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The title sequence for this episode, and all the episodes, was done as a camera crab along a Photoblowup (PBU) of Hans Holbein's painting of Christ in the Tomb, over which the episode title and opening credits were superimposed. The camera was a Pye Mk 5 Image Orthicon on a Vinten Hydraulic Pedestal, and the cameraman was Dave Lamb.
The title sequence for this episode, and all the episodes, was done as a camera crab along a Photoblowup (PBU) of Hans Holbein's painting of Christ in the Tomb, over which the episode title and opening credits were superimposed. The camera was a Pye Mk 5 Image Orthicon on a Vinten Hydraulic Pedestal, and the cameraman was Dave Lamb.
Correction to submission:
181007-103345-989000
Apologies: error in the name of the cameraman:
WAS and the cameraman was Dave Lamb.
IS and the cameraman was Dave Mutton.
The program was typical of BBC production of the time: theatrical style, multi-camera, live or as live drama.
Apologies: error in the name of the cameraman:
WAS and the cameraman was Dave Lamb.
IS and the cameraman was Dave Mutton.
The program was typical of BBC production of the time: theatrical style, multi-camera, live or as live drama.