Indie films have scored some impressive figures at Spanish box office this year.
As the Spanish film industry comes together at Valladolid International Film Week (known locally as the Seminici), one of the big talking points will be how to make independent films stand out at the local box office.
Although Spain’s box office in the year to mid-October has grossed €400m, 35% higher than the same period in 2022, it is still 17% lower than the 2015-2019 pre-Covid average.
US studio blockbusters led the charge, headed by Barbie ($35.2m), Super Mario Bros. Movie ($29m), Avatar: The Way Of Water, ($26.9m) Oppenheimer...
As the Spanish film industry comes together at Valladolid International Film Week (known locally as the Seminici), one of the big talking points will be how to make independent films stand out at the local box office.
Although Spain’s box office in the year to mid-October has grossed €400m, 35% higher than the same period in 2022, it is still 17% lower than the 2015-2019 pre-Covid average.
US studio blockbusters led the charge, headed by Barbie ($35.2m), Super Mario Bros. Movie ($29m), Avatar: The Way Of Water, ($26.9m) Oppenheimer...
- 10/23/2023
- by Emilio Mayorga
- ScreenDaily
Spain’s Basque Country, an ever-evolving film hub, continues to see a consolidation of talent driven by an animation boom alongside an increase in the production of ambitious genre cinema, marked by the colossal success of recent projects on streaming platforms and pick-ups by labs and festivals.
As San Sebastian unspools, the sequel to “The Platform,” the second most watched non-English Netflix movie in the streamer’s history, is in production in the Basque Country, produced by Carlos Juárez at Basque Films. Director Paul Urkijo, who opened the Fantastic Pavilion, heads to the fest to screen“Irati,” which has broken box office records for a Basque film and continues its prize trawl at festivals.
Spanish helmer Carlota Pereda’s follow-up to “Piggy,” “The Chapel” was produced in the region by Filmax and the Basque Country’s Bixagu, co-founded by producer Iñaki Gómez and amusing and intimate short effort “Priorities,” (“Prioridades”) from writer-director Tamara Lucarini Cortés,...
As San Sebastian unspools, the sequel to “The Platform,” the second most watched non-English Netflix movie in the streamer’s history, is in production in the Basque Country, produced by Carlos Juárez at Basque Films. Director Paul Urkijo, who opened the Fantastic Pavilion, heads to the fest to screen“Irati,” which has broken box office records for a Basque film and continues its prize trawl at festivals.
Spanish helmer Carlota Pereda’s follow-up to “Piggy,” “The Chapel” was produced in the region by Filmax and the Basque Country’s Bixagu, co-founded by producer Iñaki Gómez and amusing and intimate short effort “Priorities,” (“Prioridades”) from writer-director Tamara Lucarini Cortés,...
- 9/26/2023
- by Holly Jones
- Variety Film + TV
8th century. Christianity spreads throughout Europe while pagan beliefs disappear. Faced with the attack of Charlemagne‘s army crossing the Pyrenees, the leader of the valley asks for help from an ancestral goddess. Through a blood pact, he defeats the enemy by giving his life in exchange, but first, he makes his son Eneko promise to protect and lead his people in the new era. Years later, Eneko faces that promise with a mission: to recover his father’s body buried in a pagan manner next to Charlemagne’s treasure. Despite his Christian faith, he will need the help of Irati, an enigmatic pagan of the area. The two young people will enter a strange and inhospitable forest where “everything that has a name exists”.
Irati is a Basque film (Spain) directed by Paul Urkijo Alijo and starring Edurne Azkarate, Eneko Sagardoy and Itziar Ituño.
Release Date
May 5
Where to...
Irati is a Basque film (Spain) directed by Paul Urkijo Alijo and starring Edurne Azkarate, Eneko Sagardoy and Itziar Ituño.
Release Date
May 5
Where to...
- 5/3/2023
- by Movies Martin Cid Magazine
- Martin Cid Magazine - Movies
Irati
Irati was screened as part of the Frightfest strand at 2023's Glasgow Film Festival. It was originally scheduled for ten to four in the afternoon, but technical difficulties meant it couldn't be shown at that time. Instead, with no small measure of effort behind the scenes, it was shown at eleven o'clock that same evening. Frightfest screenings usually sell out near instantaneously. However porous the borders of horror are, its fans are tightly-knit in their support. That nightmare of exhibition was a happy accident for us at Eye For Film, as it meant that we were able to fit it into our schedule, and, equally luckily, fit ourselves into the cinema.
Alan Jones and Paul Urkijo Alijo in the Glasgow Film Theatre Photo: Andrew Robertson
It was introduced by Frightfest's Alan Jones and the film's director Paul Urkijo Alijo, who were greeted by rapturous applause. There was clear gratitude from Alijo,...
Irati was screened as part of the Frightfest strand at 2023's Glasgow Film Festival. It was originally scheduled for ten to four in the afternoon, but technical difficulties meant it couldn't be shown at that time. Instead, with no small measure of effort behind the scenes, it was shown at eleven o'clock that same evening. Frightfest screenings usually sell out near instantaneously. However porous the borders of horror are, its fans are tightly-knit in their support. That nightmare of exhibition was a happy accident for us at Eye For Film, as it meant that we were able to fit it into our schedule, and, equally luckily, fit ourselves into the cinema.
Alan Jones and Paul Urkijo Alijo in the Glasgow Film Theatre Photo: Andrew Robertson
It was introduced by Frightfest's Alan Jones and the film's director Paul Urkijo Alijo, who were greeted by rapturous applause. There was clear gratitude from Alijo,...
- 4/23/2023
- by Andrew Robertson
- eyeforfilm.co.uk
Over the past 20 years or so, a surfeit of arthouse titles and an older demographic turning away from theaters have worn away at the sales of non-English language films.
Currently, cinema across the world, and especially arthouse, is stuck between a rock — global streamers often paying less, striking fewer worldwide deals and buying fewer finished movies — and a hard place: a pandemic-drained theatrical business for all but a few tentpoles.
“A few years ago, even if a film wasn’t perfect and had limited festival play, it sold at least a little,” says Film Factory founder Vicente Canales. “Now, either a film works, and sells pretty much the world, or it doesn’t work at all.”
Yet Spain’s top sales agents remain broadly optimistic about the future.
For one thing, some films do still do business, led by new titles from star auteurs that have A-festival play, such as...
Currently, cinema across the world, and especially arthouse, is stuck between a rock — global streamers often paying less, striking fewer worldwide deals and buying fewer finished movies — and a hard place: a pandemic-drained theatrical business for all but a few tentpoles.
“A few years ago, even if a film wasn’t perfect and had limited festival play, it sold at least a little,” says Film Factory founder Vicente Canales. “Now, either a film works, and sells pretty much the world, or it doesn’t work at all.”
Yet Spain’s top sales agents remain broadly optimistic about the future.
For one thing, some films do still do business, led by new titles from star auteurs that have A-festival play, such as...
- 2/17/2023
- by John Hopewell and Callum McLennan
- Variety Film + TV
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