Ayirathil Oruvan

Here is a movie that wants to have fun, the cast wants to have fun. The audience ends up having fun in first half. karthik is hilarious. Andrea handles the limited demands of his role quite well. Reema Sen brings her ever-present charm and beauty to a role which is notable for being one of the few action-adventure roles written for a female that is not obnoxious in recent memory. It takes a big U Turn in Second half,where parthiban rules the remaining part.You can't take your eyes off parthiban.

It's kind of a Indiana Jones meets Apocolypto Movie .This is the best Adventure I have ever seen in tamil. It depicts the horrors of the & the tragedy of Chola Civilization, and I know, I have not seen a film of such a powerful & Superbly directed by Selvaragahavan, magnificently photographed by Ramji, perfect performances by karthi and Reema Sen, and, especially, Parthiban. beautiful, brilliant score, brings the whole horror and tragedy, Action Adventure. This is Selva's Triumph. Congratulations!

The movie which created high expectations for 2 years reaches silver screen with a bang! hats off to Selva and his crew who made this happen.

Plot: During 12th century,Cholas were defeated by the Pandians,causing the Chola king and his people to remain hidden with the enemy god's idol..Pandians are still in search of them..presently,the casts Karthi,Reema,Andrea go pass 7 traps set by Chola to reach the hidden Chozan world...the rest of the story reveals Reema's mystery and Karthi's destiny.

All credit goes to Selva who has made a successful magnum opus.The important aspect of the movie is its raw and sensible screenplay.

The cast of the movie are definite plus..Karthi has completely dominated the first half of the movie wit hilarious comedies,and innocent acting..Brave attempt of Reema in second half is sure for credit,Andrea plays a soft and sizzling role in the movie..Parthiban as the Chozan king is above grounds,his performance in this movie surely deserves an award....

Music is the soul heart of the movie scored by G.V.Prakash ..songs are tremendous incl Oh Eesa,Un Mela Aasadhan and Thai Thindra..the two instrumentals, King arrives and Celebration of life are best part of the movie holding audience nerves...

Cinematography and art direction adds beautiful ingredients to the movie..graphics could have been made still more perfectly..

Finally, Selvaraghavan has clean shaved all the routine commercial flicks and has given a new genre for Tamil cinema..the story of the movie speaks for itself...the scene of Nataraja shadow is purely brilliancy in world cinema..the characterization of the Chozan king is amazing..the research work of the director is excelled in all departments like music and mythology of Cholas..

the negative aspects are the character of the army officer and rape scenes in final minutes..

To conclude AO is the movie that carries Tamil history in world class style...new entry for cult movie.

(Desperately waiting for AO2)

Rating:10/10

hey Selva,.. I expected certain things in this movie, before going to the theater to watch the film.. My expectations were totally fulfilled, even I can say they were exceeded..

This movie will definitely good 4 u in several aspects. Especially, u had broken the shackles of touching only teenage feelings(even in Pudupettai).. This will widen ur scope..

I liked both the halves of the movie.. But the background score is not effective in second half, it fails to control the audience's interest.. even camera work is not so good..

but i ll give a 9/10 for d try// all d best/.

"Aayirathil Oruvan is very good Adventure movie i never ever seen before in Tamil movie. Hats off to Selvaraghavan" by prakash. B W some :With Aayirathil Oruvan, Selvaraghavan has inadvertently opened the Pandora box of a new genre as yet unknown to Tamil movies – Zombies. It is the case of Pirates of the Caribbean meets Dawn of the Death where the ancient Cholas, albeit with whatsoever no connection to the real Cholas as the disclaimer maintains, are reduced to dark-as-charcoal skinned tribesmen living in an unknown island in Vietnam, who are ready to gorge at raw flesh at the mere sight of it since they are starved.

So the dark-skinned subjects largely set the tone of the movie and the darkness remains dominant throughout. There is blood and gore, but of a different kind: not the one that makes you squirm, but something that makes you gawk at.

Thousands of years ago, when the Cholas were ousted from their homeland by the Pandias, their throne Prince was sent into exile to a secret location by the last Chola King. The Prince also carried with him a priceless statue of the Pandias. No efforts were fruitful at tracing the location and archeologists attempting the same simply disappear without a trace.

Aayirathil Oruvan

Andrea's dad and archaeologist Prathap Pothen vanishes into thin air in his attempt to unravel the mystery. In comes the archaeologist-cum-gun-wielding-designer-sunglasses-sporting ultra modern chick Reema, employed by the Indian government to trace Pothen. Andrea, his daughter, obviously joins in and they employ Karthi and a gang of burly men as helps. Karthi looks as if he's stepped out of his Paruthiveeran sets to join Reema and Andrea in their quest.

Their expedition unfurls nasty surprises after surprises - body-painted weirdos with strange weapons, quicksand, snakes. Lest we forget, there is also a cat fight between Reema and Andrea on the topic 'Karthi'. They finally reach the zombie land where Parthiban is the ruler whose raw-flesh-eating subjects take them into custody. Reema reveals her real self and exposes the self-centric purpose of her quest.

Karthi has very little to spare for Aayirathil Oruvan. He plays the rustic help, who instantly falls for Reema and Andrea, who cracks witty one-liners much to our delight in the otherwise serious state of affairs. Being his forte, it comes much easier for him without even having to try.

Despite having to mouth profound verses in ancient Tamil, Reema manages to only mime them with improper synchronization and it makes her appear as if she's in a Chinese movie. Andrea is multi-talented, but acting, sadly, is not one of those. But her meager dialogues in Madras Tamil are bang on otherwise.

G V Prakash's music stands out in the 'Ommele Aasathaan' song and a word about the background score: it's a battle between the background score and the blood thirsty human screeches. We would've loved to write about Eerum Ali's costume designing if only Reema and Andrea were not strutting around in just one pair of satin-shirt-shorts-overalls and sleeveless top and baggies respectively. Karthi leaves no scope for Eerum squarely.

Selva's frenziedly unleashed creativity makes you hallucinate towards the end of the movie and delirium sets in soon. It's not enough that a solid disclaimer is in place, a little bit of research about the subject would've helped things in the process. The underdeveloped script lacks everything - starting from strong plot twists to captive locations to graphics to credibility, above all.

Aayirathil Oruvan also ends on a very scary end note: about the journey of the Chola prince continuing as Karthi takes up the mantle

This Movie was released during a Pongal. Had to over power crowd to get the tickets and was dumb struck by visuals, screenplay and non stereotypical variety. Not only that, it pushed me to learn more about these two rival kingdoms. But very unfortunate that many don't know their own history and viewers expect the director to "TELL everything instead of SHOW" The end result- movie which is supposed to be celebrated as the movie of the decade ended up as an average Venture. Feel sorry for the poor taste of the viewers at that time for this movie being ended up as Glorious Flops and celebrated now. But Its too Late.