Directed by
| Wayne Wang | ||
Writing Credits (WGA)
| Angela Workman | ... | (screenplay) and |
| Ron Bass | ... | (screenplay) and |
| Michael Ray | ... | (screenplay) (as Michael K. Ray) |
| Lisa See | ... | (novel) |
Cast (in credits order)
Produced by
| Xian Li | ... | assistant producer |
| Jessinta Liu | ... | co-producer |
| Andrew Loo | ... | co-producer |
| Wendi Murdoch | ... | producer |
| Ted Perkins | ... | associate producer |
| Craig Shilowich | ... | line producer: New York |
| Hugo Shong | ... | executive producer |
| Florence Sloan | ... | producer |
Music by
| Rachel Portman | ||
Cinematography by
| Richard Wong | ||
Editing by
| Deirdre Slevin | ||
Production Design by
| Lim-Chung Man | ||
Art Direction by
| Molly Page | ||
Makeup Department
| Rondi Scott | ... | makeup artist: New York |
Production Management
| Iris Au-Yeung | ... | assistant production manager: Hengdian, China |
Second Unit Director or Assistant Director
| Andrew Loo | ... | second unit director |
| Fei Wong | ... | first assistant director |
Sound Department
| Shaun Brennan | ... | foley artist |
| Rusty Dunn | ... | sound effects editor: sound designer |
| Lewis Goldstein | ... | re-recording mixer / supervising sound editor |
| Cate Montana | ... | supervising adr editor |
| Chris Quilty | ... | production sound mixer |
| Jac Rubenstein | ... | dialogue editor |
| Tom Ryan | ... | foley/adr mixer |
| Alex Soto | ... | Assistant Sound Editor |
| Wen Hsuan Tseng | ... | apprentice sound editor |
| John Soukup | ... | sound transfer (uncredited) |
Special Effects by
| Wai Kit Lau | ... | special effects supervisor |
Visual Effects by
| Joseph DiValerio | ... | visual effects |
Camera and Electrical Department
| James Daly | ... | assistant camera |
| Matthew Jacobs | ... | key grip: New York |
| Louis Jong | ... | key grip |
| Peter Milmoe | ... | best boy electric: New York |
| Ryan Minelli | ... | gaffer: New York |
| G.T. Womack | ... | first assistant camera: New York |
Editorial Department
| Fred Chandler | ... | post production executive |
| Erin Crackel | ... | associate editor |
| Molle DeBartolo | ... | digital intermediate project manager |
| Adam Fox Forrest | ... | promo editor |
| Matt Garner | ... | post-production consultant |
| Joe Gawler | ... | additional colorist |
| Tim Maxwell | ... | digital transfer |
| Ji Zhao | ... | assistant editor |
| Dave Pultz | ... | color timer (uncredited) |
Music Department
| David Arch | ... | musician: piano |
| Jeff Atmajian | ... | orchestrator |
| Chris Cozens | ... | auricle control systems |
| Chris Dibble | ... | Scoring Engineer |
| Yann McCullough | ... | music editor |
| Jeremy Murphy | ... | protools engineer |
| Joe Rudge | ... | music supervisor |
| Jehan Stefan | ... | assistant to orchestrator |
| Karen Westropp | ... | assistant to composer |
| Youki Yamamoto | ... | composer: song / music associate |
Script and Continuity Department
| Yi Song 'Scarlet' Chen | ... | script supervisor |
| Carol A. Compton | ... | script clearance |
Additional Crew
| David Magdael | ... | publicist |
| Kathy Morgan | ... | international sales |
| Bill Wang | ... | production accountant |
