hacks star Megan Stalter; and the Pride Kickoff film, Jordan Danger’s God Save the Queens, featuring drag icon Alaska, who will perform during the afterparty at Oasis.
The 47th iteration is set to be Northern...
- 5/19/2023
- by Valerie Complex
- Deadline Film + TV
Olivia Mascheroni has joined Verve Ventures. She will be part of a growing independent sales and financing team that is led by Amy Beecroft and Ross Putman.
Mascheroni most recently served as director of Ddvelopment at Madre Venturers, a venture capital firm, and served as executive of new media at The Blacklist prior to that. She has also held positions at both Blumhouse and CAA, where she worked in both the Television and Motion Picture Literary Departments.
“Coming over feels like coming home,” says Mascheroni. “I know so many of the people who work here and admire what they do. And there’s such a great creative approach to things that offers a lot to filmmakers and allows us to make great independent projects.”
Verve’s talent team has quadrupled in size since last year and the film team says it expects to continue expanding.
“Olivia is joining us because...
Mascheroni most recently served as director of Ddvelopment at Madre Venturers, a venture capital firm, and served as executive of new media at The Blacklist prior to that. She has also held positions at both Blumhouse and CAA, where she worked in both the Television and Motion Picture Literary Departments.
“Coming over feels like coming home,” says Mascheroni. “I know so many of the people who work here and admire what they do. And there’s such a great creative approach to things that offers a lot to filmmakers and allows us to make great independent projects.”
Verve’s talent team has quadrupled in size since last year and the film team says it expects to continue expanding.
“Olivia is joining us because...
- 2/11/2022
- by Brent Lang
- Variety Film + TV
Do you ever hear a movie news story and worry that you might be living in your own version of "The Truman Show" because it speaks to you so deeply? That was my feeling when I learned about "Glitter & Doom," a new jukebox movie musical highlighting the legacy of Indigo Girls. The premise alone is enough to get me to buy opening night tickets, but the newest casting announcement is inspiring me to camp out in front of my local theater to make sure I'm the first in line.
Ming-Na Wen, star of "The Mandalorian" and "The Joy Luck...
The post The Mandalorian Star Ming-Na Wen and Missi Pyle Join Jukebox Musical Glitter & Doom appeared first on /Film.
Ming-Na Wen, star of "The Mandalorian" and "The Joy Luck...
The post The Mandalorian Star Ming-Na Wen and Missi Pyle Join Jukebox Musical Glitter & Doom appeared first on /Film.
- 10/5/2021
- by BJ Colangelo
- Slash Film
Exclusive: Glitter & Doom, an Lgbtqia+ jukebox feature musical told with the iconic tunes of Grammy winning folk duo Indigo Girls, is in production already in Mexico City starring The Mandalorian‘s Ming-Na Wen, Y: The Last Man‘s Missi Pyle, and directed by Tom Gustafson off a screenplay by Cory Krueckeberg.
Billed as a fantastical summer romance, the pic follows a musician who wears charisma as camouflage and a carefree kid about to run away with the circus as they fall in love at first sight. But will 29 days be enough time to fall in love forever? International discoveries Alex Diaz stars as Glitter and Alan Cammish as Doom with Orange Is The New Black‘s Lea DeLaria also starring, and cameos by Tig Notaro and Indigo Girls Amy Ray and Emily Saliers. Wen will play the role of Ivy in the film.
The film is produced by Speak productions...
Billed as a fantastical summer romance, the pic follows a musician who wears charisma as camouflage and a carefree kid about to run away with the circus as they fall in love at first sight. But will 29 days be enough time to fall in love forever? International discoveries Alex Diaz stars as Glitter and Alan Cammish as Doom with Orange Is The New Black‘s Lea DeLaria also starring, and cameos by Tig Notaro and Indigo Girls Amy Ray and Emily Saliers. Wen will play the role of Ivy in the film.
The film is produced by Speak productions...
- 9/30/2021
- by Anthony D'Alessandro
- Deadline Film + TV
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