Pascal Plante, on his second feature outing takes an original and forensic approach to what could have been a hackneyed subject: a serial killer.
Right from the start as he observes Kelly-Anne (Juliette Gariépy) start what looks like just another mundane day as she makes her way to the Superior Court of Quebec to observe the first day of the trial of Ludovic Chevalier (Maxwell McCabe-Lokos) who is accused of three murders. The deeds themselves are gruesome enough but they have been live-streamed for payment on the dark web “red room.”
Kelly-Anne, it becomes clear, is obsessed with the killer and the various cases outlined in court. Her preoccupation with evil serves as a parallel to Society’s unhealthy obsession with the dark side of human nature.
Every day she slips into her ringside seat to view the proceedings by day and then by night explores the web and...
Right from the start as he observes Kelly-Anne (Juliette Gariépy) start what looks like just another mundane day as she makes her way to the Superior Court of Quebec to observe the first day of the trial of Ludovic Chevalier (Maxwell McCabe-Lokos) who is accused of three murders. The deeds themselves are gruesome enough but they have been live-streamed for payment on the dark web “red room.”
Kelly-Anne, it becomes clear, is obsessed with the killer and the various cases outlined in court. Her preoccupation with evil serves as a parallel to Society’s unhealthy obsession with the dark side of human nature.
Every day she slips into her ringside seat to view the proceedings by day and then by night explores the web and...
- 7/21/2023
- by Richard Mowe
- eyeforfilm.co.uk
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